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"Born in Atlanta, Georgia, Emma Amos (1937-2020) was a distinguished painter and printmaker. She is best known for her bold and colorful mixed-media paintings that create visual tapestries in which she examines the intersection of race, class, gender and privilege in both the art world and society at large. This survey exhibition and catalogue, published and organized by the Georgia Museum of Art, include approximately 60 works from the beginnings of her career to the end of it, reflecting her experiences as a painter, printmaker, and weaver. Her large-scale canvases often incorporate African fabrics and semiautobiographical content, which are drawn from her personal odyssey as an artist, her interest in icons in art and world history and her sometimes tenuous engagement with these themes as a woman of color"--
This catalogue accompanies the exhibition of the same name, on view at the Georgia Museum of Art June 13-Sept. 13, 2015. It includes full-color images of every work in the exhibition and many supplementary works produced by the Mexican printmaking workshop, as well as essays by Deborah Caplow, Elizabeth Kathleen Mitchell, Helga Prignitz-Poda, collector Michael T. Ricker, Arturo García Bustos and Pablo Méndez, each addressing a different aspect of the workshop. Catalogue entries provide more information on the individual works. It is the most comprehensive and most completely illustrated publication on the workshop and is an essential reference work as well as a handsome publication for the layperson. --! From publisher's description.
Vols. for 19 -include the annual report of the Georgia Museum of Art.
A union list of serials commencing publication after Dec. 31, 1949.
Eiland discusses the various stylistic shifts of the artist's truth-seeking, from the realism of the thirties through the cubism and abstract expressionism of the late forties and fifties, to his return to a mature naturalism tempered by a growing optimism in the ability of the artist to order and explain the universe.