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INTRODUCTION They came from all over America—from the big cities, from the small towns, from the farms—tens of thousands of young men, to serve in the vanguard of Franklin D. Roosevelt's New Deal in the spring of 1933. They were the young men of the Civilian Conservation Corps. They opted for long days and hard, dirty work, living in quasi-military camps often far from home in the nation's publicly owned forests and parks. But they earned money to send back to their needy families, received three square meals a day, and escaped from idle purposelessness by contributing to the renewal and beautification of the country. By the time the CCC program ended as the nation was entering World War II, more than 2.5 million men had served in more than 4,500 camps across the country. The men had planted over 3 billion trees, combated soil erosion and forest fires, and occasionally dealt with natural disasters such as hurricanes, floods, and droughts. CONTENTS: Copyright History Photographs - Men At Work And Play Photographs - Buildings And Completed Public Improvements The Civilian Conservation Corps and the National Park Service, 1933-1942: An Administrative History The Forest Service And The Civilian Conservation Corps: 1933-42 The Work Of The Civilian Conservation Corps - Pioneering Conservation in Louisiana The Bureau Of Reclamation’s Civilian Conservation Corps Legacy: 1933 - 1942
This collection provides a transnational, interdisciplinary perspective on artistic responses to war from 1914 to the present, analysing a broad selection of the rich, complex body of work which has emerged in response to conflicts since the Great War. Many of the creators examined here embody the human experience of war: first-hand witnesses who developed a unique visual language in direct response to their role as victim, soldier, refugee, resister, prisoner and embedded or official artist. Contributors address specific issues relating to propaganda, wartime femininity and masculinity, women as war artists, trauma, the role of art in soldiery, memory, art as resistance, identity and the memorialisation of war.
This narrative synthesizes the fifty-year story of the struggle to make the federal government more responsive to the plight of African American workers and the efforts to make the nation's workplaces significantly more fair and just towards this long-oppressed population. Useful to scholars but accessible to all, To Advance Their Opportunities is an engaging portrait of the role of government in seeking to realize the goal of a color-blind society of equals. Book jacket.
"Eleanor Roosevelt never wanted her husband to run for president. When he won, she . . . went on a national tour to crusade on behalf of women. She wrote a regular newspaper column. She became a champion of women's rights and of civil rights. And she decided to write a book." -- Jill Lepore, from the Introduction "Women, whether subtly or vociferously, have always been a tremendous power in the destiny of the world," Eleanor Roosevelt wrote in It's Up to the Women, her book of advice to women of all ages on every aspect of life. Written at the height of the Great Depression, she called on women particularly to do their part -- cutting costs where needed, spending reasonably, and taking personal responsibility for keeping the economy going. Whether it's the recommendation that working women take time for themselves in order to fully enjoy time spent with their families, recipes for cheap but wholesome home-cooked meals, or America's obligation to women as they take a leading role in the new social order, many of the opinions expressed here are as fresh as if they were written today.
Neil M. Maher examines the history of one of Franklin D. Roosevelt's boldest and most successful experiments, the Civilian Conservation Corps, describing it as a turning point both in national politics and in the emergence of modern environmentalism.