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For many people outside the state, North Dakota conjures visions of a remote, sparse, and seemingly inhospitable landscape, replete with ghost towns, scattered farmsteads, and settings reminiscent of the movie Fargo. Yet beyond this facile image lies a spectacular array of high-style, vernacular, ethnic, and modern buildings, a pragmatic architecture that reflects the setting and settlers of the Great Plains. A distinct "prairie mosaic" of houses, homesteads, and rural churches draws on the cultures of Germans from Russia, Norwegians, and Icelanders, and varied Native American groups such as the Mandan, Hidatsa, and Arikara. North Dakota's architectural heritage is complemented by more contemporary work dating from Progressive-era boom times and the New Deal to the present. This volume, with more than 400 entries illustrated by 250 photographs and 17 maps, provides the first comprehensive overview of the state, from Pembina and Walhalla to the Badlands. This richly diverse legacy includes earthlodges and Eastern Orthodox churches, powwow grounds and campmeeting grounds, and varied settings from the Ronald Reagan Minuteman Missile State Historic Site to the International Peace Garden. The cast of characters is equally compelling, among them Sakakawea, Lewis and Clark, the Marquis de Mores, Theodore Roosevelt, Lawrence Welk, Peggy Lee, and regional and international architects working in a range of styles and traditions, from Marcel Breuer to Surrounded-by-Enemy. A volume in the Buildings of the United States series of the Society of Architectural Historians
Ghosts of North Dakota, Volume 3 is a 110 page, hardbound, full-color coffee table book featuring some of the best photos from the Ghosts of North Dakota project- photos of ghost towns, near-ghost towns, and abandoned places across the state of North Dakota, plus comments from the photographers, historical tidbits, and more. Places in this book include Antler, Marmarth, Arena, Sanish, Haymarsh, and Bathgate. Volume 3 also includes a 19 page special section on the abandoned Fortuna Air Force Station, and a map which includes most of the places featured in Volumes 1 through 3.
What compelled those who settled North Dakota's vast prairies? Summers are characterized by heatwaves, drought, and violent thunderstorms. Winter is harsh, with crippling temperatures and surprise blizzards. North Dakota is a land of extremes, creating a unique, raw, and dangerous beauty. As the railroad industry flourished in the late 1800s, the Northern Pacific Railway quickly built its way west across the northern Dakota Territory, birthing new towns as it went. A strong advertising campaign and the promise of land attracted flocks of workers and immigrants. Business was booming, and Dakota Territory was growing. By the mid-twentieth century, new technology rendered many of the once vibrant railroad towns useless. Residents trickled out as employment prospects dwindled and once lively communities were left to decay, alone in the elements. This book is a photographic journey that documents these remains. It showcases images that tell haunting tales of another time, reminding us how illusory human permanence truly is.
The arrival of fracking technology in western North Dakota led to an industrial renaissance that transformed sleepy farm communities into crucial cogs in the global extractive economy. Fracking technology made the area a global destination for roughnecks, petroleum engineers, pipeline "cats," fishers (who "fish" for tools and other objects accidentally dropped down wells), truck drivers, carpenters, contractors, and electricians as well as journalists, adventure scientists, academic scholars, photographers, and filmmakers. The bustle of heavy industry and a landscape of dramatic contrasts present a magnetic attraction for the adventurous traveler. Pack your camera, your sulfur dioxide sensor, a pair of steel-toed boots, and your flame resistant Carhartt clothing as you get ready for a unique journey to a frontier landscape forged by industry.
In the late 1800s, Norwegian immigrants began flooding into the Red River Valley. As they moved into the Grand Forks area, they brought their Old World folkways and religious practices. On the corner of Third and Walnut, Norwegian Lutherans built a small sanctuary to house their services. The building mirrored the simple worship of the Hauge Synod, the organization to which this congregation belonged. After merging with two other Norwegian churches in town, the old Trinity Lutheran structure passed into the hands of the Grand Forks Church of God, a congregation that echoed the revival fires of the Second Great Awakening. This is the story of a church building and the two assemblies that utilized it over a 100-year period.
Confinement and Ethnicity documents in unprecedented detail the various facilities in which persons of Japanese descent living in the western United States were confined during World War II: the fifteen “assembly centers” run by the U.S. Army’s Wartime Civil Control Administration, the ten “relocation centers” created by the War Relocation Authority, and the internment camps, penitentiaries, and other sites under the jurisdiction of the Justice and War Departments. Originally published as a report of the Western Archeological and Conservation Center of the National Park Service, it is now reissued in a corrected edition, with a new Foreword by Tetsuden Kashima, associate professor of American ethnic studies at the University of Washington. Based on archival research, field visits, and interviews with former residents, Confinement and Ethnicity provides an overview of the architectural remnants, archeological features, and artifacts remaining at the various sites. Included are numerous maps, diagrams, charts, and photographs. Historic images of the sites and their inhabitants -- including several by Dorothea Lange and Ansel Adams -- are combined with photographs of present-day settings, showing concrete foundations, fence posts, inmate-constructed drainage ditches, and foundations and parts of buildings, as well as inscriptions in Japanese and English written or scratched on walls and rocks. The result is a unique and poignant treasure house of information for former residents and their descendants, for Asian American and World War II historians, and for anyone interested in the facts about what the authors call these “sites of shame.”
The demanding frontier life of My Ántonia or Little House on the Prairie may be long gone, but the idyllic small town still exists as a cherished icon of American community life. Yet sprawl and urban density, rather than small towns and farms, are the predominant features of our modern society, agribusiness and other commercial forces have rapidly taken over family farms and ranches, and even the open spaces we think of as natural retreats only retain the barest façade of their former frontier austerity. The fading communities, social upheaval, and enduring heritage of the Northern Plains are the subject of Jim Dow's Marking the Land, a stirring photographic tribute to the complex and unyielding landscape of North Dakota. Jim Dow began making pilgrimages to this remote territory in 1981 and, with a commission from the North Dakota Museum of Art, he took photographs of the passing human presence on the land. The simple, stolid pieces of architecture carved out against the Dakota skies--whether the local schoolhouse, car wash, prison, homes, hunting lodge, or churches--evoke in their spare lines and weather-battered frames the stoic and toughened spirit of the people within their walls. Folk art is also an integral part of the landscape in Dow's visual study, and he examines the subtle evolution of local craftsmanship from homemade sculptures, murals, and carvings to carefully crafted pieces aimed at tourists. Anchoring all of these explorations is the raw and striking landscape of the North Dakota plains. Marking the Land is a moving reflection by a leading American photographer on the state of the Northern Plains today, forcing us all to rethink our conceptions of America's forgotten frontier.