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An electrifyingly dark teen thriller from the author of BEAST and QUARRY. Alex, Levi and Max follow the young soldiers from the local army camp on the moor. But harmless rivalry develops into something far more incendiary. When the boys discover a cache of buried weapons near the training grounds, deadly forces are brought into play.
"Drawing on two years of ethnographic fieldwork and over 150 interviews with gang-affiliated youth in the "Taylor Park" neighborhood on Chicago's South Side, Ballad of the Bullet reveals that those coming of age in America's poorest neighborhoods are developing new, creative, and online strategies for making ends meet. Dislocated by the erosion of the crack economy and the splintering of corporatized gangs, these young people exploit the unique affordances of digital social media to capitalize on an emerging online market for urban violence (or, more accurately, a market for the representation of urban violence). In the past, violence functioned primarily as a means of social control, allowing urban youth to compete in illegal street markets and defend the social statuses otherwise denied to them by mainstream society. Today, with the rise of platforms like YouTube, Instagram, and Twitter, violence has become a premier cultural commodity in and of itself. By amassing millions of clicks, views, and followers, these young people convert their online displays of violence into vital offline resources, including cash, housing, drugs, sex, and, for a very select few, a ticket out of poverty" --
In Black Boys: The Aesthetics of British Urban Film, Nwonka offers the first dedicated analysis of Black British urban cinematic and televisual representation as a textual encounter with Blackness, masculinity and urban identity where the generic construction of images and narratives of Black urbanity is informed by the (un)knowable allure of Black urban Otherness. Foregrounding the textual Black urban identity as a historical formation, and drawing on a range of theoretical frameworks that allow for an examination of the emergence and continued social, cultural and industrial investment in the fictitious and non-fictitious images of Black urban identities and geographies, Nwonka convenes a dialogue between the disciplines of Film and Television Studies, Philosophy, Cultural Studies, Black Studies, Sociology and Criminology. Here, Nwonka ventures beyond what can be understood as the perennial and simplistic optic of racial stereotype in order to advance a more expansive reading of the Black British urban text as the outcome of a complex conjunctural interaction between social phenomena, cultural policy, political discourse and the continuously shifting politics of Black representation. Through the analysis of a number of texts and political and socio-cultural moments, Nwonka identifies Black urban textuality as conditioned by a bidirectionality rooted in historical and contemporary questions of race, racism and anti-Blackness but equally attentive to the social dynamics that render the screen as a site of Black recognition, authorship and authenticity. Analysed in the context of realism, social and political allegory, urban multiculture, Black corporeality and racial, gender and sexual politics, in integrating such considerations into the fabrics of a thematic reading of the Black urban text and through the writings of Stuart Hall, Paul Gilroy, Judith Butler and Derrida, Black Boys presents a critical rethinking of the contextual and aesthetic factors in the visual constructions of Black urban identity.
Speaking to both a personal and collective loss, in Brother Bullet Casandra López confronts her relationships with violence, grief, guilt, and ultimately, endurance. Revisiting the memory and lasting consequences of her brother’s murder, López traces the course of the bullet—its trajectory, impact, wreckage—in lyrical narrative poems that are haunting and raw with emotion, yet tender and alive in revelations of light. Drawing on migratory experiences, López transports the reader to the Inland Empire, Baja California, New Mexico, and Arizona to create a frame for memory, filled with imagery, through the cyclical but changing essence of sorrow. This is paralleled with surrounding environments, our sense of belonging—on her family’s porch, or in her grandfather’s orange grove, or in the darkest desert. López’s landscapes are geographical markers and borders, connecting shared experiences and memories. Brother Bullet tugs and pulls, drawing us into a consciousness—a story—we all bear.
The true story of London's toughest, deadliest street gangs: the events, the rules and the real top boys. Are the streets of London some of the deadliest in the world? What's the truth behind the headlines? And who are the real top boys? Looking beyond the hit TV series, The Real Top Boys reveals the lives of the street gangs who have taken over, and now rule, dozens of corners of the UK's capital. Bestselling true crime author Wensley Clarkson takes us on a tour of the housing estates and volatile neighbourhoods where pride, rivalry and revenge are the codes people live and die by. He talks to the criminals who have helped create this chilling modern-day underworld and recounts the vicious turf wars that changed the map, unravels the rules and rights of the streets, and charts the rise and fall of many of the game's key players over the decades that have transformed the city. Featuring interviews with real-life gangsters and told in a gripping story that lays bare the hard life in this world, The Real Top Boys is the ultimate account of gang life in London and a jaw-dropping look at who really runs the streets.
This volume elucidates various interaction strategies for the Nilotic language Acholi. Based on detailed examples, Maren Rüsch links the structural organization of Acholi conversations to cultural features such as politeness, language socialization and narrations.
In his quest for cash and beautiful women, Jamell White, a.k.a. Sugar Daddy, runs a game on some of the biggest hustlers on the Gulf Coast, including a psychotic drug dealer, a crooked cop, and a Puerto Rican cartel. Original.
An opposites attract motorcycle club romance. Biker meets good country girl and sparks fly. She’s everything he’s never wanted. He’s everything she’s never known. Scott Cole is a force to be reckoned with. As Vice President of the Storm Motorcycle Club he carries out his duties with a ruthless determination. He moves through life with a clear agenda - protect his club and his family at all costs. He doesn’t give his love easily, but when he does, he loves fiercely. Settling down, however, has never been part of his plan. Harlow James is a country girl who has never met a biker in her life. She's done with men. In her experience, all they ever do is lie, cheat or steal. When she meets Scott Cole she knows he's heartbreak on legs. She knows she must fight her growing attraction to this complex man in order to guard her heart. When his world crashes into hers and danger comes calling, Scott’s fierce desire to protect kicks in, and Harlow realises that she might just have found a man worth taking a risk on. Join USA Today and Wall Street Journal bestselling author, Nina Levine, in her Storm world that currently has three full and complete motorcycle club romance series in it with more to come. Her alphas are always protective and possessive, and usually bossy. Her heroines all have inner strength and always give as good as they get. The Storm MC books are spicy romances and feature heroes who will scorch the earth for the woman they love. If you enjoyed Sons of Anarchy, you will love the Storm MC series! Binge read the COMPLETE series! Books in the Storm MC Series: Book 1: Storm Book 2: Fierce Book 3: Blaze Book 4: Revive Book 5: Slay Book 6: Sassy Christmas Book 7: Illusive Book 8: Command Book 9: Havoc Book 10: Gunnar Book 11: Wilder Book 12: Colt For fans of: Kristen Ashley, Madeline Sheehan, Autumn Jones Lake, Ryan Michele, Chelle Bliss. Keywords: Motorcycle Club Romance, biker romance, alpha hero, suspense, mc romance, protector romance, found family, angst, opposites attract, good girl, bad boy.
Dead End in Norvelt is the winner of the 2012 Newbery Medal for the year's best contribution to children's literature and the Scott O'Dell Award for Historical Fiction! Melding the entirely true and the wildly fictional, Dead End in Norvelt is a novel about an incredible two months for a kid named Jack Gantos, whose plans for vacation excitement are shot down when he is "grounded for life" by his feuding parents, and whose nose spews bad blood at every little shock he gets. But plenty of excitement (and shocks) are coming Jack's way once his mom loans him out to help a fiesty old neighbor with a most unusual chore—typewriting obituaries filled with stories about the people who founded his utopian town. As one obituary leads to another, Jack is launced on a strange adventure involving molten wax, Eleanor Roosevelt, twisted promises, a homemade airplane, Girl Scout cookies, a man on a trike, a dancing plague, voices from the past, Hells Angels . . . and possibly murder. Endlessly surprising, this sly, sharp-edged narrative is the author at his very best, making readers laugh out loud at the most unexpected things in a dead-funny depiction of growing up in a slightly off-kilter place where the past is present, the present is confusing, and the future is completely up in the air.