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From Fayetteville, Little Rock, and Hot Springs to Jonesboro, El Dorado, Arkadelphia, Texarkana, and scores of places in between, the latest volume in the Buildings of the United States series provides the most comprehensive, authoritative, and up-to-date guide to the architecture of Arkansas. The result of a lifetime's research and fieldwork by the esteemed historian and preservationist Cyrus A. Sutherland, this book captures the range and richness of the state's buildings and landscapes, whose stories can prove as fascinating and gripping as a novel's plotline. Nearly 500 building entries, accompanied by 250 illustrations and 24 maps, encompass the state's major regions--the Ozark Plateau, the Arkansas River Valley, the Ouachita Mountains, the West Gulf Coastal Plain, and the Mississippi Alluvial Plain (commonly known as the Delta). The places canvassed include everything from works by Arkansas natives E. Fay Jones and Edward Durell Stone to Sam Walton's Five-and-Ten and Alice Walton's Crystal Bridges Museum of American Art to Bill Clinton's birthplace and presidential library. The volume highlights the role and resilience of mountain, valley, and Mississippi River communities; surveys significant state and national parks; and traces the lively history of such resorts as Hot Springs and Eureka Springs. Along the way, it offers compelling accounts of sites from the well to the lesser known--the magnificent Toltec Mounds near Scott, the New Deal-era Dyess Colony, Tyronza's Southern Tenant Farmers Museum, the Rohwer Relocation Center and McGehee Japanese American Internment Museum, Central High School in Little Rock--and considers modern buildings that herald a renaissance in the state's cultural, economic, and political history.
Series statement from publisher's website.
Arkansas's Old State House, arguably the most famous building in the state, was conceived during the territorial period and has served through statehood. A History of Arkansas's Old State House traces the history of the architecture and purposes of the remarkable building. The history begins with Gov. John Pope's ideas for a symbolic state house for Arkansas and continues through the construction years and an expansion in 1885. After years of deterioration, the building was abandoned by the state government, and the Old State House then became a medical school and office building. Kwas traces the subsequent fight for the building's preservation on to its use today as a popular museum of Arkansas history and culture. Brief biographies of secretaries of state, preservationists, caretakers, and others are included, and the book is generously illustrated with early and seldom-seen photographs, drawings, and memorabilia.
"Fay Jones School of Architecture, University of Arkansas Press, a collaboration, Fayettville 2014"--Page 4 of cover.
Honored with the 1990 American Institute of Architects Gold Medal for a lifetime of outstanding achievement, Fay Jones is an Arkansas original. In receiving the medal from Prince Charles of Great Britain, Jones was hailed as a “powerful and special genius who embodies nearly all the qualities we admire in an architect” and as an artist who used his vision to craft “mysterious and magical places” not only in Arkansas but all over the world. This book accompanied a special museum exhibit of Jones’s life and work at the Old State House in Little Rock. It traces Jones’s development from his early years as a student of Frank Lloyd Wright and Bruce Goff, to the culmination of his ability in such arresting structures as Pinecote Pavilion in Picayune, Mississippi; Thorncrown Chapel in Eureka Springs, Arkansas; and Chapman University Chapel in Orange, California. Through the black-and-white photographs of the homes, chapels, and other buildings that Jones has created and the accompanying captions and interviews of the architect, the reader is allowed a view into this man’s remarkable talent. Designing structures that fuse architecture and landscape, the organic and the man-made, Jones has created special places which touch their viewers with the power and subtlety of poetry. Herein we learn why. From the Foreword by Robert Adams Ivy Jr.: “Fay Jones’s architecture begins in order and ends in mystery. . . . His role can perhaps best be understood as mediator, a human consciousness that has arisen from the Arkansas soil and scoured the cosmos, then spoken through the voices of stone and wood, steel and glass. Art, philosophy, craft, and human aspiration coalesce in his masterworks, transformed from acts of will into harmonies: Jones lets space sing.”
After Noah and Jacob Ingledew travel to Arkansas from Tennessee, they found the town of Stay More that becomes home to six succeeding, struggling, and extremely girl-shy generations of Ingledews
"A member of the International Code Family."
Winner, 2017 Ned Shank Award for Outstanding Preservation Publication from Preserve Arkansas Shadow Patterns: Reflections on Fay Jones and His Architecture is a collection of critical essays and personal accounts of the man the American Institute of Architects honored with its highest award, the Gold Medal, in 1990. The essays range from the academic, with appreciations and observations by Juhanni Palaasma and Robert McCarter and Ethel Goodstein-Murphree, to personal reflections by clients and friends. Two of Arkansas’s most accomplished writers, Roy Reed and Ellen Gilchrist, who each live in Fay Jones houses, have provided intimate portrayals of what it’s like to live in, and manage the quirks of, a “house built by a genius,” where “light is everywhere. . . . Everything is quiet, and everything is a surprise,” as Gilchrist says. Through this compendium of perspectives, readers will learn about Jones’s personal qualities, including his strong will, his ability to convince other people of the rightness of his ideas, and yet his willingness, at times, to change his mind. We also enter into the work: powerful architecture like Stoneflower and Thorncrown Chapel and Pinecote Pavilion, along with private residences ranging from the modest to the monumental. And we learn about his relationship with his mentor, Frank Lloyd Wright. Shadow Patterns broadens and enriches our understanding of this major figure in American architecture of the twentieth century.