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This thorough introduction to the history, art, and culture of Arakan, an ancient state located in the northeast corner of Burma, explains and illustrates how Southeast Asia from the beginning of the first millennium absorbed and reinterpreted the influences of many cultures. It is written by a noted scholar who visited the area over many years while conducting research for her doctoral thesis on Arakan. Off the Bay of Bengal, in the northwest corner of Burma lie the splendid capital cites of ancient Arakan; Dhanyaawadi, Vesali and Mrauk-U (Myohaung) being the largest. Mentioned in Ptolemy's "Geographia" (2nd century), Arakan was from earliest times a cosmopolitan state with a vigorous and mixed culture. Indian Brahmins conducted the royal ceremonials, Buddhist monks spread their teachings, traders came and went, and artists and architects used Indian models for inspiration. Through Buddhism, Arakan came into contact with other remote countries, including Sri Lanka, Nepal, Tibet, and China. To the east were the many early empires of Southeast Asia: Burman, Siamese, and Khmer, while later came influences from the Islamic courts of Bengal and Delhi. This is the first comprehensive study on the history, art, and culture of Arakan. It also serves as an excellent introduction to the hitherto almost unknown bronze and stone art of Arakan.
A fresh and exciting exploration of Southeast Asian history from the 5th to 9th century, seen through the lens of the region's sculpture
This is the first book to disclose the cultural history, art and architecture of the country straddling India and Southeast Asia, today a state of Burma.
'An absorbing read. Exhaustively researched and gracefully written, The King in Exile tells a story of compelling human interest, filled with drama, pathos and tragedy... [It] heralds the arrival of a writer of non-fiction who is both uncommonly talented and exceptionally diligent...One of the great merits of [the book] is that it is completely free of jargon and theorizing. It is in essence a family story, centred on five women whose lives were waylaid by history' - Amitav Ghosh in his blog 'The captivity of Burma's last king and the fall of the Konbaung dynasty: a compelling new account' In 1879, as the king of Burma lay dying, one of his queens schemed for his forty-first son, Thibaw, to supersede his half brothers to the throne. For seven years, King Thibaw and Queen Supayalat ruled from the resplendent, intrigue-infused Golden Palace in Mandalay, where they were treated as demi-gods. After a war against Britain in 1885, their kingdom was lost, and the family exiled to the secluded town of Ratnagiri in British-occupied India. Here they lived, closely guarded, for over thirty-one years. The king's four daughters received almost no education, and their social interaction was restricted mainly to their staff. As the princesses grew, so did their hopes and frustrations. Two of them fell in love with 'highly inappropriate' men. In 1916, the heartbroken king died. Queen Supayalat and her daughters were permitted to return to Rangoon in 1919. In Burma, the old queen regained some of her feisty spirit as visitors came by daily to pay their respects. All the princesses, however, had to make numerous adjustments in a world they had no knowledge of. The impact of the deposition and exile echoed forever in each of their lives, as it did in the lives of their children. Written after years of meticulous research, and richly supplemented with photographs and illustrations, The King in Exile is an engrossing human-interest story of this forgotten but fascinating family.
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A New York Times Critics' Top Book of 2019 A Foreign Affairs Best Book of 2020 “An urgent book.” —Jennifer Szalai, New York Times During a century of colonialism, Burma was plundered for its natural resources and remade as a racial hierarchy. Over decades of dictatorship, it suffered civil war, repression, and deep poverty. Today, Burma faces a mountain of challenges: crony capitalism, exploding inequality, rising ethnonationalism, extreme racial violence, climate change, multibillion dollar criminal networks, and the power of China next door. Thant Myint-U shows how the country’s past shapes its recent and almost unbelievable attempt to create a new democracy in the heart of Asia, and helps to answer the big questions: Can this multicultural country of 55 million succeed? And what does Burma’s story really tell us about the most critical issues of our time?
The book The Lost Kingdom of Moyon (Bujuur): Iruwng (King) Kuurkam Ngoruw Moyon & The People of Manipur is not to produce a new history of Moyon, Who were earlier known as Bujuur, but rather to tell the true and authentical historical account of the Moyon people through the ages and centuries how their creator led them during their past lives. It also deals concerning kingship, and introduce the kingdom of God.
For nearly two decades Western governments and a growing activist community have been frustrated in their attempts to bring about a freer and more democratic Burma—through sanctions and tourist boycotts—only to see an apparent slide toward even harsher dictatorship. But what do we really know about Burma and its history? And what can Burma's past tell us about the present and even its future? In The River of Lost Footsteps, Thant Myint-U tells the story of modern Burma, in part through a telling of his own family's history, in an interwoven narrative that is by turns lyrical, dramatic, and appalling. His maternal grandfather, U Thant, rose from being the schoolmaster of a small town in the Irrawaddy Delta to become the UN secretary-general in the 1960s. And on his father's side, the author is descended from a long line of courtiers who served at Burma's Court of Ava for nearly two centuries. Through their stories and others, he portrays Burma's rise and decline in the modern world, from the time of Portuguese pirates and renegade Mughal princes through the decades of British colonialism, the devastation of World War II, and a sixty-year civil war that continues today and is the longest-running war anywhere in the world. The River of Lost Footsteps is a work both personal and global, a distinctive contribution that makes Burma accessible and enthralling.
Study compelling photographs that will testify not only to Richard Diran's skill as an artist, but to his persistence in the face of the tribes' suspicion and fear of foreigners. At times, his undertaking was outright dangerous due to constant guerrilla activity, but the results are breathtaking, showcasing colorful and elaborate costumes and jewelry, rare instruments, and, above all, unforgettable faces, rich in expressiveness and beauty. "...spectacular photographs..."--Fiber Arts.
In January 2011, just before political reforms in Myanmar ended a decades-old military regime, writer and travel expert Marek Lenarcik arrived in Yangon on a short-term work assignment. Little did he know then that a broken heart and dwindling savings would lead him to pursue a dream career working for one of the country's top tour companies. On duty as a travel product manager, Marek traverses the country by trains, planes and automobiles to experience stunning landscapes, ruins of empires, exotic food and unique cultures in search of the best that the nation's budding tour and hospitality industry has to offer. With stories from the emerald shores of the Andaman Sea at Ngapali beach to the mountain peaks of Chin State, Burma Lost & Found brings humour, vivid desrciption and insight to his adventures and encounters with an eclectic cast of characters including an eccentric monk, dodgy expats, charismatic guides, gracious hosts and many more.