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An architectural biography of Jaipur, and a concise history of Indian architectural theory over the last 300 years.
A gripping royal saga of charmed lives in a changing world. The Jaipurs were India's mid-century golden couple; its answer to the Kennedys, or Queen Elizabeth and Prince Philip. Jai and Ayesha, as they were known to friends like Frank Sinatra, Truman Capote and 'Dickie' Mountbatten, entertained lavishly at their magnificent palaces and hunting lodges in Rajasthan--and in the nightclubs of London, Paris and New York. But as the Raj gave way to the new India, Jaipur--the most glamorous and romantic of the princely states--had to find its place. The House of Jaipur charts a dynasty's determination to remain relevant in a democracy set on crushing its privileges. Against the odds, they secured their place at the height of Indian society; but Ayesha would pay for her criticism of Indira Gandhi during the Emergency. From the polo field and politics to imprisonment and personal tragedy, the Jaipurs' extraordinary journey of transformation mirrors the story of a rapidly changing country.
A NEW NOVEL BY THE AUTHOR OF THE HENNA ARTIST, A REESE'S BOOK CLUB PICK Good Morning America’s “27 Books for June" PopSugar’s Best Summer Reads of 2021 In New York Times bestselling author Alka Joshi’s intriguing new novel, henna artist Lakshmi arranges for her protégé, Malik, to intern at the Jaipur Palace in this tale rich in character, atmosphere, and lavish storytelling. It’s the spring of 1969, and Lakshmi, now married to Dr. Jay Kumar, directs the Healing Garden in Shimla. Malik has finished his private school education. At twenty, he has just met a young woman named Nimmi when he leaves to apprentice at the Facilities Office of the Jaipur Royal Palace. Their latest project: a state-of-the-art cinema. Malik soon finds that not much has changed as he navigates the Pink City of his childhood. Power and money still move seamlessly among the wealthy class, and favors flow from Jaipur’s Royal Palace, but only if certain secrets remain buried. When the cinema’s balcony tragically collapses on opening night, blame is placed where it is convenient. But Malik suspects something far darker and sets out to uncover the truth. As a former street child, he always knew to keep his own counsel; it’s a lesson that will serve him as he untangles a web of lies. "Captivated me from the first chapter to the last page." —Reese Witherspoon on The Henna Artist Don’t miss THE PERFUMIST OF PARIS! The final chapter in Alka Joshi’s New York Times bestselling Jaipur trilogy!
This book is a collection of essays by eminent historians exploring a millennium of India s history between the eighth and the eighteenth century, conventionally understood as early medieval and medieval India. Though these terms are subjected to critical
Jaipur Nama is the story of one of India's most fascinating cities, as seen through the eyes of both its residents and its visitors, who witnessed and recorded different moments in Jaipur's history between the 18th and 20th centuries. The triumph, follies and foibles of its rulers, the passions and drama of palace intrigues, the splendor of royal rites and entertainments, and the bustle and energy of tis bazaars and ateliers, all come to life through the vivid and detailed accounts of chroniclers as diverse as an Austrian Jesuit, a French naturalist, a court priest, a city merchant and a pilgrim from Banaras. Many of these accounts are here translated into English for the first time. Each reflects a different aspect of Jaipur, together creating a captivating, kaleidoscopic portrait of the Pink City. Linking these narratives are the observations, experiences and perceptions of the author, Giles Tillotson, who skillfully weaves the past into the present as he writes about the personalities who shaped the character of the city, the wonders of its architectures, and the development of its superb arts and crafts. Entertaining as well as scholarly, Jaipur Nama will appeal to a wide readership. For those who know Jaipur or plan to go there, this book will sharpen and enrich their experience of the city, while armchair travelers will find it a delightfully witty and knowledgeable companion.
The Visual Turn: South Asia Across the Disciplines explores new perspectives made possible by the evidence drawn from visual culture. This evidence is utilized by historians, literary analysts, anthropologists and, in a new way, art historians. Focusing on built environments within their urban contexts; the interactions of buildings, roads, and bodies; the meaning-making achieved through consumption of images (on their own or in concert with literary texts) all contribute to a much broader and deeper understanding of change in South Asia. Juxtaposed, these case studies not only approach their topics in a multi-disciplinary manner, but also make clear just what scholars from various disciplines can learn from each other to add nuance and depth to their own analyses. In the process, the authors demonstrate how the application of different methods and theorizing, when coupled with a fascinating range of types of evidence, contribute to a significant broadening of our abilities to interpret the past and the present. In particular, these essays bring new ways of thinking about cities as well as the multiple ways that visual culture contributes to individual and collective forms of identity-narratives that are negotiated at key moments of change in South Asia. Readers will see their own materials and historicized contexts with new eyes. This book was published as a special issue of South Asia: Journal of South Asian Studies.
This book, the first of its kind, introduces various aspects of urban planning in India and contributes towards debates on changes required in the current practice. Urban planning in India means many things to city residents and is used generically to include all interventions in the cities, such as public policy design, institutional design, spatial and territorial plans, infrastructure plans, public administration, community participation, and their implementation through programmes, schemes, and projects. While urban planning is expected to meet the global development agendas of equitable and just urbanisation, climate change and sustainable development goals (SDGs), in practice it has largely remained confined to statutory spatial planning represented by ‘Master Plan’ or ‘Comprehensive Plan’. This volume delves into this world of urban planning as critical insiders to see how it works in India, analysing the city level spatial plans, the Master or Development Plans, of select cities to assess whether these are capable of addressing the global agendas and coordinate with all other plans prepared for the city. It examines whether it would work in reference to the contemporary issues, SDGs, and global agendas, and discusses strategies on how to make it work better. It also deals with each of the above stated criticisms of the practice and examines the debates, data, approaches, agendas, plans, and the future of urban planning in India. This book comes in at a time when the urban planners and policy makers have themselves begun to discuss a need to relook at urban planning practices and tools to meet the future requirements of urbanisation in India. It will be a useful reference volume for the students, scholars and practitioners alike, and be of interest to researchers and students of urban planning, architecture, public administration, civil engineering, geography, economics, and sociology. It will also be useful for policy makers and professionals working in the areas of town and country planning.
A Journey from the Desert By: Bijay Banthia A Journey from the Desert is an inspiring and real story about a ten-year-old boy who crossed the massive and dense sand dunes in a vast desert by foot and camel ride in 1930. The weather was painfully hot 120 degrees. He traveled for almost a month in search of a livelihood in a promised land. He faced a lot of hardships traveling through the desert at this tender age. Though completely illiterate and uneducated, fifty years later he motivated his son to travel to another promised land half the world away. He sacrificed his whole life for the benefit of others and ignored himself completely.
"India retains one of the richest painting traditions in the history of global visual culture, one that both parallels aspects of European traditions and also diverges from it. While European artists venerated the landscape and landscape paintings, it is rare in the Indian tradition to find depictions of landscapes for their sheer beauty and mood, without religious or courtly significance. There is one glorious exception: Painters from the city of Udaipur in Northwestern India specialized in depicting places, including the courtly worlds and cities of rajas, sacred landscapes of many gods, and bazaars bustling with merchants, pilgrims, and craftsmen. Their court paintings and painted invitation scrolls displayed rich geographic information, notions of territory, and the bhāva, or feel, emotion, and mood of a place. This is the first book to use artistic representations of place to trace the major aesthetic, intellectual, and political shifts in South Asia over the long eighteenth century. While James Tod, the first British colonial agent based in Udaipur, established the region's reputation as a principality in a state of political and cultural deterioration, author Dipti Khera uses these paintings to suggest a counter-narrative of a prosperous region with beautiful and bountiful cities, and plentiful rains and lakes. She explores the perspectives of courtly communities, merchants, pilgrims, monks, laypeople, and officers, and the British East India Company's officers, explorers, and artists. Throughout, she draws new conclusions about the region's intellectual and artistic practices, and its shifts in political authority, mobility, and urbanity"--