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Can you forget the place you once called home? What does it take to make you recapture it? In this moving memoir, Susan Rubin Suleiman describes her returns to the city of her birth — where she speaks the language like a native but with an accent. Suleiman left Budapest in 1949 as a young child with her parents, fleeing communism; thirty-five years later, she returned with her two sons for a brief vacation and began to remember her childhood. Her earliest memories, of Nazi persecution in the final year of World War II, came back to her in fragments, as did memories of her first school years after the war and of the stormy marriage between her father, a brilliant Talmudic scholar, and her mother, a cosmopolitan woman from a more secular Jewish family. In 1993, after the fall of communism and the death of her mother, Suleiman returned to Budapest for a six-month stay. She recounts her ongoing quest for personal history, interweaving it with the stories of present-day Hungarians struggling to make sense of the changes in their individual and collective lives. Suleiman's search for documents relating to her childhood, the lives of her parents and their families, and the Jewish communities of Hungary and Poland takes her on a series of fascinating journeys within and outside Budapest. Emerging from this eloquent, often suspenseful diary is the portrait of an intellectual who recaptures her past and comes into contact with the vital, troubling world of contemporary Eastern Europe. Suleiman's vivid descriptions of her encounters with a proud, old city and its people in a time of historical change remind us that every life story is at once unique and part of a larger history. "I recommend this autobiographical narrative because it is grave and beautiful. Better still, it is shatteringly truthful." — Elie Wiesel "Susan Rubin was a little girl when her parents fled through darkened fields to escape the Communist regime in Hungary in 1949... [This] is a poignant piece of self-revelation, sprinkled with some trenchant observations on the way the dead hand of history has weighed down the former Warsaw Pact countries." — Kirkus "[A] fascinating, revealing journal... brutally honest." — Publishers Weekly "This pensive, forthright journal records Suleiman's efforts to reconnect with a long-forgotten homeland." — Booklist "Suleiman lyrically describes her quest and the complex interaction of the Eastern Europe of the past and present." — Boston Globe "A tale of survival, adaptation and pure luck, whose darker side reveals the linguistic and emotional cost of emigration and exile, the feeling of permanent displacement, of being nowhere at home." — Forward "This story must speak to all those who have fled and who have ever dreamed of a return." — Independent Jewish Women's Magazine "[A] thoughtful and sophisticated memoir... You don't have to be Hungarian or Jewish to appreciate writing like this." — Montreal Gazette
In 1993, after the fall of communism and the death of her mother, Suleiman returned to Budapest for a six-month stay. She recounts her ongoing quest for personal history, interweaving it with the stories of present-day Hungarians struggling to make sense of the changes in their individual and collective lives. Suleiman's search for documents relating to her childhood, the lives of her parents and their families, and the Jewish communities of Hungary and Poland takes her on a series of fascinating journeys within and outside Budapest.
Janet Burstein argues that American Jewish writers since the 1980s have created a significant literature by wrestling with the troubled legacy of trauma, loss, and exile. Their ranks include Cynthia Ozick, Todd Gitlin, Art Spiegelman, Pearl Abraham, Aryeh Lev Stollman, Jonathan Rosen, and Gerda Lerner. Whether confronting the massive losses of the Holocaust, the sense of “home” in exile, or the continuing power of Jewish memory, these Jewish writers search for understanding within “the little secrets” of their dark, complicated, and richly furnished past.
An essential companion piece to Stefan Zweig's classic The World of Yesterday, this memoir addresses many of the questions that this internationally celebrated author raised but did not answer. A professional journalist and researcher in her own right who first encountered Zweig in 1908, Friderike threads her story between what Zweig called the Scylla of "exaggerated candor" and the Charybdis of self-love. She paints a detailed portrait of her famous husband from his birth into a wealthy Jewish family in late 19th century Vienna to his suicide (with his second wife) in Brazil in 1942. Married to Stefan Zweig, first published in 1946 under the title Stefan Zweig, provides a thorough overview of the writer's poems, plays, stories, biographies, essays and articles, his work habits, and his relations with editors, publishers, friends, mentors and protégés. Friderike also illuminates facets of the tumultuous context of political and social upheaval in which Zweig worked during his years in Salzburg and London. Married to Stefan Zweig is among the very small number of women’s memoirs from 20th century Central Europe and an unusual portrait of a marriage anywhere, anytime.
Encounters in the Arts, Literature, and Philosophy focuses on chance and scripted encounters as sites of tensions and alliances where new forms, ideas, meanings, interpretations, and theories can emerge. By moving beyond the realm of traditional hermeneutics, Jérôme Brillaud and Virginie Greene have compiled a volume that vitally illustrates how reading encounters represented in artefacts, texts, and films is a vibrant and dynamic mode of encountering and interpreting. With contributions from esteemed academics such as Christie McDonald, Pierre Saint-Amand, Susan Suleiman, and Jean-Jacques Nattiez, this book is a multidisciplinary collaboration between scholars from a range of disciplines including philosophy, literature, musicology, and film studies. It uses examples chiefly from French culture and covers the Early Modern era to the twentieth century, while providing a thorough and representative array of theoretical and hermeneutical approaches.
Karen Horney (1885-1952) is one of the great figures in psychoanalysis, an independent thinker who dared to take issue with Freud's views on women. One of the first female medical students in Germany, and one of the first doctors in Berlin to undergo psychoanalytic training, she emigrated to the United States in 1932 and became a leading figure in American psychoanalysis. She wrote several important books, including Neurosis and Human Growth and Our Inner Conflicts. Horney was a brilliant psychologist of women, whose work anticipated current interest in the narcissistic personality. "An excellent book, sophisticated in its judgments, and with a candor that does justice to [Quinn's] courageous subject." — Phyllis Grosskurth, The New York Review of Books "A richly contexted, thoroughly informed, and admirably forthright account of Horney's development and contribution." — Justin Kaplan "Excellent, sympathetic but not adulatory, clear about the theories and factions... rich in anecdotes." — Rosemary Dinnage, The New York Times Book Review "The whole book is wonderfully balanced. A terrific achievement." — Anton O. Kris, Boston Psychoanalytic Institute
A personal account of a mother’s sudden and unexpected hospitalization, and how her adult children negotiated end-of-life decisions. This essay appeared as a New York Magazine cover story on November 27, 1989 as "A Death in the Family 1989."
A highly entertaining, idiosyncratic mini-memoir, with recipes, about 25 years of running a gourmet ice cream shop down the street from Harvard and MIT. Gus Rancatore shares his initiation into ice cream making, catering to customers, managing employees, and tracking changes in music, teen culture, and the urban landscape.
The fascinating story of émigré intellectuals, writers, artists, scientists, movie directors, and scholars — including Bertolt Brecht, Theodor Adorno, Albert Einstein, Hannah Arendt, Thomas Mann, Arnold Schoenberg, George Grosz, Erik Erikson, Billy Wilder and Fritz Lang — who fled Nazi Germany and changed America. Heilbut provides a vivid narrative of how they viewed their new country and how America reacted to their arrival as the atom bomb was being developed, the Cold War and McCarthyism were underway, and Hollywood dominated moviemaking. “The son of Jewish immigrants who fled Germany, Anthony Heilbut grew up in New York. Exiled in Paradise, a social history he wrote more than 35 years ago, is still the most immersive account of the German-speaking exiles who came to this country between 1933 and 1941 and of their outsize influence on the culture they found here... Mr. Heilbut provides an absorbingly detailed chronicle of some of these immigrant lives — among them Theodor Adorno, Hannah Arendt, Thomas Mann, Billy Wilder and Cold War physicists.” — Donna Rifkind, The Wall Street Journal “Still the best book on the topic” — Phillip Lopate, The New York Times Book Review “Insightful ... valuable and stimulating ... For some readers, especially the children of generations of émigrés, the book will provide a background to their most basic intellectual assumptions.” — Christopher Lehmann-Haupt, The New York Times “From one page to the next, the book transcends its stated purpose of providing a link between the history of the German-Jewish immigrants and their staggering cultural achievements to acquire the dimensions of that mysterious reality which even a Bresson cannot hope to define: a work of art.” — Marcel Ophuls, American Film Magazine “The story of these refugees has finally found its singular and single voice; it is that of Anthony Heilbut, himself the son of exiles ... His book turns into something more than a panorama about foreigners. It is a way of revealing to Americans themselves what their country really is like.” — Ariel Dorfman, The Washington Post “Anthony Heilbut has exercised impressive scholarship, and even a touch of poetry, to get to the heart of this diaspora.” — Time