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Immediately after the Civil War, white women across the South organized to retrieve the remains of Confederate soldiers. In Virginia alone, these Ladies' Memorial Associations (LMAs) relocated and reinterred the remains of more than 72,000 soldiers. Challenging the notion that southern white women were peripheral to the Lost Cause movement until the 1890s, Caroline Janney restores these women as the earliest creators and purveyors of Confederate tradition. Long before national groups such as the Woman's Christian Temperance Union and the United Daughters of the Confederacy were established, Janney shows, local LMAs were earning sympathy for defeated Confederates. Her exploration introduces new ways in which gender played a vital role in shaping the politics, culture, and society of the late nineteenth-century South.
“A fearless and brutal look at friendships...you will laugh, rage, and mourn its loss when it’s over.” —Justina Ireland, New York Times bestselling author of Dread Nation “Simultaneously hilarious and moving, weird and wonderful.” —Jeff Zentner, Morris Award–winning author of The Serpent King Six Feet Under meets Pushing Daisies in this quirky, heartfelt story about two teens who are granted extra time to resolve what was left unfinished after one of them suddenly dies. A good friend will bury your body, a best friend will dig you back up. Dino doesn’t mind spending time with the dead. His parents own a funeral home, and death is literally the family business. He’s just not used to them talking back. Until Dino’s ex-best friend July dies suddenly—and then comes back to life. Except not exactly. Somehow July is not quite alive, and not quite dead. As Dino and July attempt to figure out what’s happening, they must also confront why and how their friendship ended so badly, and what they have left to understand about themselves, each other, and all those grand mysteries of life. Critically acclaimed author Shaun Hutchinson delivers another wholly unique novel blending the real and surreal while reminding all of us what it is to love someone through and around our faults.
Fran is preparing for her forthcoming wedding to Assistant Chief Constable Mark Turner, but renovations at the rectory they plan to move into are disrupted by the discovery of a skeleton buried in the vegetable patch. As investigations into its identity progress, it's also clear that Mark's two grown-up children are less than ecstatic at the prospect of their father's forthcoming nuptials. In fact, at least one of them seems to be behaving very strangely indeed . . .
Historians go to great lengths to avoid confronting discontinuity, searching for explanations as to why such events as the fall of the Berlin Wall, George W. Bush's invasion of Iraq, and the introduction of the euro logically develop from what came before. Moved by the Past radically breaks with this tradition of predating the past, incites us to fully acknowledge the discontinuous nature of discontinuities, and proposes to use the fact that history is propelled by unforeseeable leaps and bounds as a starting point for a truly evolutionary conception of history. Integrating research from a variety of disciplines, Eelco Runia identifies two modes of being "moved by the past": regressive and revolutionary. In the regressive mode, the past may either overwhelm us—as in nostalgia—or provoke us to act out what we believe to be solidly dead. When we are moved by the past in a revolutionary sense, we may be said to embody history: we burn our bridges behind us and create accomplished facts we have no choice but to live up to. In the final thesis of Moved by the Past, humans energize their own evolution by habitually creating situations ("catastrophes" or sublime historical events) that put a premium on mutations. This book therefore illuminates how every now and then we chase ourselves away from what we were and force ourselves to become what we are. Proposing a simple yet radical change in perspective, Runia profoundly reorients how we think and theorize about history.
Post Traumatic Stress Disorder forces American Naval Officer Zane Erickson to re-evaluate his life. A posting to untroubled New Zealand, after years in Afghanistan, should allow him to bond with his motherless teenage son. Unfortunately Cody doesn't share his father's enthusiasm for this new living arrangement. Kelsey Hewitt is a single mother wrestling with her son's drinking problem. She struggles to keep the truth about his abusive father from him and is determined to exclude men from her life. As Kelsey and Zane are drawn together by the boys' friendship, they each have compelling reasons to avoid any possible intimacy. Through dealing with their sons' dilemmas, their attraction for each other deepens. Can Kelsey risk allowing another control freak into her life?
The Buried Past presents the most significant archaeological discoveries made in one of America's most historic cities. Based on more than thirty years of intensive archaeological investigations in the greater Philadelphia area, this study contains the first record of many nationally important sites linking archaeological evidence to historical documentation, including Interdependence and Valley Forge National Historical Parks. It provides an archaeological tour through the houses and life-ways of both the great figures and the common people. It reveals how people dined, what vessels and dishes they used, and what their trinkets (and secret sins) were.
We all have our "inner-child" within us. Madeline Elsworth is a fifty-eight year old social worker whose life and her familys lives are affected by her lost "inner-child", Maddie. The fourth, fifth, and sixth years of her childhood are missing. Until she locates Maddie and lives those three years with her, Madeline can It be a whole person. Madeline lives in California as the woman she thinks she should be--an educated stable wife of a surgeon and mother of two adult daughters. Shes an "actress" going through her "role of life". As she grows older, reality is becoming too frightening so shes withdrawing and becoming more dependent on her family instead of being a participating member. Madeline believes her mother passed away during her childhood. When she learns her mother has just recently died, she is forced to return alone to her childhood environment in Pennsylvania to find her lost childhood years. As Maddie begins to appear, Madeline chooses to be in denial and doesnt want to leave her "safe place" so she sees Maddie as a very happy child and her childhood as a happy one. As Maddie continues appear.inq to her, she starts seeing things she doesn It want to acknowledge. Madeline keeps running away to her migraine headaches and Codeine to lessen her discomfort. But Madeline begins to feel love for Maddie and wants to defend and protect her. With the help of her old friend and psychiatrist, Doctor Bob, she starts trusting Maddie and wants to know her better. As a result, Maddie developes a need for Madeline to help her and opens up to her. Maddie slowly reveals her fears and horror she had suffered during those lost three years. With the support of the caring new people Madeline meets in her old hometown and her growing concern for Maddie, she finds new strength to help her "inner-child". Theres the friendly mortician who had known Maddie; theres the Ott family who gives support; theres Uncle Arthur who shares Maddies mothers younger years with her maternal grandparents; theres the attorney who fills in the blanks in her memory of her father and paternal grandparents; and then there are the memories of a sweet, loving Down s Syndrome boy whose love and devotion had helped Maddie survive. Madeline lives through Maddie s fourth, fifth, and sixth years with her and helps her "inner-child" cope with each horrific episode she had encountered. As Madeline holds her hand and walks by her side through those years, Maddie developes the courage to take Madeline back to the terror-filled events of her childhood. Madeline sees the abuse by her Schizophrenic mother; the absence of her loving father; the taunting and bullying by a neighborhood boy; the feeling of loneliness; facing the deaths of loved ones; and finally, almost her own death. As Maddie conquers her fears, she no longer needs to hide within Madelines psyche. Madeline experiences a beautiful feeling of freedom--freedom from the fear of devastating emotional pain. She emerges as the confident, self-loving woman she wants to be. She can now love her family and others with the deep trusting love she could never allow. Shes become a "whole person".
Amnesiopolis explores the construction of Marzahn, the largest prefabricated housing project in East Germany, built on the outskirts of East Berlin in the 1970s and 1980s, and touted by the regime as the future of socialism. It focuses particularly on the experience of East Germans who moved, often from crumbling slums left over as a legacy of the nineteenth century, into this radically new place - one defined by pure functionality and rationality - a material manifestation of the utopian promise of socialism. Eli Rubin employs methodologies from critical geography, urban history, architectural history, environmental history, and everyday life history to ask whether their experience was a radical break with their personal pasts and the German past. Amnesiopolis asks: can a dramatic change in spatial and material surroundings sever the links of memory that tie people to their old life narratives, and if so, does that help build a new socialist mentality in the minds of historical subjects? The answer is yes and no-as much as the East German state tried to create a completely new socialist settlement, divorced of any links to the pre-socialist past, the massive construction project uncovered the truth buried-literally-in the ground, which was that the urge to colonize the outskirts of Berlin was not new at all. Furthermore, the construction of a new city out of nothing, using repeating, identical buildings, created a panopticon-like effect, giving the Stasi the possibility of more complete surveillance than they previously had.
The second novel in nationally bestselling author K.A. Tucker’s breathtaking romantic suspense series, about an undercover detective who is dangerously drawn to her target. Luke Boone doesn't know exactly what his uncle Rust is involved in but he wants in on it—the cars, the money, the women. And it looks like he's finally getting his wish. When Rust hands him the managerial keys to the garage, they come with a second set—one that opens up the door to tons of cash and opportunity. Though it's not exactly legal, Luke's never been one to worry about that sort of thing. Especially when it puts him behind the wheel of a Porsche 911 and onto the radar of gorgeous socialite named Rain. Clara Bertelli is at the top of her game—at only twenty-six years old, she's one of the most successful undercover officers in the Washington, DC, major crime unit, and she's just been handed a case that could catapult her career and expose one of the West coast's most notorious car theft rings. But, in order to do it, she'll need to go deep undercover as Rain Martines. Her target? The twenty-four-year-old nephew of a key player who appears ready to follow in his uncle's footsteps. As Clara drifts deeper into the luxurious lifestyle of Rain, and further into the arms of her very attractive and charming target, the lines between right and wrong start to blur, making her wonder if she'll be able to leave it all behind. Or if she'll even want to.