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Beatrice Lane Suzuki (1878-1939) was an extremely well informed and sensitive expositor of Mahāyāna Buddhism. Buddhist Temples of Kyōto and Kamakura brings together some of her writings from The Eastern Buddhist.
Catalog of the exhibition at the Asia Society Museum, New York, February 9-May 8, 2016.
Beatrice Lane Suzuki (1878-1939) was an extremely well informed and sensitive expositor of Mahayana Buddhism. As the American wife of the influential Zen Buddhist Suzuki Daisetsu, she lived in Japan for many years, becoming very familiar with the leading temples of various Buddhist schools-especially in Kyoto and Kamakura. Buddhist Temples of Kyoto and Kamakura brings together some of her writings from The Eastern Buddhist. The collection preserves valuable information from Suzuki's own times and the charm of her personal discovery of the temples described here. Further information is also provided to place them in their current context. The volume will be of interest to scholars of Japanese Buddhism and to the many travelers to these sites today.
The Kyoto Travel Guide is the most up-to-date, reliable and complete guide to this wonderful place. Travelers will find everything they need for an unforgettable visit presented in a convenient and easy-to-use format. Includes quick information on planning a visit, navigating the location, experiencing Japanese culture and exploring the beauty of Kyoto. Also includes a Japanese phrasebook to help you communicate with the locals. Kyoto, once the capital of Japan, is a city on the island of Honshu. It's famous for its numerous classical Buddhist temples, as well as gardens, imperial palaces, Shinto shrines and traditional wooden houses. It’s also known for formal traditions such as kaiseki dining, consisting of multiple courses of precise dishes, and geisha, female entertainers often found in the Gion district.
Reflects the current state of scholarship in Buddhist Studies, its entries being written by specialists in many areas, presenting an accurate overview of Buddhist history, thought and practices, most entries having cross-referencing to others and bibliographical references. Contain around 1000 pages and 500,000 words, totalling around 1200 entries.
The author reassesses the reasons for Nobunaga's attacks on the Buddhist temples and explores the long-term effects of his activities on the temples and on the relation between Buddhism and the state. Originally published in 1985. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
In this second volume of his classic history, one of the world's foremost Zen scholars turns his attention to the development of Zen in Japan.
This book is a delightful journey through the gardens of Japan, their art, culture, and history. This beautifully designed book is a guide to gardens in Japan and a revelation of their historical and cultural contexts. Offering a tour of over 120 gardens spanning east, west, north, and south in Japan, the authors provide a brief description, beautiful photographs, and directions for easy reference, interwoven with notes on personal experiences and travel in different seasons. A glossary of terms and a chronological summary of the gardens in different historical periods are included. A perfect reference for visitors to Japan as well as armchair travelers, this book is the first to show such a wide geographical spread of gardens throughout Japan, and will be beloved by all garden lovers and anyone captivated by this unique element of Japanese culture. 120 color photographs and illustrations. - Publisher.
Over 1,700 alphabetically-arranged entries cover the beliefs, practices, significant movements, organizations, and personalities associated with Zen Buddhism.
This is a study of visual and textual images of the mythical creature tengu from the late Heian (897–1185) to the late Kamakura (1185–1333) periods. Popularly depicted as half-bird, half-human creatures with beaks or long noses, wings, and human bodies, tengu today are commonly seen as guardian spirits associated with the mountain ascetics known as yamabushi. In the medieval period, however, the character of tengu most often had a darker, more malevolent aspect. Haruko Wakabashi focuses in this study particularly on tengu as manifestations of the Buddhist concept of Māra (or ma), the personification of evil in the form of the passions and desires that are obstacles to enlightenment. Her larger aim is to investigate the use of evil in the rhetoric of Buddhist institutions of medieval Japan. Through a close examination of tengu that appear in various forms and contexts, Wakabayashi considers the functions of a discourse on evil as defined by the Buddhist clergy to justify their position and marginalize others. Early chapters discuss Buddhist appropriations of tengu during the late twelfth and thirteenth centuries in relation to the concept of ma. Multiple interpretations of ma developed in response to changes in society and challenges to the Buddhist community, which recruited tengu in its efforts to legitimize its institutions. The highlight of the work discusses in detail the thirteenth-century narrative scroll Tengu zōshi (also known as the Shichi Tengu-e, or the Seven Tengu Scrolls), in which monks from prominent temples in Nara and Kyoto and leaders of “new” Buddhist sects (Pure Land and Zen) are depicted as tengu. Through a close analysis of the Tengu zōshi’s pictures and text, the author reveals one aspect of the critique against Kamakura Buddhism and how tengu images were used to express this in the late thirteenth century. She concludes with a reexamination of the meaning of tengu and a discussion of how ma was essentially socially constructed not only to explain the problems that plague this world, but also to justify the existence of an institution that depended on the presence of evil for its survival. Drawing on a wide range of primary sources, Wakabayashi provides a thoughtful and innovative analysis of history and religion through art. The Seven Tengu Scrolls will therefore appeal to those with an interest in Japanese art, history, and religion, as well as in interdisciplinary approaches to socio-cultural history.