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Famous for his Ancient music of Ireland, Bunting was trained in classical music. In 1813 he organized a festival in Belfast with Messiah as a highlight, for which unusually complete records survive. Johnston also charts the relationships between the various versions of Handel's work in Britain and Ireland.
Roy Johnston and Declan Plummer provide a refreshing portrait of Belfast in the nineteenth century. Before his death Roy Johnston, had written a full draft, based on an impressive array of contemporary sources, with deep and detailed attention especially to contemporary newspapers. With the deft and sensitive contribution of Declan Plummer the finished book offers a telling view of Belfast‘s thriving musical life. Largely without the participation and example of local aristocracy, nobility and gentry, Belfast‘s musical society was formed largely by the townspeople themselves in the eighteenth century and by several instrumental and choral societies in the nineteenth century. As the town grew in size and developed an industrial character, its townspeople identified increasingly with the large industrial towns and cities of the British mainland. Efforts to place themselves on the principal touring circuit of the great nineteenth-century concert artists led them to build a concert hall not in emulation of Dublin but of the British industrial towns. Belfast audiences had experienced English opera in the eighteenth century, and in due course in the nineteenth century they found themselves receiving the touring opera companies, in theatres newly built to accommodate them. Through an energetic groundwork revision of contemporary sources, Johnston and Plummer reveal a picture of sustained vitality and development that justifies Belfast‘s prominent place the history of nineteenth-century musical culture in Ireland and more broadly in the British Isles.
Following the theology of mission developed by John Wesley, thousands of men and women have engaged in domestic and international missions. But why did they go? Why do they continue to go today? In The Use of the Old Testament in a Wesleyan Theologyof Mission, Gordon Snider examines the Wesleyan understanding of mission in the light of the Old Testament. What theology from God's Old Covenant gave Wesleyans their drive to impact nations, and how did it shape their missionary strategies? Drawing upon a range of primary sources, he examines how a number of influential speakers in the Wesleyan tradition, particularly the founders and spokespeople of the nineteenth and the early twentieth century, have used the Old Testament to inform theirtheology of mission. Snider provides an insight into the works of the important theologians Thomas Coke, Jabez Bunting, Adam Clarke, Richard Watson, Daniel Whedon and Edmund Cook. Focusing on the movement of Wesleyan Theology from Great Britain to North America, Snider analyses how this affected Wesleyan ideas of holiness, eschatology and divine healing. Readers of this volume will discover why Wesleyan Christians go into the world and gain a deeper understanding of missions.
Focusing on idealists and visionaries who believed that Justice could reign in our world, this book explores the desire to experience utopia on earth. Reluctant to await another existence, individuals with ghuluww, or exaggeration, emerged at the advent of Islam, expecting to attain the apocalyptic horizon of Truth.
Too often Christians feel 'jaded' and need to refresh their faith. They are also sometimes confused by the different interpretations placed upon the words of Jesus by theologians. But people forget that Jesus spoke to, and inspired, the ordinary people of his day in words that they understood and those words still speak to, and inspire, ordinary people today. In Back to Basics With Jesus, the words of Jesus are presented in an entirely new way. There are no commentaries, no opinions - simply the words of Jesus spoken directly to you on such diverse subjects as Love, Money & Possessions and Our Relations with God & Jesus. Suitable for personal or group study, the book offers a refreshing 'back to basics' look at Jesus' own thoughts and words.
Too often Christians feel 'jaded' and need to refresh their faith. They are also sometimes confused by the different interpretations placed upon the words of Jesus by theologians. But people forget that Jesus spoke to, and inspired, the ordinary people of his day in words that they understood and those words still speak to, and inspire, ordinary people today. In Back to Basics With Jesus, the words of Jesus are presented in an entirely new way. There are no commentaries, no opinions - simply the words of Jesus spoken directly to you on such diverse subjects as Love, Money & Possessions and Our Relations with God & Jesus. Suitable for personal or group study, the book offers a refreshing 'back to basics' look at Jesus' own thoughts and words.
Christ Church cathedral is an Anglican cathedral in a catholic country. Musical and archival sources (the most extensive for any Irish cathedral) provide a unique perspective on the history of music in Ireland. Christ Church has had a complex and varied history as the cathedral church of Dublin, one of two Anglican cathedrals in the capital of a predominantly Catholic country and the church of the British administration in Ireland before1922. An Irish cathedral within the English tradition, yet through much of its history it was essentially an English cathedral in a foreign land. With close musical links to cathedrals in England, to St Patrick's cathedral in Dublin, and to the city's wider political and cultural life, Christ Church has the longest documented music history of any Irish institution, providing a unique perspective on the history of music in Ireland. Barra Boydell, a leading authority on Irish music history, has written a detailed study drawing on the most extensive musical and archival sources existing for any Irish cathedral. The choir, its composers and musicians, repertoire and organs are discussed within the wider context of city and state, and of the religious and political dynamics which have shaped Anglo-Irish relationships since medieval times. More than just a history of music at one cathedral, this book makesan important contribution to English cathedral music studies as well as to Irish musical and cultural history. BARRA BOYDELL is Senior Lecturer in Music, National University of Ireland, Maynooth.