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For Gage Jameson, the summer of 1873 has been a poor hunt. A year ago he felled sixty-two buffalo in one stand, but now the great Arkansas River herd is gone, like the Republican herd before it. In Dodge City, old hide hunters speak is awe of a last great heard to the south--but no hunter who values his scalp dares ride south of the Cimarron and into Comanche territory. None but Gage Jameson....
Two complete novels from the Western author Elmer Kelton in one low-priced edition: Buffalo Wagons and Cloudy in the West Buffalo Wagons For Gage Jameson, the summer of 1873 has been a poor hunt. A year ago he felled sixty-two buffalo in one stand, but now the great Arkansas River herd is gone, like the Republican herd before it. In Dodge City, old hide hunters speak in awe of a last great heard to the south-but no hunter who values his scalp dares ride south of the Cimarron and into Comanche territory. None but Gage Jameson.... Cloudy in the West In the Texas backlands in 1885, twelve-year-old Joey Shipman's father dies under mysterious circumstances, and the boy is forced to live with his stepmother and Blair Meacham, a hanger-on at the farm. After the death of a black farmhand and friend, and another "accident" that almost takes Joey's life, the boy runs away and joins forces with his only kin-Beau Shipman, a drunk and a jailbird. Beau, along with an outlaw, a San Antonio prostitute, and a sheepman become Joey's unlikely partners as he is trailed by their murderous Meacham, in league with Joey's stepmother in their scheme to inherit the Shipman farm. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Illustrations and simple rhyming text follow a family as they make the difficult journey by wagon to a new home across the Rocky Mountains. Full-color illustrations.
Reprint of the original, first published in 1857.
Army scout, buffalo hunter, Indian fighter, and impresario of the world-renowned "Wild West Show," William F. "Buffalo Bill" Cody lived the real American West and also helped create the "West of the imagination." Born in 1846, he took part in the great westward migration, hunted the buffalo, and made friends among the Plains Indians, who gave him the name Pahaska (long hair). But as the frontier closed and his role in "winning the West" passed into legend, Buffalo Bill found himself becoming the symbol of the destruction of the buffalo and the American Indian. Deeply dismayed, he spent the rest of his life working to save the remaining buffalo and to preserve Plains Indian culture through his Wild West shows. This biography of William Cody focuses on his lifelong relationship with Plains Indians, a vital part of his life story that, surprisingly, has been seldom told. Bobby Bridger draws on many historical accounts and Cody's own memoirs to show how deeply intertwined Cody's life was with the Plains Indians. In particular, he demonstrates that the Lakota and Cheyenne were active cocreators of the Wild West shows, which helped them preserve the spiritual essence of their culture in the reservation era while also imparting something of it to white society in America and Europe. This dual story of Buffalo Bill and the Plains Indians clearly reveals how one West was lost, and another born, within the lifetime of one remarkable man.
Narcissa Whitman and her husband, Marcus, went to Oregon as missionaries in 1836, accompanied by the Reverend Henry Spalding and his wife, Eliza. It was, as Narcissa wrote, “an unheard of journey for females.” Narcissa Whitman kept a diary during the long trip from New York and continued to write about her rigorous and amazing life at the Protestant mission near present-day Walla Walla, Washington. Her words convey her complex humanity and devotion to the Christian conversion and welfare of the Indians. Clifford Drury sketches in the circumstances that, for the Whitmans, resulted in tragedy. Eliza Spalding, equally devout and also artistic, relates her experiences in a pioneering venture. Drury also includes the diary of Mary Augusta Dix Gray and a biographical sketch of Sarah Gilbert White Smith, later arrivals at the Whitman mission.