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Appointed by the Board of Trustees of the Unitarian Universalist Association of Congregations in 2017, the UUA Commission on Institutional Change served through June 2020. Widening the Circle of Concern: Report of the UUA Commission on Institutional Change represents the culmination of the Commission’s work analyzing structural and systemic racism and white supremacy culture within Unitarian Universalism and makes recommendations to advance long-term cultural and institutional change that redeems the essential promise and ideals of Unitarian Universalism. The members and staff of the UUA Commission on Institutional Change were Chair Rev. Leslie Takahashi, Mary Byron, Cir L’Bert Jr., Rev. Dr. Natalie Fenimore, Dr. Elías Ortega, Caitlin Breedlove, DeReau K. Farrar, and Project Manager Rev. Marcus Fogliano.
Decades of use and refinement have solidified the place of How to Think Theologically as the indispensable guide to helping students of theology realize their call to be theologians. By focusing not on thinkers or thoughts, but on thinking, Stone and Duke induct readers into those habits of mind that lead to understanding all things--social, cultural, and personal--in relation to God. The new edition includes: Expansions of existing chapters An annotated bibliography of recommended reading An appendix of theological labels An expanded glossary Key points highlighted in call-outs throughout Updated case studies Discussion questions Both experienced teachers and beginning students will benefit from Stone and Duke's latest revision of their classic text.
From a world-renowned painter, an exploration of creativity’s quintessential—and often overlooked—role in the spiritual life “Makoto Fujimura’s art and writings have been a true inspiration to me. In this luminous book, he addresses the question of art and faith and their reconciliation with a quiet and moving eloquence.”—Martin Scorsese “[An] elegant treatise . . . Fujimura’s sensitive, evocative theology will appeal to believers interested in the role religion can play in the creation of art.”—Publishers Weekly Conceived over thirty years of painting and creating in his studio, this book is Makoto Fujimura’s broad and deep exploration of creativity and the spiritual aspects of “making.” What he does in the studio is theological work as much as it is aesthetic work. In between pouring precious, pulverized minerals onto handmade paper to create the prismatic, refractive surfaces of his art, he comes into the quiet space in the studio, in a discipline of awareness, waiting, prayer, and praise. Ranging from the Bible to T. S. Eliot, and from Mark Rothko to Japanese Kintsugi technique, he shows how unless we are making something, we cannot know the depth of God’s being and God’s grace permeating our lives. This poignant and beautiful book offers the perspective of, in Christian Wiman’s words, “an accidental theologian,” one who comes to spiritual questions always through the prism of art.
Pastor Brian Zahnd began "to question the theology of a wrathful God who delights in punishing sinners, and has started to explore the real nature of Jesus and His Father. The book isn’t only an interesting look at the context of some modern theological ideas; it’s also offers some profound insight into God’s love and eternal plan." —Relevant Magazine (Named one of the Top 10 Books of 2017) God is wrath? Or God is Love? In his famous sermon “Sinners in the Hands of an Angry God,” Puritan revivalist Jonathan Edwards shaped predominating American theology with a vision of God as angry, violent, and retributive. Three centuries later, Brian Zahnd was both mesmerized and terrified by Edwards’s wrathful God. Haunted by fear that crippled his relationship with God, Zahnd spent years praying for a divine experience of hell. What Zahnd experienced instead was the Father’s love—revealed perfectly through Jesus Christ—for all prodigal sons and daughters. In Sinners in the Hands of a Loving God, Zahnd asks important questions like: Is seeing God primarily as wrathful towards sinners true or biblical? Is fearing God a normal expected behavior? And where might the natural implications of this theological framework lead us? Thoughtfully wrestling with subjects like Old Testament genocide, the crucifixion of Jesus, eternal punishment in hell, and the final judgment in Revelation, Zanhd maintains that the summit of divine revelation for sinners is not God is wrath, but God is love.
Everyday Christians need practical and accessible theology. In this handbook first published in 1890, Charles Octavius Boothe simply and beautifully lays out the basics of theology for common people. "Before the charge 'know thyself,'" Boothe wrote, "ought to come the far greater charge, 'know thy God.'" He brought the heights of academic theology down to everyday language, and he helps us do the same today. Plain Theology for Plain People shows that evangelicalism needs the wisdom and experience of African American Christians. Walter R. Strickland II reintroduces this forgotten masterpiece for today. Lexham Classics are beautifully typeset new editions of classic works. Each book has been carefully transcribed from the original texts, ensuring an accurate representation of the writing as the author intended it to be read.
Many people react negatively to the word theology, believing that it involves dry, fruitless arguments about minute points of doctrine. They prefer to focus on the basic truths of Scripture and may even declare, "No creed but Christ." Yet as Dr. R.C. Sproul argues, everyone is a theologian. Any time we think about a teaching of the Bible and strive to understand it, we are engaging in theology. Therefore, it is important that we put the Bible's varied teachings together in a systematic fashion using proper, time-tested methods of interpretation so as to arrive at a theology that is founded on truth.
When a Christian fundamentalist-turned-scoffer becomes the senior religion reporter for one of the nation's top newspapers, she and God find themselves on a collision course. As her journey begins, Christine Wicker knows God primarily as "the source you never get to interview." Despite this, she pursues Him anyway and begins to glimpse a God she hasn't dared hope might exist. She finds Him in unlikely places--the ceremony of a Wiccan coven, an East German shop window, a Northern Ireland breakfast table. To her grumpy amazement, she also finds Him in a place she swore she would never again look--the confines of a Southern Baptist church. It's a hard trip with surprising turns, but in the end Wicker finds a faith that answers the soul's call without ignoring the world's realities.