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"A generation ago, few people thought much of Georgia decorative arts, but 20 years of hard work by the Georgia Museum of Art at the University of Georgia have changed that mistaken impression. The museum presented the first formal exhibition of Georgia decorative arts in 1975, and other museums in the state followed suit. In 2000, the museum opened the Henry D. Green Center for the Study of the Decorative Arts. The center organizes a symposium held every other year to present and publish research on the decorative arts that is among the best attended events of its kind. To celebrate the 20-year anniversary of the Green Center, the museum has organized the exhibition "Material Georgia 1733 - 1900: Two Decades of Scholarship" (on view November 16, 2019, through March 15, 2020), which this catalogue accompanies. This exhibition takes a comprehensive look at Georgia's diverse contributions to early decorative arts and summarizes the scholarship that has been done in the 20 years since the Green Center's founding. It focuses on revealing new discoveries made in the field, pointing a way forward and making the case Georgia can hold its own against any other state in terms of the quality of its decorative arts"--
"Born in Atlanta, Georgia, Emma Amos (1937-2020) was a distinguished painter and printmaker. She is best known for her bold and colorful mixed-media paintings that create visual tapestries in which she examines the intersection of race, class, gender and privilege in both the art world and society at large. This survey exhibition and catalogue, published and organized by the Georgia Museum of Art, include approximately 60 works from the beginnings of her career to the end of it, reflecting her experiences as a painter, printmaker, and weaver. Her large-scale canvases often incorporate African fabrics and semiautobiographical content, which are drawn from her personal odyssey as an artist, her interest in icons in art and world history and her sometimes tenuous engagement with these themes as a woman of color"--
Vols. for 19 -include the annual report of the Georgia Museum of Art.
A union list of serials commencing publication after Dec. 31, 1949.
Eiland discusses the various stylistic shifts of the artist's truth-seeking, from the realism of the thirties through the cubism and abstract expressionism of the late forties and fifties, to his return to a mature naturalism tempered by a growing optimism in the ability of the artist to order and explain the universe.