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SUB TITLE:How Christ Can Remove Rebellion from Our Hearts
The Age of Man has begun. The "undesirable" creatures of legend have been driven from their lands, magic has been forsaken, the old gods reduced to myth.Now humans will rule the kingdoms of the island continent of Pentania. But they are not alone. Alson's king has been assassinated, its capital besieged by a malevolent wizard. The chaos and terror now sweeping the land have come to the remote village of Diln -- sending young Jarom far from his home to seek aid against the nefarious usurper. But a mysterious council has decreed Jarom must find one of the mythical Swords of Asahiel -- the divine talismans the elven avatars used to forge the earth -- in order to save a quarrelsome, fledgling humanity. For a Demon Queen has awakened from the abyss -- and humankind is about to discover its powerlessness in the face of the ancient terrors of the world.
An epic saga of love and war, Shadow of the Swords tells the story of the Crusades—from the Muslim perspective. Saladin, a Muslim sultan, finds himself pitted against King Richard the Lionheart as Islam and Christianity clash against each other, launching a conflict that still echoes today. In the midst of a brutal and unforgiving war, Saladin finds forbidden love in the arms of Miriam, a beautiful Jewish girl with a tragic past. But when King Richard captures Miriam, the two most powerful men on Earth must face each other in a personal battle that will determine the future of the woman they both love—and of all civilization. Richly imagined, deftly plotted, and highly entertaining, Shadow of the Swords is a remarkable story that will stay with readers long after the final page has been turned.
From the award-winning author of Swordspoint comes a witty, wicked coming-of-age story that is both edgy and timeless. . . . Welcome to Riverside, where the aristocratic and the ambitious battle for power and prestige in the city’s labyrinth of streets and ballrooms, theatres and brothels, boudoirs and salons. Into this alluring and alarming world walks a bright young woman ready to take it on and make her fortune. A well-bred country girl, Katherine knows all the rules of conventional society. Her biggest mistake is thinking they apply. Katherine’s host and uncle, Alec Campion, the capricious and decadent Mad Duke Tremontaine, is in charge here—and to him, rules are made to be broken. When he decides it would be far more amusing for his niece to learn swordplay than to follow the usual path to ballroom and husband, her world changes forever. And there’s no going back. Blade in hand, it’s up to Katherine to find her own way through a maze of secrets and betrayals, nobles and scoundrels—and to gain the power, respect, and self-discovery that come to those who master. . . . “Unholy fun, and wholly fun . . . an elegant riposte, dazzlingly executed.”—Gregory Maguire, New York Times bestselling author of Wicked
This is the first fully annotated, academic edition of the Book of Mormon in its 200-year history. Modelled after the Oxford line of annotated Bibles, it provides readers with the information they need to understand this classic text of American religious history. This edition reformats the complete scriptural text in the manner of modern Bible translations with paragraphs, quotation marks, poetic stanzas, and section headings, all of which clarify the book's complicated narrative structure. As a result, readers experience a more accessible and readable presentation than the standard version. Annotations explain the meaning and context of specific passages, delineate extended arguments, identify rhetorical patterns, explore theological implications, highlight ancient and modern parallels, and point out intertextual connections, particularly with the Bible. The Book of Mormon is subdivided into internal books; in this edition, each book is preceded by an introduction that discusses its key themes and literary features, at the same time offering a quick overview of major figures, events, and sermons. The three primary narrators--Nephi, Mormon, and Moroni--receive special attention. In addition to the annotations, which focus on the text itself, there are twelve general essays that introduce readers to various ongoing conversations about the text. There are also several maps and charts, as well as a comprehensive list of biblical quotations and allusions. The editorial material is informed by contemporary biblical and historical scholarship; while it deals forthrightly with both the strengths and weaknesses of the narrative, it nevertheless treats the Book of Mormon as a sacred text, worthy of careful study and respect.
"An early masterpiece from the winner of the Nobel Prize hailed as the laureate of life under totalitarianism. Romania--the last months of the Ceausescu regime. Adina is a young schoolteacher. Paul is a musician. Clara works in a wire factory. Pavel is Clara's lover. But one of them works for the secret police and is reporting on all of the group. One day Adina returns home to discover that her fox fur rug has had its tail cut off. On another occasion it's the hindleg. Then a foreleg. The mutilated fur is a sign that she is being tracked by the secret police--the fox was ever the hunter. Images of photographic precision combine into a kaleidoscope of terror as Adina and her friends struggle to keep mind and body intact in a world pervaded by complicity and permeated with fear, where it's hard to tell victim from perpetrator. In The Fox Was Always a Hunter, Herta Mèuller once again uses language that displays the "concentration of poetry and the frankness of prose"--As the Swedish Academy noted upon awarding her the Nobel Prize--to create a hauntingly cinematic portrayal of the corruption of the soul under totalitarianism"--
As the only female detective in Tokyo's most elite police unit, Mariko Oshiro has to fight for every ounce of respect, especially from her new boss. But when he gives her the least promising case possible, the attempted theft of an old samurai sword, it proves more dangerous than anyone on the force could have imagined. Mariko's investigation has put her on a collision course with a curse centuries old and as bloodthirsty as ever. She is only the latest in a long line of warriors and soldiers to confront this power, and even the sword she wields could turn against her.