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Set in 1955, in the redwood country north of San Francisco. Bulrusher is the name given to a baby girl found floating in a basket on the river. As the girl grows up she develops a gift for clairvoyance that makes her feel isolated until a new girl moves into town.
This new edition provides an expanded, comprehensive history of African American theatre, from the early nineteenth century to the present day. Including discussions of slave rebellions on the national stage, African Americans on Broadway, the Harlem Renaissance, African American women dramatists, and the New Negro and Black Arts movements, the Companion also features fresh chapters on significant contemporary developments, such as the influence of the Black Lives Matter movement, the mainstream successes of Black Queer Drama and the evolution of African American Dance Theatre. Leading scholars spotlight the producers, directors, playwrights, and actors who have fashioned a more accurate appearance of Black life on stage, revealing the impact of African American theatre both within the United States and around the world. Addressing recent theatre productions in the context of political and cultural change, it invites readers to reflect on where African American theatre is heading in the twenty-first century.
Striking photographic images paired with stories and statements by birds, mammals, and reptiles cast light on some of humanity’s most sacred writings. Speaking rhinos and puffins are no more unlikely than talking humans; and considering where all of our talk has gotten us (the brink of extinction), it is time we listened to our fellow creatures. They are funny, thoughtful, observant, and like the Hebrew prophets they point out the worst in us and elicit the best, giving straight talk of warning and of hope. In these pages a pigeon with travel anxiety, Geraldine the matter-of-fact Florida Cooter, Schmidt the twigfitter songbird, Mephistophelean alligators, vanishing bison of the prairies, and lions of Africa and Asia “hold . . . the mirror up to nature” and show us our unlikely and imperfect human face.
Audition Speeches for Black, South Asian and Middle Eastern Actors: Monologues for Women aims to provide new and exciting audition and showcase material for actresses of black, African American, South Asian and Middle Eastern heritage. Featuring the work of international contemporary playwrights who have written powerful and diverse roles for a range of actors, the collection is edited by Simeilia Hodge-Dallaway. Categorized by age-range, the monologues are collected in groups of characters playable by actresses in their teens, twenties, thirties and forties+, and include work from over 25 top-class dramatists including Sudha Bhuchar, Jackie Sibblies Drury, Marcus Gardley, Mona Mansour and Naomi Wallace. Audition Speeches for Black, South Asian and Middle Eastern Actors: Monologues for Women is the go-to resource for contemporary monologues and speeches for auditions. Ideal for aspiring and professional actresses, it allows performers to enhance their particular strengths and prepare for roles featuring characters of specific ethnic backgrounds.
When Dolphins Ruled the Earth is a satirical fantasy, following the plight of Adam Barnard as he journeys from a successful business executive to a genuine human being. Adam encounters a strange nurse, a curious Scottish salmon, and dolphins with arms and legs, who speak perfectly good English. The Dolphins tell him they once ruled the Earth; they had jobs, houses, cars, Governments, banks, supermarkets and incredibly some dolphins were even estate agents! Adam, along with Professor Van Halen and a Dolphin called Zinc must find secret scrolls, which reveal how to fight against global greed and defeat man sharks; before the entire planet is engulfed in total confusion. When Dolphins ruled the Earth is complete, coherent and well written, it is often very funny, and the story simple and compelling. I enjoyed it very much. Simon Maginn - Writer of the Sheep, filmed as The Dark, starring Sean Bean.
The eighth annual collection of new plays, ?a rich and varied collection of contemporary American playwriting talent.'Almost, Maine, by John CarianiA collection of ten-minute plays about the denizens of a small, very small, rural Maine town.War in Paramus, by Barbara DanaThe story of an American family during the Vietnam era.Bulrusher, by Eisa DavisA poignant, often poetic play about a mixed-raced orphan girl living in a small town in California.Indoor/Outdoor, by Kenny FinkleA comedy about a cute young female, Samantha (a cat), and her trials and tribulations with the man she lives with.Cowboy Versus Samurai by Michael GolamcoA comedy revolving around issues of identity for the only three Asian-Americans in a small town in Wyoming.In the Continuum, by Danai Gurira and Nikkole SalterA disparate group of American and African black women deal with the tragedy of AIDS.Six Years, by Sharr WhiteA drama about one marriage as it develops over many years, starting just after the end of WW II and ending during the Vietnam era.D.L. Lepidus is a freelance critic and editor who has covered the New York theater scene for more than thirty years.
Including music by various gospel composers as well as hymns and spirituals made famous by Mahalia Jackson, this is a joyous celebration of the life and music of the world's greatest gospel singer: a humble, deeply religious woman whose expressive, full throated voice carried her from a three room shanty in New Orleans to appearances before presidents and royalty. The joy and inspiration of her heartfelt songs provide a counterpoint to the urgent messages delivered by her friend, Martin Luther King. Standing at his side, Mahalia Jackson became the musical voice of the civil rights movement. Mahalia uses simple staging, only three actors, and piano and organ accompaniments to showcase 22 great gospel numbers in a moving, often humorous musical tribute.
This latest in Smith and Kraus?s popular series is a terrific collection of scenes for two men, for two women, and for one man and one woman, all from plays first published and/or produced in 2005?2006 and most are appropriate for use by young actors.A partial list includes:Almost, Maine John CarianiIndoor/Outdoor Kenny FinkleModern Orthodox Daniel GoldfarbThe Scene Theresa RebeckBoar?s Head Don NigroTwenty Years Ago Frederick StroppelFrame 312 Keith ReddinNatural Selection Eric CobleAre We There Yet? Garth WingfieldTheatre District Richard KramerD. L. LEPIDUS is a freelance critic and editor who has covered the New York theater scene for more than twenty-five years. Since 1993, his work has appeared in theater columns for Chelsea Clinton News and the Westsider.
An anthology of new African American plays part of the post-black movement, exploring what it means to be black in the twenty-first century.