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Este libro es un viaje penetrante, emocionante y decisivo en busca de la verdad divina en cuanto al Creador, la religión, la iglesia y su organización, y el plan de salvación. Acompañe al presentador mientras responde preguntas espiritualmente vitales.
In our world, everyone is searching for something. If you are searching for answers to questions regarding God, Jesus, hope, happiness, faith, life after death, good and evil, the church, the Bible, God's plan for you, or Jesus' love for you, the answers to these can be found in this book.This book includes extended question sections, including a "Section Review" after each section and a "Chapter Review" at the end of each chapter. To close-out the chapter there is a "Digging Deeper" section, which includes additional verses on the subject matter that are not used in the text with questions regarding those verses. The answer to every question can be found in the Answer Key section at the end of the book.
This work attempts to reach an understanding of Rodolfo Usigli's theater as a whole through the analysis of a dozen of his most representative pieces. The chapters are grouped according to type: political satire, political fantasy, social drama, psychological drama, historical themes, and the universal dimension. Illustrated.
An exciting story that sweeps from sea to shining sea, "The Speaker" weaves a mystery throughout the mayhem of America’s political arena, going straight to the heart of what it truly means to be an American. The country is in legislative, economical, and moral turmoil. The next presidential election looms near, and political parties are at each other’s throats. The nation’s future rests on uneasy ground. But amidst all the chaos going into November’s preparations, one voice will stand out from the crowd. A voice speaking not only of freedom for the nation, but freedom for the soul. Nobody knows who he is or where he came from, but soon every American will know his name.
Reflecting theologically on the 50-year history of ecclesial base communities in El Salvador, this book argues that the church of the poor is a decolonial sacrament of the reign of God. The authors challenge Christians to unlearn colonial expressions of faith, concluding with a retrieval of solidarity in the Catholic social tradition.
Adopting an interdisciplinary approach, this book investigates the style, or ‘voice’, of English language translations of twentieth century Latin American writing. The style of the different translators is subjected to a close linguistic investigation within their cultural and ideological framework
2023 de la Torre Bueno® First Book Award, Dance Studies Association The impact of folkloric dance and performance on Mexican cultural politics and national identity. The years between 1910 and 1940 were formative for Mexico, with the ouster of Porfirio Díaz, the subsequent revolution, and the creation of the new state. Amid the upheaval, Mexican dance emerged as a key arena of contestation regarding what it meant to be Mexican. Through an analysis of written, photographic, choreographic, and cinematographic renderings of a festive Mexico, Choreographing Mexico examines how bodies in motion both performed and critiqued the nation. Manuel Cuellar details the integration of Indigenous and regional dance styles into centennial celebrations, civic festivals, and popular films. Much of the time, this was a top-down affair, with cultural elites seeking to legitimate a hegemonic national character by incorporating traces of indigeneity. Yet dancers also used their moving bodies to challenge the official image of a Mexico full of manly vigor and free from racial and ethnic divisions. At home and abroad, dancers made nuanced articulations of female, Indigenous, Black, and even queer renditions of the nation. Cuellar reminds us of the ongoing political significance of movement and embodied experience, as folklórico maintains an important and still-contested place in Mexican and Mexican American identity today.
Kathleen Zepeda began writing at nine years old but was known as poet when she was twelve years old. She wrote a variety of styles including love poems, religious poems, surrealist poems, and aphorisms.