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The human history of depicting birds dates to as many as 40,000 years ago, when Paleolithic artists took to cave walls to capture winged and other beasts. But the art form has reached its peak in the last four hundred years. In The Art of the Bird, devout birder and ornithologist Roger J. Lederer celebrates this heyday of avian illustration in forty artists’ profiles, beginning with the work of Flemish painter Frans Snyders in the early 1600s and continuing through to contemporary artists like Elizabeth Butterworth, famed for her portraits of macaws. Stretching its wings across time, taxa, geography, and artistic style—from the celebrated realism of American conservation icon John James Audubon, to Elizabeth Gould’s nineteenth-century renderings of museum specimens from the Himalayas, to Swedish artist and ornithologist Lars Jonsson’s ethereal watercolors—this book is feathered with art and artists as diverse and beautiful as their subjects. A soaring exploration of our fascination with the avian form, The Art of the Bird is a testament to the ways in which the intense observation inherent in both art and science reveals the mysteries of the natural world.
The classic field guide What Bird Is That? has been known to bird enthusiasts throughout Australia for decades, ever since it was first published in 1931. It was written and illustrated by Neville William Cayley (1886-1950), son of artist Neville Henry Cayley (1854-1903) who, before him, had also had dreams of publishing a 'big bird book'-a comprehensive publication on Australian birds-but it never came to fruition. Cayley and Son charts the lives and works of this Australian father-and-son pair of bird artists.
What name could be a more apt description of Australia than ‘The Land of Parrots’, a name inspired by late sixteenth-century maps showing a southern region labelled ‘Psittacorum regio’? This beautiful book takes a close look at parrots in Australia, from the first published illustration of an Australian parrot—a Rainbow Lorikeet collected live on Cook’s 1770 voyage—to William T. Cooper’s twentieth-century watercolour of the elusive Night Parrot. With introductory essays by ornithologist Penny Olsen, Flocks of Colour covers two and a quarter centuries of discovery and illustration of Australia’s avifauna. It features a rich portfolio of images of all the Australian parrots, by various artists including John Gould, Edward Lear, Neville W. Cayley and William T. Cooper, selected from the collections of the National Library of Australia, The foreword is by Joseph Forshaw, a world expert on the parrot family.
Traditionally, etymology is concerned with the study of lexical items. However, in this book etymology is understood more generally as a research approach concerned with the question of how a particular word or structure came into existence. As a result, etymology can investigate the origin of words (lexical etymology) but also structural elements, such as morphemes and constructions (structural etymology). This pioneer volume assembles thirteen etymological studies over a broad range of languages, ranging from Europe to Australia and the Pacific, focusing in particular on Australian Indigenous languages. The phenomena investigated in the contributions comprise the origin of Australian Indigenous place names and kinship terms, constructions and word histories in Oceanic languages, typological investigations as well as papers on the methodology of etymological research. This volume is intended for a scholarly audience including intermediate and advanced university students with an interest in historical linguistic, especially in etymology, but also semantics, toponymy and language contact.