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The complete critical edition of two important texts, Tezkiretüʼl-bünyan and Tezkiretüʼl-ebniye, based on Sinan's own accounts of his life and works. The text is accompanied by scores of full color photographs of Sinan's monuments, miniatures illustrating his works, and facsimiles of the original scripts.
A major assessment of the works of celebrated Ottoman architect, Mimar Sinan (1489-1588). Presents a cultural and social history of Ottoman architecture in the early modern eastern Mediterranean world.
Mimar Sinan's Routes
Sinan was the greatest architect of the Ottoman Golden Age - when the Empire reached its zenith of power and magnificence. His style marks the apogee of Turkish art and this volume is a magnificent testament to the achievement of a man who stamped his imprint on an entire culture Beginning as a military engineer and designer of fortifications, he was appointed Chief Imperial Architect in 1538. While Michelangelo was working on St. Peter's, Sinan completed the greatest of Turkish mosques, the Süleymaniye and the Selimiye. Under Süleyman the Magnificent and his successor Selim II, Sinan designed hundreds of buildings: mosques, palaces, tombs, mausolea, hospitals, schools, caravanserai, bridges, aqueducts and baths. As he himself said, 'with time each edifice became - with the help of Allah and thanks to the generosity and benevolence of the State - the very image of the world in the lands ruled by the Ottoman dynasty.' In his greatest works he adapted Byzantine and Islamic styles to produce something quite new: a centralized organization of absolute space unhindered by pillars or columns and covered by a soaring dome. An architect of genius in a dynamic new empire expanding into both Asia and Europe, he was a true man of the Renaissance. Opulent colour photographs, many taken specially by Ara Güler for this publication, pay tribute to the extraordinary space and light of Sinan's buildings. Texts by the most important specialists in this field complement the handsome visual material and offer new interpretations of Sinan's art.
"Goodwin shows the importance of the architect's long years in the army and his experience with bridges, seige-works, fortifications, and the behaviour of stone and masonry before he was appointed Royal Architect in 1538. Goodwin bases his analysis on a detailed comparative study of certain of Sinan's buildings, the supreme example being the imaginative leap represetned by the mosque of Selim II at Edirne, second capital of the Ottoman empire. The text is illustrated by photographs, plans and elevations of many of Sinan's works ranging from the grandiose Sü̈lyeymaniye complex in Instanbul to the experimental Kiliç Ali Pasha mosque. Of outstanding interest are the plates by the 19th century German architect Gurlitt, many of which show features before later restoration".--BOOKJACKET.
This book is an attempt to outline the development of art and architecture in Anatolia. While covering the works made possible by this genius who holds an unsurpassed position in the history of Turkey, as well as the handicrafts of the same period, each in their own sections, the book tries to highlight both the architectural currents existing prior to Sinan and those architectural creations in Post-Sinan periods that remained faithful to his legacy. The final section rounds out by discussing such traditional art forms as woodworking, metal working, tilemaking, cloth, miniatures, carpets, hat (calligraphy) and tezhip ("gold gilding" or "illumination"), which served as complementary elements of architecture.
The sixteenth century Ottoman architect Sinan is today universally recognized as the defining figure in the development of the classical Ottoman style. In addition to his vast oeuvre, he left five remarkable autobiographical accounts, the so-called "Adsiz Risale", the "Risaletu'l-Mi'mariyye", "Tuhfetu'l-Mi'marin", "Tezkiretu'l-Mi'mariyye" and "Tezkiretu'l-Bunyan" that provide details of his life and works. Based on information dictated by Sinan to his poet friend Mustafa Sa'i Celebi shortly before his death, they exist in multiple manuscript versions in libraries in Istanbul, Ankara, and Cairo. The present volume contains critical editions of all five texts, along with transcriptions, annotated translations, facsimiles of the most important variant versions, and an introductory essay that analyzes the various surviving manuscripts, reconstructs their histories, and establishes the relationships between them.