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From the Preface: The purpose of this book is to explain the Western's popularity. While the Western itself may seem simple (it isn't quite), an explanation of its popularity cannot be; for the Western, like any myth, stands between individual human consciousness and society. If a myth is popular, it must somehow appeal to or reinforce the individuals who view it by communicating a symbolic meaning to them. This meaning must, in turn, reflect the particular social institutions and attitudes that have created and continue to nourish the myth. Thus, a myth must tell its viewers about themselves and their society. This study, which takes up the question of the Western as an American myth, will lead us into abstract structural theory as well as economic and political history. Mostly, however, it will take us into the movies, the spectacular and not-so-spectacular sagebrush of the cinema. Unlike most works of social science, the data on which my analysis is based is available to all of my readers, either at the local theater or, more likely, on the late, late show. I hope you will take the opportunity, whenever it is offered, to check my findings and test my interpretations; the effort is small and the rewards are many. And if your wife, husband, mother, or child asks you why you are wasting your time staring at Westerns on TV in the middle of the night, tell them firmly—as I often did—that you are doing research in social science. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1977. From the Preface: The purpose of this book is to explain the Western's popularity. While the Western itself may seem simple (it isn't quite), an explanation of its popularity cannot be; for the Western, like any myth, stands between individual human consc
Nashville Franklyn “Buckskin Frank” Leslie was a man of mystery during his lifetime. His reputation has rested on two gunfights—both in storied Tombstone, Arizona—but he was much more than a deadly gunfighter. Jack DeMattos and Chuck Parsons have combined their research efforts to help solve the questions of where Leslie came from and how he died. Leslie developed a reputation as a man to be left alone. Such notables as the Earps, Doc Holliday, and John Ringo wisely avoided confrontations with him. Leslie was a “lady killer” both figuratively and—in one celebrated incident—literally. Beyond his gunfighting legacy, DeMattos and Parsons also explore Leslie’s scouting with General Crook on the Great Plains and his alleged service as a deputy for Wild Bill Hickok in Abilene, Kansas. “In almost every work that in any way relates to southern Arizona in the 1880s, Leslie is present. This book will be the new standard for anyone interested in the life of Buckskin Frank. Both in form and content this book finally gives Frank Leslie a place in the Tombstone story.”—Gary Roberts, author of Doc Holliday: The Life and Legend
Skye Fargo teaches the Golden Rule—with hot lead... Young school teacher Deirdre Fisher is determined to bring education to the Wild West. But someone in the town of Bandera has reason to keep her out—by whatever means necessary. Lucky for her, Skye Fargo—the man they call the Trailsman—has decided to chaperone. And anyone caught giving Miss Fisher a hard time is going to get a lesson in lead.
Authoritative guide to everything in print about lawmen and the lawless—from Billy the Kid to the painted ladies of frontier cow towns. Nearly 2,500 entries, taken from newspapers, court records, and more.
On July 14, 1882, the notorious Texas gunman, John Peters Ringo, was found beneath a blackjack oak tree some distance from Tombstone, Arizona, with a bullet in his head. Colonel Henry Hooker, Billy Breakenridge, Wyatt Earp, and Doc Holliday were all suspected of doing him in, but charges were never brought against anyone. Was this going to be an unsolved mystery? The answer could lie in this blending of fact with fiction woven into the lives of these famous characters of the Old West, and those of the less-well-known Frank Buckskin Leslie, bartender, part-time army scout, and awesome gunfighter; the woman he wanted -- the beautiful and fiercely independent Nell Cashman; and Louis Hancock, a big, black rancher determined to avenge a heinous crime.