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An all-star urban fantasy collection featuring short stories from #1 New York Times bestselling authors Jim Butcher, Patricia Briggs, Charlaine Harris, Kelley Armstrong, and more . . . In this short story collection of courage, adventure, and magic, heroes—ordinary people who do the right thing—bravely step forward. But running toward danger might cost them everything. . . . In #1 New York Times bestselling author Jim Butcher’s “Little Things,” the pixie Toot-Toot discovers an invader unbeknownst to the wizard Harry Dresden . . . and in order to defeat it, he’ll have to team up with the dread cat Mister. In #1 New York Times bestselling author Patricia Briggs’s “Dating Terrors,” the werewolf Asil finds an online date might just turn into something more—if she can escape the dark magic binding her. In #1 New York Times bestselling author Charlaine Harris’s “The Return of the Mage,” the Britlingen mercenaries will discover more than they’ve bargained for when they answer the call of a distress beacon on a strange and remote world. And in #1 New York Times bestselling author Kelley Armstrong’s “Comfort Zone,” the necromancer Chloe Saunders and the werewolf Derek Souza are just trying to get through college. But they can’t refuse a ghost pleading for help. ALSO INCLUDES STORIES BY Annie Bellet * Anne Bishop * Jennifer Brozek * Kevin Hearne * Nancy Holder * Kerrie L. Hughes * Chloe Neill * R.R. Virdi
Minority.
One farm. Two worlds. Three generations. Fuelled by dreams of a rural idyll, Lorna Sixsmith and her husband swap the 9 to 5 for a return to her family's ancestral farm at Garrendenny. They love the fields and lanes of their corner of Ireland where their black and white herd flourishes, the land where the patterns of their lives echo those of generations of Sixsmiths before them. But a rural existence isn't a heaven on earth. Bad weather, runaway bulls, temperamental farm machinery and cows that refuse to be milked can test anyone's patience. But not for too long – the fields, the animals and the laughter always win out. Warm, witty and wise, Lorna Sixsmith effortlessly mixes family memories, social history and her own hard-won insights into life on the land. Praise for Till the Cows Come Home 'A mesmerising tale of Irish farming ... From top cow Delilah to the stranger at the silage table, the jobs, joys and challenges are skilfully tied together ... Lorna Sixsmith is a natural storyteller in the vein of Alice Taylor.' – ANN FITZGERALD, author of A Year on Our Farm and journalist with Farming Independent 'A strong female farming voice and a vivid sense of a rural childhood ... Drink in rural life for the first time or get lost in pleasant memories. A must-read memoir.' – SHARON THOMPSON, author of The Abandoned
It’s a heartfelt celebration of family dinners—the comforting, delicious food that memories are made of—by the new doyenne of Southern cooking. Christy Jordan is a former editor-at-large of Southern Living, a contributing editor to Taste of the South, and publisher of the wildly popular blog SouthernPlate.com—boasting nearly 1 million unique visitors per month, over 60,000 e-newsletter subscribers, and more than 50,000 Facebook fans. She’s appeared on TODAY, Paula Deen, and QVC, among many other media outlets, and her first book, Southern Plate (William Morrow), has 107,000 copies in print. Conceived and written to reflect the reality of today’s hectic schedules—and the need to gather around the dinner table—Come Home to Supper offers more than 200 deeply satisfying dishes that are budget-minded, kid-friendly, and quick. These are the everyday meals that Christy Jordan most loves to cook, and her family most loves to eat, and she serves them up with generous helpings of her folksy wisdom, gratitude, and lively stories. Many of the recipes make ingenious use of the slow cooker or a single pot or skillet; require easily found supermarket ingredients; and are packed with time-saving tips and shortcuts. And the menu, well, it’s all good, includingCrispy Breaded Pork Chops with Milk Gravy, Beef and Broccoli,Spicy Fried Chicken,Craving Beans, Summer Corn Salad, Slow Cooker Baked Apples,Ice Cream Rolls, andCinnamon Pudding Cobbler. Or to put it like Christy Jordan, food to make your family “smile louder.”
Mr. Butters had a long morning of jumping, climbing and pouncing and wanted to take his daily nap. Unfortunately every time Mr. Butters searched out an old napping place it was always unavailable. After many attempts at finding a location to nap, he finds the perfect spot.
Nora waits hungrily for her mother to return from work and her father to finish preparing dinner. To pass the time, her Baba tells her abotu his childhood in Morocco and a much longer and hungrier wait for his father to bring back food during the famine.
Just before her death, Macie Zanderneff wrote a letter to her loved ones stating that she planned to come home to the mountains with her two daughters. A few days later, the sheriff delivers the unbelievable news of Macie's suicide to her adoptive parents, Aunt Mae and Uncle Hume, and the rest of the family. When Macie's diary marked, "A Fairy Tale" is discovered in her meager belongings, it becomes obvious that her marriage was far from the "happily ever after" that she made it out to be. The diary gives an account of her daily life-a living hell-and how she attempts to get away from her physically and emotionally abusive husband. It becomes Aunt Mae's mission to determine why her daughter and others stay in abusive situations. She becomes so persistent, she learns that even some of her friends and neighbors have been or are currently involved in abusive relationships. Why Didn't She Just Leave and Come on Back Home? follows Aunt Mae's journey for answers about obsessive love, extreme passion, and the mystery of abusive relationships, and how she uses her newfound knowledge to help other abused women.
Anne Panning's fiction has been described as warm and original by Publishers Weekly, intelligent and humorous by the Boston Globe, graceful and wry by Booklist, and infectious and enchanting by the New York Times. In fact, Panning's last collection of short stories, Super America, was a New York Times Book Review Editor's Choice Enter this exciting new novel, the best work yet from a writer whose astute observations of American life are as honest as they are engaging. Butter is a coming of age tale set against the backdrop of small-town Minnesota during the 1970s and told from the perspective of an eleven-year-old girl, Iris, who learns from her parents that she is adopted. The story of Iris's childhood is at first beguiling and innocent: hers is a world filled with bell-bottoms and Barbie dolls, Shrinky Dinks and Shaun Cassidy records, TV dinners and trips to grandma's. But as her parents' marriage starts to unravel, Iris grows more and more observant of disintegration all around her, and the simple cadences of her story quickly attain an unnerving tension as she wavers precariously between girlhood and adolescence. In the end, Iris's story represents a profound meditation on growing up estranged in small town America—on being an outsider in a world increasingly averse to them. Passionate, lyrical, and disquieting, this intensely moving novel is a rich exploration of a crucial theme in American literature that will confirm Anne Panning's place as a major figure in the world of contemporary fiction.
A girl with anxiety disorder finds an unlikely friend -- and emotional support animal -- in the form of an adorable fainting goat. Twelve-year-old Marvel is afraid of absolutely everything -- amusement park rides, food poisoning, earthquakes, and that big island of plastic floating through the ocean. She also obsesses about smaller worries like making friends, getting called on by the teacher, and walking home alone. Her parents and the school therapist call her worries an anxiety disorder, but Marvel calls them armor. If something can happen, it will. She needs to be prepared. But when Marvel stumbles on a group of older kids teasing a baby goat that has mysteriously shown up on the soccer field, she momentarily forgets to be afraid and rescues the frightened animal. Only Butter isn't any old goat. She's a fainting goat. When Butter feels panic, she freezes up and falls over. Marvel knows exactly how Butter feels and precisely what Butter needs -- her. Twelve-year-old Marvel is afraid of absolutely everything -- amusement park rides, food poisoning, earthquakes, and that big island of plastic floating through the ocean. She also obsesses about smaller worries like making friends, getting called on by the teacher, and walking home alone. Her parents and the school therapist call her worries an anxiety disorder, but Marvel calls them armor. If something can happen, it will. She needs to be prepared. But when Marvel stumbles on a group of older kids teasing a baby goat that has mysteriously shown up on the soccer field, she momentarily forgets to be afraid and rescues the frightened animal. Only Butter isn't any old goat. She's a fainting goat. When Butter feels panic, she freezes up and falls over. Marvel knows exactly how Butter feels and precisely what Butter needs--her. Soon, the two are inseparable, and Butter thrives under Marvel's support. But Butter also helps Marvel. Everything is better with Butter by her side, and Marvel starts to imagine a life in which she doesn’t have to be so afraid . . . until she’s told she might have to give up Butter forever. Will Marvel find a way to fight for her friend? Or will she revert back to the anxious, lonely person she used to be?