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Fifty-two-year-old Maurice Teardrop Williams is a world famous blues mansinger, guitarist, and songwriter. But since Maureen, his wife of thirty years, died seven months ago, Teardrop has lost the joy he once found in performing music on the road with his band, the Tearmakers. With his light-blue guitar called Lillian, he returns home to Walker City, Iowa. Finding it difficult and lonely to stay in the home he once shared with Maureen, he moves in with his daughter, Arlene, and his seven-year-old grandson, Jamal. Teardrop is devoted to Maureens memory and counts on Arlenes and Jamals companionship and support. It isnt until three years later, when twenty-five-year-old freelance journalist Ursula Jenkins arrives from New York City to interview Teardrop for an assignment, that his world begins to change. Ursula comes away from the interview discovering things about herself she had not bargained for, including an attraction to this once-famous musician. As the relationship deepens, Arlene feels she must continue to protect her mothers place in her fathers heart and tries to do what she can to put an end to Teardrops and Ursulas partnership. The couple faces issues of age, family and loss, and only time will tell whether love really can conquer all things.
Tommytown is a composite of time, people, and attitudes during a period that has long been in exile; when boys ran free outside, laughing their way to another adventure with no thought of danger from adults or even nature. The reader will travel back to the year 1955 and become part of Helen Foreman's world. It was a time when there was no public assistance and laws protecting women's rights were non-existent. This 35-year-old mother with eight children makes another lonely decision as she struggles to provide them with food and shelter. No sorcerer is going to wave a magic wand to make all her troubles disappear.
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.
“So you’re asking if divorce is possible?” Wellington asked. “Yes, but one question first,” Bunky said. “Does Catherine love me? She says she does, but I don’t know. Can a narcissist actually love someone?” Dr. Wellington smiled ruefully. “Of course she can. She’s been deeply in love for a long time… with herself. As for you, I’m sorry, but what she feels for you isn’t love in the normal sense. You do a good job of enabling her, and I’m sure she likes that. I’m sure she likes the lifestyle you provide, too. Those ‘likes’ mimic love, but don’t ever cross her. I’m not sure those ‘likes’ will hold up.” “Don’t cross her?” Bunky smiled. “I can’t think of a more serious way to cross her than to divorce her. I mean, once I file, what’s to keep her devils from busting loose? Hell, she came at me with a knife for backing out of the kitchen. What happens when I back out of a marriage?” “It won’t be easy,” Wellington said, “but if it was just you, it would be doable.” “But it isn’t just me, is it,” Bunky said sadly. “No it’s not. You’ll be the primary bad guy, but she’s likely to come after that child hard. What better way to hurt you than to hurt the baby? If you’re going to start this thing, Bunky, you have to keep close guard over that little one. There’s no telling what Catherine is capable of…”
Slow Hands By: Joy Ballentine When her parents die in a fire, a young woman named Charlotte grows up with her aunt. She works for the mayor as a secretary and eventually becomes friends with a fire lieutenant, Lieutenant “Grey” Greyson. From him, she finds out things about the fire that killed her parents as she and the lieutenant fall in love. Will she find out what really happened to her parents and live happily ever after?
To pilot their craft completely by hand along the settlements, taking goods to market and bringing a little civilization back, becoming legendary among the pioneer river-dwellers. Annotation 2005 Book News, Inc., Portland, OR (booknews.com).
This is Volume I of two volumes. American Silhouettes is primarily a study in human character in its dealing with the adversity of life. The setting is America during the last quarter of the twentieth century. More specifically it focuses on the struggle of two generations of a small African American family whose destiny encounters more than its share of horrific tribulations. It is a window on life, love, happiness, suffering, and death of the members of this small vulnerable resilient family from the South, that moves to Washington, D.C. for a better life, only to find a very short interlude of happiness, followed by a deep plunge into another cycle of trauma and despair; not death though, that would be too easy; and when death finally does come, it is a liberation of the body and soul. The saga continues with the cycle of misfortune repeating itself in a new age, a new generation with the same finality as if their destiny had been wickedly predefined. From Bridgeville SC to Washington DC, and from Rome to Dakar, their saga brings to light the evil and virtuousness of man in its most natural occurrence, as a part of daily life. The story brings together various individuals of different and sometimes opposite background and describes either the passions of their encounters or the clashes resulting from their conflicts. It analyses the most wonderful passions of love, beauty and happiness, and juxtaposes the horrible ugliness of hate and abuse. It incorporates the duty and responsibility of man within the context of our society and dwells into the aberrations of its marginal sector. It is an interweaved matrix of emotional extremes. It demonstrates that evil has no color, no race, no religion, and that it transcends the social fabric of our society.
This book describes the living-room artifacts, clothing styles, and intellectual proclivities of American classes from top to bottom.