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Lama Zopa Rinpoche compiled A Daily Meditation on Shakyamuni Buddha specifically for beginner Buddhist practitioners to use as the basis of a formal meditation practice. In this revised version, Rinpoche has reorganized some of the prayers and, in particular, has added an extensive explanation of the visualizations to be done while taking refuge. Drawn from Phabongkha Rinpoche’s Liberation in the Palm of Your Hand, for each of the objects of refuge—Guru, Buddha, Dharma, and Sangha—there are visualizations for purifying negative karma, increasing qualities, and coming under the guidance of that object of refuge. Subtitled “How to Meditate on the Graduated Path to Enlightenment,” it includes the preliminary practices of generating a bodhicitta motivation and blessing the offerings, and the actual practice of taking refuge in the Three Rare Sublime Ones, meditation on the four immeasurables, the seven-limb practice, and mandala offering, followed by making requests to the guru and Foundation of All Good Qualities. These practices prepare the mind for lamrim meditation by purifying negative karma and collecting extensive merits, and making requests to the guru. This practice can also be used as a basis for engaging in the preliminary practices, such as accumulating 100,000 prostrations, mandala offerings, and water bowl offerings. 2022 edition.
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This commentary on Guhyasamaja tantra is the seminal guide to deity yoga and tantric visualization for the Geluk school of Tibetan Buddhism. The Guhyasamaja Tantra, called the king of all tantras, is revered in Tibet, especially by the Geluk school. Ocean of Attainments, a commentary on Guhyasamaja practice, was composed by Khedrup Jé Gelek Palsang (1385–1438), a key disciple of the Geluk school founder, Tsongkhapa Losang Drakpa. It explores the creation stage, a quintessential Buddhist tantric meditation that together with the completion stage comprises the path of unexcelled tantra. In the creation stage, meditators visualize themselves as buddhas at the center of the celestial mandala, surrounded in all directions by male and female buddhas, bodhisattvas, and other enlightened beings. Yet creation-stage practice is not merely visualization but deity yoga—indivisibly uniting the meditation on emptiness with the visualization of the mandala. The creation stage uses the conceptualization in visualization to overcome conceptualization, thereby creating a nonconceptual and nonerroneous direct perception. Such a mind, profound and vast, can bring about a transformation that stops samsaric suffering. How can visions generated as mental constructs not be erroneous? To the awakened eye, the buddhas and other beings who dwell in the mandala are “reality,” and in a sense they are more than real. While the previously published Essence of the Ocean of Attainments is a concise exposition on the practice of the Guhyasamaja sadhana, Ocean of Attainments is far more detailed, providing extensive scriptural citations, clear explanation of the body maanala, arguments on points of contention, reference to other tantric systems, and critiques of misinterpretations. With its extensive and clear introduction, this volume is a vital contribution to the growing body of scholarship on Guhyasamaja and on Buddhist tantra in general.
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Nan Xu's footsteps were filled with helplessness and hesitation. They were filled with hope and dreams, as well as the endless love affairs ...A man who fought for his dream, a man who chased after women and was chased by women.
A young man trudges from a tiny Chola village to Kanchi, the great city of art and learning, hoping to discover his destiny. A bikshu wanders around the Pallava empire, befriending lonely souls. Spies lurk in the shadows, and even statues of the Lord Buddha conceal secrets. Emperor Mahendra Pallava, connoisseur beyond compare, rules with compassion and justice, while his son, Kumara Chakravarthy Narasimhar, falls deeply in love with the greatest dancer of the empire, Sivakami. Somewhere in the distance can be heard the drums of war. The fearsome Chalukyas are planning an invasion: their war elephants, horses and infantry sweep towards the Pallava empire. Emperor Pulikesi eyes Kanchi as the crowning glory to his martial achievements. Paranjyothi's Journey, the first in the four-volume Sivakami's Vow series, is a riveting tale of war, betrayal, secret passages, guarded forts, passions and a Pallava emperor who will do anything to save his kingdom. It was written by Kalki, a master storyteller who raised Tamil literature and history to new heights almost single-handedly.