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Writing about the economic collapse and social unrest of her 1970s childhood in Buffalo, New York, Laura Pedersen was struck by how things were finally improving in her beloved hometown. As 2008 began, Buffalo was poised to become the thriving metropolis it had been a hundred years earlier—only instead of grain and steel, the booming industries now included healthcare and banking, education and technology. Folks who'd moved away due to lack of opportunity in the 1980s talked excitedly about returning home. They mised the small-town friendliness and it wasn't nostalgia for a past that no longer existed—Buffalo has long held the well-deserved nickname the City of Good Neighbors. The diaspora has ended. Preservationists are winning out over demolition crews. The lights are back on in a city that's usually associated with blizzards and blight rather than its treasure trove of art, architecture, and culture.
James Joyce and Genetic Criticism presents contemporary scholarship in genetic criticism and Joyce studies. In considering how evolutionary themes enhance the definition of the genetic method in interpreting texts, this volume presents a variety of manuscript-based analyses that engage how textual meaning, through addition and omission, grows. In doing so, this volume covers a wide-range of topics concerning Joycean genetics, some of which include Joyce’s editorial practice, the forthcoming revised edition of Finnegans Wake, the genetic relationship between Giacomo Joyce and Ulysses, the method and approach required for creating an online archive of Finnegans Wake, and the extensive genesis of “Penelope”. Contributors are: Shinjini Chattopadhyay, Tim Conley, Luca Crispi, Robbert-Jan Henkes, Sangam MacDuff, Genevieve Sartor, Fritz Senn, Sam Slote, Dirk Van Hulle.
A permanent index compiled irregularly which cumulates all indexes for a given period and is not further updated.