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Buddhisms and Deconstructions considers the connection between Buddhism and Derridean deconstruction, focusing on the work of Robert Magliola. Fourteen distinguished contributors discuss deconstruction and various Buddhisms--Indian, Tibetan, and Chinese (Chan)--followed by an afterword in which Magliola responds directly to his critics.
This is a semiotic study of a corpus of texts that Kumârajîva (344-413 CE), Paramârtha (499~569 CE) and Xuanzang (599~664 CE) transmitted from India to China, featuring a critical reading of the Dazhidu Lun (T1509, Mahâ-Prajñâpâramitâ-upadeúa-Úâstra), San Wuxing Lun (T1617, Try-asvabhâva-prakara.na), and Guangbai Lun (T1571, Catu.húataka-úâstra-kârika). Focusing its attention on the Mahâyâna Buddhist notion of samatâ, it identifies a Buddhist semiotics which anticipates Derrida's invocation of the notion of the Same in his deconstruction of binary oppositions.
This collection reflects the confluence of two contemporary developments: the Buddhist-Christian dialogue and the deconstruction theory of Jacques Derrida. The five essays both explore and demonstrate the relationship between postmodernism and Buddhist-Christian thought. The liberating and healing potential of de-essentialized concepts and images, language, bodies and symbols are revealed throughout. Included are essays by Roger Corless, David Loy, Philippa Berry, Morny Joy, and Robert Magliola.
This text by an established specialist in French deconstruction, written after his many years in Asia and in the West, celebrates both Buddhist and Christian cultures and the negative but fertile differences between them.
This is a semiotic study of a corpus of texts that Kumârajîva (344-413 CE), Paramârtha (499~569 CE) and Xuanzang (599~664 CE) transmitted from India to China, featuring a critical reading of the Dazhidu Lun (T1509, Mahâ-Prajñâpâramitâ-upadeúa-Úâstra), San Wuxing Lun (T1617, Try-asvabhâva-prakara.na), and Guangbai Lun (T1571, Catu.húataka-úâstra-kârika). Focusing its attention on the Mahâyâna Buddhist notion of samatâ, it identifies a Buddhist semiotics which anticipates Derrida's invocation of the notion of the Same in his deconstruction of binary oppositions.
Explores the relationship between the philosophical underpinnings of Advaita Vedanta, Zen Buddhism And The experiential journey of spiritual practitioners.
Deconstruction is so labyrinthine (and rumored to be fatal) that it’s become the monster that murdered philosophy. When Jacques Derrida, the father of deconstruction, uses buzz-words such as “phallogocentrism” and “transcendental signified,” humanities students and aspiring philosophers may get weak in the knees. Following up on the success of Derrida For Beginners, Jim Powell’s Deconstruction For Beginners is an irreverent romp through deconstructive domains. Though Powell offers lucid explanations of the most important deconstructive ideas and texts, he also dive into lesser known works. One of these, The Right to Look, finds Derrida offering his thoughts on a photo-novella consisting of images of women making love with each other. Powell then goes on to explore how deconstruction, like an unruly mistress, has escaped Derrida, especially in the realm of architecture. Then, based on Derrida’s assertion that deconstruction happens differently in different cultures, Powell examines how – through Buddhism and Taoism – deconstruction took place in ancient India, Japan, and China.
"The essential Buddhist perspective, Howe argues, is that "reality" lacks the solidity which we habitually assume it has, and that therefore the appropriate attitude toward life is to play it as we would a game - with unusual seriousness, for itself rather than for any ulterior motive, even that of investing it with meaning. Howe also demonstrates that the "real" subject of representational art is always just itself. The significance of such art depends upon the concession that it has no significance. In the same way, it is precisely the self-deconstructive nature of Shakespeare's plays which makes their Buddhist-like affirmative positions visible."--BOOK JACKET.