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Hagiographies or idealized biographies which recount the lives of saints, bodhisattvas and other charismatic figures have been the meeting place for myth and experience. In medieval Europe, the 'lives of saints' were read during liturgical celebrations and the texts themselves were treated as sacred objects. In Japan, it was believed that those who read the biographies of lofty monks would acquire merit. Since hagiographies were written or compiled by 'believers', the line between fantasy and reality was often obscured. This study of the bodhisattva Gyoki - regarded as the monk who started the largest social welfare movement in Japan - illustrates how Japanese Buddhist hagiographers chose to regard a single monk's charitable activities as a miraculous achievement that shaped the course of Japanese history.
Though fascinated with the land of their tradition’s birth, virtually no Japanese Buddhists visited the Indian subcontinent before the nineteenth century. In the richly illustrated Seeking Śākyamuni, Richard M. Jaffe reveals the experiences of the first Japanese Buddhists who traveled to South Asia in search of Buddhist knowledge beginning in 1873. Analyzing the impact of these voyages on Japanese conceptions of Buddhism, he argues that South Asia developed into a pivotal nexus for the development of twentieth-century Japanese Buddhism. Jaffe shows that Japan’s growing economic ties to the subcontinent following World War I fostered even more Japanese pilgrimage and study at Buddhism’s foundational sites. Tracking the Japanese travelers who returned home, as well as South Asians who visited Japan, Jaffe describes how the resulting flows of knowledge, personal connections, linguistic expertise, and material artifacts of South and Southeast Asian Buddhism instantiated the growing popular consciousness of Buddhism as a pan-Asian tradition—in the heart of Japan.
This book is a concise overview of Shintō through a survey of its key concepts, related archeological finds, central mythology, significant cultural sites, political dimensions, and historical developments. Its goal is to promote an understanding of Shintō as an enduring cultural phenomenon central to Japan past and present.
Religion is closely linked to social development as it often serves as the ideological fundament of a society and one of the foremost expressions of its culture. The articles in this volume are devoted to the study of religious crisis in Anqituity and deal with these pheonomena in the Ancient Near East, Rome, Greece, China and India.
Pure Land was one of the main fields of mythopoesis and discourse among the Asian Buddhist traditions, and in Japan of central cultural importance from the Heian period right up to the present. The pieces reproduced in this set have been chosen as linchpin works accentuating the diversity and evolution of Pure Land Buddhism. These selections of previously published articles will serve as an essential starting-point for anyone interested in this perhaps underestimated area of Buddhist studies.
A Cultural History of Japanese Buddhism offers a comprehensive, nuanced, and chronological account of the evolution of Buddhist religion in Japan from the sixth century to the present day. Traces each period of Japanese history to reveal the complex and often controversial histories of Japanese Buddhists and their unfolding narratives Examines relevant social, political, and transcultural contexts, and places an emphasis on Japanese Buddhist discourses and material culture Addresses the increasing competition between Buddhist, Shinto, and Neo-Confucian world-views through to the mid-nineteenth century Informed by the most recent research, including the latest Japanese and Western scholarship Illustrates the richness and complexity of Japanese Buddhism as a lived religion, offering readers a glimpse into the development of this complex and often misunderstood tradition
Shin Buddhism (Jōdo Shinshū), although weakened in many ways by secularization, continues to be a stable presence in Japanese society, as is emblematically shown by the very symmetrical position of the Nishi (Honganji-ha) and the Higashi Honganji (Ōtani-ha) head temples in the center of Kyōto, and by the recent projects for their renovation. This book addresses the need for more academic research on Shin Buddhism, and is specifically directed at describing and analyzing distinctive social aspects of this religious tradition in historical and contemporary perspective. The contributions collected here cover a wide range of issues, including the intersection between Shin Buddhism and fields as diverse as politics, education, social movements, economy, culture and the media, social ethics, gender, and globalization.
This book examines paintings and sculptures that depict the life of and illustrate the cultic practices and beliefs around one of ancient Japans most iconic figures, Prince Shotoku. Although some question the very factuality of the prince and attribution is debated, Shotoku is popularly credited with establishing the first unified Japanese state and writing the countrys first constitution, a Chinese style document that emphasizes the morals and virtues of government officials.
This study traces the modern transformation of Japanese Buddhist concepts across the nineteenth and twentieth centuries, specifically the notion of the historical Buddhai.e., the prince of ancient Indian descent who abandoned his wealth and power to become an awakened being. Since Buddhism arrived in Japan in the sixth century, the historical figure of the Buddha has repeatedly disappeared from view and returned, always in different forms and to different ends. Micah Auerback offers the first account of the changing fortunes of the Japanese Buddha, following the course of early modern and modern producers and consumers of both high and low culture, who found novel uses for the Buddha s story outside the confines of the Buddhist establishment. Auerback challenges the still-prevalent concept that Buddhism had grown ossified and irrelevant during Japan s early modernity, and complicates the image of Japanese Buddhism as a sui generis tradition within the Asian Buddhist world. Auerback also links the later Buddhist tradition in Japan to its roots on the Continent, and argues for the relevance of attention to narrative and the historical imagination in the study of Buddhist Asia more broadly conceived. And, Auerback engages the question of secularization by examining the after life of the Buddha in the hagiographic literature, demonstrating that the late Japanese Buddha did not, as is widely thought, fade into a ghost of its former self, but rather underwent a complete transformation and reincarnation. The book thus joins the larger discussion of secularization in modernity beyond Buddhism, Japanese religions, and the Asian continent."
According to the contributors to this volume, the relationship of Buddhism and the arts in Japan is less the rendering of Buddhist philosophical ideas through artistic imagery than it is the development of concepts and expressions in a virtually inseparable unity. By challenging those who consider religion to be the primary phenomenon and art the secondary arena for the apprehension of religious meanings, these essays reveal the collapse of other dichotomies as well. Touching on works produced at every social level, they explore a fascinating set of connections within Japanese culture and move to re-envision such usual distinctions as religion and art, sacred and secular, Buddhism and Shinto, theory and substance, elite and popular, and even audience and artist. The essays range from visual and literary hagiographies to No drama, to Sermon-Ballads, to a painting of the Nirvana of Vegetables. The contributors to the volume are James H. Foard, Elizabeth ten Grotenhuis, Frank Hoff, Laura S. Kaufman, William R. LaFleur, Susan Matisoff, Barbara Ruch, Yoshiaki Shimizu, and Royall Tyler. Originally published in 1992. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.