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This book explains just what a person planning to use Hauptwerk in the creation of a virtual pipe organ needs to know. Hauptwerk is a unique piece of computer software which enables an organist to play pipe organs from all over the world, in their original acoustic, but in the home. The book details how the Hauptwerk software can be obtained and installed, and how organ sample sets can be loaded and configured in the virtual organ. It also explains how someone with minimal woodworking skills can construct a wooden console in which the keyboards other components can be housed. Drawing for a diy pedalboard are also provided. The author advises on computer resources for Hauptwerk, and describes accessories to enable stops to be drawn the organ controlled. Setting up high quality multiple channel audio and speakers is described, with details of software adjustments for voicing virtual organs. New and existing users will find what they need to get the very best out of their virtual pipe organ.
Because it has always represented a rich collaboration of the music, art, architecture, handicraft and science of its day, the organ, more than any other instrument, continues to reflect the spirit of the age in which it was built. This collection of essays, by leading scholars of the organ, follows the history of six organs in Scandinavia and Northern Germany, telling a unique story of the cultural history of northern Europe during the past four centuries. A CD with appropriate repertoire played on each of the six instruments accompanies the book.
Because it has always represented a rich collaboration of the music, art, architecture, handicraft and science of its day, the organ, more than any other instrument, continues to reflect the spirit of the age in which it was built. The Organ as a Mirror of its Time, the first book to consider this instrument's historical and cultural significance, reflects the efforts of twenty leading scholars of the organ. The book chronicles the history of six organs in Scandinavia and Northern Germany, at least one specimen for every century from 1600 to the present. By considering their original contexts and their histories since they were built, as well as the extraordinary coincidences that link them together, the book offers a unique perspective on the cultural history of northern Europe. A CD with appropriate repertoire played on each of the six instruments accompanies the book.
This book guides the reader through the construction of a Hauptwerk organ similar to the one built by the author. Detailed drawings and photographs, including all critical dimensions, are provided for a traditional compact console using stops and/or Novation LaunchPads. Issues with retrofitting a used console or using a desktop approach with touchscreens are also discussed. The book provides a MIDI tutorial, with special focus on how Hauptwerk uses MIDI messages to interact with your console electronics. Issues involving proper grounding and power distribution, vital topics often neglected, receive detailed coverage. Finally, an entire chapter is devoted to important Hauptwerk topics which the author believes are not thoroughly covered in the manual. These include things like optimal rank loading, adding output channels for solo stops, adopting a surround system for stereo organs, and simulating diatonic pipe chests. Anyone building a Hauptwerk organ will find a wealth of valuable material in this book.
I must, in the first instance, warn the reader that it is not written with the intention of dealing exhaustively with organ building generally, but, as its title implies, only with that particular phase which comes within the means and scope of an intelligent amateur workman. Therefore, such refinements as electric and pneumatic actions, not being required in small instruments, find no place in this work, but everything of interest to a home- worker is touched upon in a thoroughly practical manner. There are many works on the subject to which builders, purchasers, or general readers may resort for information respecting organs, but the in- structions contained in most of these works being limited to general, and often vague, description, are of little service to an ordinary amateur desirous of building the instrument himself, as in most cases the idea of building an organ at home is taken up by persons having little knowledge of the construction of the instrument which they so ardently desire to possess. It is indeed rather surprising that there is not a larger supply of literature dealing with this Subject from an amateur's point of view, for it is a matter which is constantly claiming the attention of young men of mechanical proclivities, and also one which exercises an astonishing and peculiar fascination Vf PREFACE. over them. But beyond isolated papers in magazines, and the little manual of the Rev. W. E. Dickson, there dees not appear to be anything which can rightly be considered as meeting the requirements of persons of the class referred to. It is with the object of supplying this want that I have been induced to compile the little manual which now seeks the suffrages of home- workers. As an amateur organ-builder I may fairly claim to have some knowledge of the necessities of that class, and of the difficulties which beset them at every turn. It has been my endeavour to smooth away those dMficulties by describing every part of the instrument in the fullest detail, and by supplementing the instructions, wherever practicable, with carefully- drawn illustrations. The method of making pipes of paper, which is an invention of my own, will, I trust, prove a boon to amateurs, especially those of limited means, as by making pipes of this material the most expensive item in the cost of the instrument is reduced to a comparati\'ely nominal sum. I do not think I could adduce better testimony of their efficiency than the fact that a practical organ-builder, who is quite un- known to me, has thought it worth his while to take up the manufacture of these pipes, and to enlarge his workshops for the purpose. I would add that the care, patience, and perseverance devoted to building even a small organ at home must necessarily afford most valuable training to young men, and the moral value of the instrument itself in a home where children are growing up cannot, 1 think, be over-estimated.
Organ, Volume 3 of the Encyclopedia of Keyboard Instruments, includes articles on the organ family of instruments, including famous players, composers, instrument builders, the construction of the instruments and related terminology. It is the first complete reference on this important family of keyboard instruments that predated the piano. The contributors include major scholars of music and musical instruments from around the world.
This Companion is an essential guide to all aspects of the organ and its music. It examines in turn the instrument, the player and the repertoire. The early chapters tell of the instrument's history and construction, identify the scientific basis of its sounds and the development of its pitch and tuning, examine the history of the organ case, and consider the current trends and conflicts within the world of organ building. Central chapters investigate the practical art of learning and playing the organ, introduce the complex area of performance practice, and outline the relationship between organ playing and the liturgy of the church. The final section explores the vast repertoire of organ music, focusing on a selection of the most important traditions.
The Encyclopedia of Organ includes articles on the organ family of instruments, including famous players, composers, instrument builders, the construction of the instruments, and related terminology. It is the first complete A-Z reference on this important family of keyboard instruments. The contributors include major scholars of music and musical instrument history from around the world.