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For almost a century and a half, Bulfinch's Mythology has been the text by which the great tales of the gods and goddesses, Greek and Roman antiquity, Scandinavian, Celtic, and Oriental fables and myths, and the age of chivalry have been known. The forerunner of such interpreters as Edith Hamilton and Robert Graves, Thomas Bulfinch wanted to make these stories available to the general reader. A series of private notes to himself grew into one of the single most useful and concise guides to literature and mythology. The stories are divided into three sections: The Age of Fable or Stories of Gods and Heroes (first published in 1855); The Age of Chivalry (1858), which contains King Arthur and His Knights, The Mabinogeon, and The Knights of English History; and The Legends of Charlemagne or The Romance of the Middle Ages (1863). For the Greek myths, Bulfinch drew on Ovid and Virgil, and for the sagas of the north, from Mallet's Northern Antiquities. provides lively versions of the myths of Zeus and Hera, Venus and Adonis, Daphne and Apollo, and their cohorts on Mount Olympus; the love story of Pygmalion and Galatea; the legends of the Trojan War and the epic wanderings of Ulysses and Aeneas; the joys of Valhalla and the furies of Thor; and the tales of Beowulf and Robin Hood.
For almost a century and a half, Bulfinch's Mythology has been the text by which the great tales of the gods and goddesses, Greek and Roman antiquity; Scandinavian, Celtic, and Oriental fables and myths; and the age of chivalry have been known. The stories are divided into three sections: The Age of Fable or Stories of Gods and Heroes (first published in 1855); The Age of Chivalry (1858), which contains King Arthur and His Knights, The Mabinogeon, and The Knights of English History; and Legends of Charlemagne or Romance of the Middle Ages (1863). For the Greek myths, Bulfinch drew on Ovid and Virgil, and for the sagas of the north, from Mallet's Northern Antiquities. He provides lively versions of the myths of Zeus and Hera, Venus and Adonis, Daphne and Apollo, and their cohorts on Mount Olympus; the love story of Pygmalion and Galatea; the legends of the Trojan War and the epic wanderings of Ulysses and Aeneas; the joys of Valhalla and the furies of Thor; and the tales of Beowulf and Robin Hood. The tales are eminently readable. As Bulfinch wrote, "Without a knowledge of mythology much of the elegant literature of our own language cannot be understood and appreciated. . . . Our book is an attempt to solve this problem, by telling the stories of mythology in such a manner as to make them a source of amusement."
"Bulfinch's Mythology" is Thomas Bulfinch's classic collection of the three previously published volumes, "The Age of Fable, or Stories of Gods and Heroes", "The Age of Chivalry, or Legends of King Arthur", and "Legends of Charlemagne, or Romance of the Middle Ages". In this monumental volume are classic retellings of the world's greatest myths.
Student journalist fights anti-fae prejudices to find the truth behind boarding school disappearances and clear her best friend's name.
A beautifully packaged and affordably priced edition of this classic, accessible guide to world mythology, unabridged and complete. Thomas Bulfinch collected and interpreted the legends of the world for everyday people, so that those who lacked extensive schooling could still understand the mythological allusions that fill classic and contemporary literature. Bulfinch’s Mythology began as three separate volumes in the 1850s and ’60s. Bulfinch published "The Age of Fable, or Stories of Gods and Heroes" in 1855 and then moved on to publish two more collections: "The Age of Chivalry, or the Legends of King Arthur" in 1858; and "Legends of Charlemagne, or Romance of the Middle Ages" in 1863. When Bulfinch died in 1867, the three volumes were combined and retitled Bulfinch's Mythology and reprinted in 1881. It has remained one of the most trusted English-language interpretations of Greek and Roman mythology, Arthurian legend, and medieval romance ever since. Our Cornerstone Edition of Bulfinch’s Mythology offers readers an easily portable, complete collection of all three volumes—the only such edition of this beloved anthology currently available.
Apuleius’ tale of Cupid and Psyche has been popular since it was first written in the second century CE as part of his Latin novel Metamorphoses. Often treated as a standalone text, Cupid and Psyche has given rise to treatments in the last 400 years as diverse as plays, masques, operas, poems, paintings and novels, with a range of diverse approaches to the text. Apuleius’ story of the love between the mortal princess Psyche (or “Soul”) and the god of Love has fascinated recipients as varied as Romantic poets, psychoanalysts, children’s books authors, neo-Platonist philosophers and Disney film producers. These readers themselves produced their own responses to and versions of the story. This volume is the first broad consideration of the reception of C&P in Europe since 1600 and an adventurous interdisciplinary undertaking. It is the first study to focus primarily on material in English, though it also ranges widely across literary genres in Italian, French and German, encompassing poetry, drama and opera as well as prose fiction and art history, studied by an international team of established and young scholars. Detailed studies of single works and of whole genres make this book relevant for students of Classics, English, Art History, opera and modern film.
Medieval tales of kings and knights.
Meet legendary heroes, powerful goddesses and vengeful monsters in this beautiful hardback collection of more than 20 epic tales from Greek and Roman mythology, featuring lavish full-color illustrations throughout. The myths and legends of the ancient world are vividly told here by master storytellers of the 19th century, Thomas Bulfinch and Nathaniel Hawthorne. Discover how Theseus defeated the minotaur, why the witch Circe turned men into swine and the story of Pandora and Epimetheus. This treasury captures the beauty and magnificence of these timeless myths, illustrated with enchanting full-color Pre-Raphaelite and art nouveau paintings by Walter Crane and John William Waterhouse, among others. Stories include: • Echo and Narcissus • Juno and her rivals • Pygmalion • Cupid and Psyche • The Gorgon's Head • Cadmus and the Dragon's Teeth • The Pomegranate Seeds