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"“Autumn wind, autumn rain, fill my heart with sorrow”—these were the last words of Qiu Jin (1875–1907), written before she was beheaded for plotting to overthrow the Qing empire. Eventually, she would be celebrated as a Republican martyr and China’s first feminist, her last words committed to memory by schoolchildren. Yet during her lifetime she was often seen as eccentric, even deviant; in her death, and still more in the forced abandonment of her remains, the authorities had wanted her to disappear into historical oblivion.Burying Autumn tells the story of the enduring friendship between Qiu Jin and her sworn-sisters Wu Zhiying and Xu Zihua, who braved political persecution to give her a proper burial. Formed amidst social upheaval, their bond found its most poignant expression in Wu and Xu’s mourning for Qiu. The archives of this friendship—letters, poems, biographical sketches, steles, and hand-copied sutra—vividly display how these women understood the concrete experiences of modernity, how they articulated those experiences through traditional art forms, and how their artworks transformed the cultural traditions they invoked even while maintaining deep cultural roots. In enabling Qiu Jin to acquire historical significance, their friendship fulfilled its ultimate socially transformative potential."
"A linked biographical study of the enduring friendship of three women writers--Qiu Jin, Wu Zhiying. and Xu Zihua--in late Qing and early Republican China."--Provided by publisher.
Vols. for contain the "proceedings of the [annual] meeting."
It was after I ate King that everything started to go wrong in our entire family, as if someone had put an evil spell onto us, a hex - like a bad fairy godmother had said at my birth, when you are eleven you are going to be struck by a sorrow so big it will be like a lightning bolt. There will be grief like a sharp rock in your throat. Twelve-year-old Gussie was born with a rare, life-threatening heart disease, but it hasn't hampered her curiosity. When she reads about the Burying Beetle, which has the unusual habit of burying dead birds, mice, and other small animals by digging away the earth beneath them, it becomes her mission to find one. As she searches the Cornish coast for the elusive insect, Gussie learns to be like the Burying Beetle, to bury things past and to live. BACK COVER Meet Gussie. Twelve yhears old and settling into her new ramshackle home on a cliff top above St Ives, she has an irrepressible zest for life. She also has a life-threatening heart condition. But it's not in her nature to give up. Perhaps because she knows her time might be short, she values every passing moment, experiencing each day with humour and extraordinary courage. Spirited and imaginative, Gussie has a passionate interest in everything around her and her vivid stream of thoughts and observations will draw you into a renewed sense of wonder. Gussie's story of inspiration and hope is both heartwarming and heartrending. Once you've met her, you'll not forget her. And you'll never take life for granted again.
In this major new collection, an international team of scholars examine the relationship between the Chinese women's periodical press and global modernity in the late nineteenth and twentieth centuries. The essays in this richly illustrated volume probe the ramifications for women of two monumental developments in this period: the intensification of China's encounters with foreign powers and a media transformation comparable in its impact to the current internet age. The book offers a distinctive methodology for studying the periodical press, which is supported by the development of a bilingual database of early Chinese periodicals. Throughout the study, essays on China are punctuated by transdisciplinary reflections from scholars working on periodicals outside of the Chinese context, encouraging readers to rethink common stereotypes about lived womanhood in modern China, and to reconsider the nature of Chinese modernity in a global context.
If we place women at the center of our account of China’s last two centuries, how does this change our understanding of what happened? This deeply knowledgeable book illuminates the places where the Big History of recognizable events intersects with the daily lives of ordinary people, using gender as its analytic lens. Leading scholar Gail Hershatter asks how these events affected women in particular, and how women affected the course of these events. For instance, did women have a 1911 revolution? A socialist revolution? If so, what did those revolutions look like? Which women had them? Hershatter uses two key themes to frame her analysis. The first is the importance of women’s visible and invisible labor. The labor of women in domestic and public spaces shaped China’s move from empire to republic to socialist nation to rising capitalist power. The second is the symbolic work performed by gender itself. What women should do and be was a constant topic of debate during China’s transformation from empire to weak state to partially occupied territory to nascent socialist republic to reform-era powerhouse. What sorts of concerns did people express through the language of gender? How did that language work, and why was it so powerful? Drawing on decades of Hershatter’s groundbreaking scholarship and mastery of a range of literatures, this beautifully written book will be essential reading for all students of China’s modern history.