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Romantic history of girl who prefers a saxophone player to a millionaire as told by Lorelai.
Lorelei Lee is just a little girl from Little Rock who takes the world by storm to teach its gentlemen that "kissing your hand may make you feel very very good but a diamond and sapphire bracelet lasts forever." Anita Loos first published the diaries of the gold-digging blonde in 1925, forging a new archetype for the modern world.
Intertwines the stories of rock star and vampire Lestat, beautiful twins haunted by a gruesome tragedy, and Akasha, mother of all vampires, who dreams of godhood.
"I adored Anita, as did the entire fashion and literary world. She was four feet nine inches of lithe, slender, dramatic chic."—Carol Channing "This book celebrates a character as memorable as any Anita Loos created in her writing. She was an indomitable, wise-cracking prodigy who not only helped create Hollywood, but managed to survive it."—John Sayles "If we can't have the wonderful Anita Loos-smart, witty, literate and fun- writing today's Hollywood movies, at least we can get reacquainted with her and her work through this delightful book. Filled with previously unpublished material, it shows that while gentlemen may have preferred blondes, everyone else in town wisely preferred the irresistible Ms. Loos."—Kenneth Turan, film critic for the Los Angeles Times "This is a wonderful book about a talented, fascinating, and groundbreaking woman. Her life epitomizes a certain era in show business and describes a Hollywood in which few women were allowed to rise to the top. Anita Loos did and we were all the beneficiaries. I loved the book!"—Peter Duchin "Not only is it valuable to have these delightful Anita Loos pieces, but the biographical chapters are fascinating too."—Kevin Brownlow, author of David Lean: A Biography
"This anthology makes it abundantly clear that feminist film criticism is flourishing and has developed dramatically since its inception in the early 1970s." —Journal of Aesthetics and Art Criticism Erens brings together a wide variety of writings and methodologies by U.S. and British feminist film scholars. The twenty-seven essays represent some of the most influential work on Hollywood film, women's cinema, and documentary filmmaking to appear during the past decade and beyond. Contributors include Lucie Arbuthnot, Linda Artel, Pam Cook, Teresa de Lauretis, Mary Ann Doane, Elizabeth Ellsworth, Lucy Fischer, Jane Gaines, Mary C. Gentile, Bette Gordon, Florence Jacobowitz, Claire Johnston, E. Ann Kaplan, Annette Kuhn, Julia Lesage, Judith Mayne, Sonya Michel, Tania Modleski, Laura Mulvey, B. Ruby Rich, Gail Seneca, Kaja Silverman, Lori Spring, Jackie Stacey, Maureen Turim, Diane Waldman, Susan Wengraf, Linda Williams, and Robin Wood.
By the early 1950s, Jane Russell (1921–2011) should have been forgotten. Her career was launched on what is arguably the most notorious advertising campaign in cinema history, which invited filmgoers to see Howard Hughes's The Outlaw (1943) and to "tussle with Russell." Throughout the 1940s, she was nicknamed the "motionless picture actress" and had only three films in theaters. With such a slow, inauspicious start, most aspiring actresses would have given up or faded away. Instead, Russell carved out a place for herself in Hollywood and became a memorable and enduring star. Christina Rice offers the first biography of the actress and activist perhaps most well-known for her role in Gentlemen Prefer Blondes (1953). Despite the fact that her movie career was stalled for nearly a decade, Russell's filmography is respectable. She worked with some of Hollywood's most talented directors—including Howard Hawks, Raoul Walsh, Nicholas Ray, and Josef von Sternberg—and held her own alongside costars such as Marilyn Monroe, Robert Mitchum, Clark Gable, Vincent Price, and Bob Hope. She also learned how to fight back against Howard Hughes, her boss for more than thirty-five years, and his marketing campaigns that exploited her physical appearance. Beyond the screen, Rice reveals Russell as a complex and confident woman. She explores the star's years as a spokeswoman for Playtex as well as her deep faith and work as a Christian vocalist. Rice also discusses Russell's leadership and patronage of the WAIF foundation, which for many years served as the fundraising arm of the International Social Service (ISS) agency. WAIF raised hundreds of thousands of dollars, successfully lobbied Congress to change laws, and resulted in the adoption of tens of thousands of orphaned children. For Russell, the work she did to help unite families overshadowed any of her onscreen achievements. On the surface, Jane Russell seemed to live a charmed life, but Rice illuminates her darker moments and her personal struggles, including her empowered reactions to the controversies surrounding her films and her feelings about being portrayed as a sex symbol. This stunning first biography offers a fresh perspective on a star whose legacy endures not simply because she forged a notable film career, but also because she effectively used her celebrity to benefit others.
“Kissing your hand may make you feel very very good, but a diamond and safire bracelet lasts forever.” Anita Loos first published the diaries of the gold-digging blonde Lorelei Lee in the flapper days of 1925, forging a new archetype for the modern world. Gentlemen Prefer Blondes follows Lorelei and her best friend, Dorothy, from Hollywood to Manhattan to Paris and London, pursued by eager suitors all the while. In “the Central of Europe,” with a new diamond tiara in her handbag, Lorelei meets a traveling American millionaire who just might be the one. She retires her diary, but not for long, because, as she writes in the opening pages of But Gentlemen Marry Brunettes, “it is bright ideas that keep the home fires burning, and prevent a divorce from taking all of the bloom off Romance.” For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
Wish You Were Here: Travels Through Loss and Hope is the story of Amy Welborn’s trip to the island of Sicily with three of her children five months after her husband’s sudden death from a heart attack. Her journey through city and countryside, small town and ancient ruins, opens unexpected doors of memory and reflection, a pilgrimage of the heart and an exploration of the soul. It is an observant and wry memoir and travelogue, intensely personal yet speaking to universal experiences of love and loss. Along the narrow roads and hairpin turns, the narrative reveals the beauty of the ordinary and the commonplace and asks stark questions about how we fill the empty places that a loved one leaves behind. It is a meditation on the possibility of faith, one that is unflinching, uncompromising, and altogether unsentimental when confronted by the ultimate test of belief. This book is not only a well-told memoir, but a testimony to the truth that love is stronger than death.