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What’s a sixteen-year-old boy to do when he learns that his stepmother and a local judge have murdered his father and now plan to kill him, too? Well, when it’s 1906, and you can play pretty good second base, you join a barnstorming baseball team making its way across Kansas. It also helps that the team is the Kansas City National Bloomer Girls. After all, who’d look for a runaway boy disguised as a girl on a women’s team that competes against town-ball teams of male players? Of course, it’ll take more than long hair, a Spalding glove, and a quick bat to stay alive. Luckily, another Bloomer Girl, Buckskin Compton, alias Dolly Madison, is on the dodge after some shootings and beatings in Wyoming—and he takes the kid under his tutelage. Staying alive won’t prove easy for either of the reluctant female impersonators as they deal with a budding romance, hitting slumps, a crooked manager, bean balls, drunken teammates, bank robbers, lousy umpires, a revolution for women’s rights, and a rapidly changing Western frontier. Baseball isn’t always fun and games—especially when one bad play might leave the both of you cut from the Bloomer Girls ... or just plain dead. In a novel very loosely based on fact (Bloomer Girls teams of mostly women players did barnstorm across the country in the early 1900s), eight-time Spur Award winner Johnny D. Boggs blends America’s pastime with the American frontier. This episodic, tongue-in-cheek adventure showcases what made, and still makes, America and the Wild, Wild West great: Strong heroes. Stronger women. And a good, clean game.
They sing songs about Matthew Johnson. The hero of dime novels, Matt won national fame during a range war in Idaho when he shot and killed an outlaw—and former saddle pal. But the past seventeen years have been an alcoholic blur rather than a heroic journey. Gone are the days when he was a free-wheeling cowboy, swapping poems with his best friend on the cattle ranges. The West has modernized—and practically disappeared—when Matt arrives in Denver in 1894 as the newly appointed US marshal for the state of Colorado. The cowboy turned lawman inherits a state on the brink of collapse. The silver crash has ruined the economy, railroaders are striking, a range war is looming, corruption is rampant, and a rumored gold strike on the Southern Ute reservation threatens to turn into a bloodbath. Slowly, Matt realizes why he got the job. His supporters figure that the man who killed Jeff Hancock will either stay too drunk to realize what’s happening or take their bribes and look the other way. After all, the songs being sung about Matthew Johnson these days are more insulting than glorifying. Instead of the hero who stopped a range war, he is usually thought of as a man who murdered his best friend in exchange for the appointment as Idaho’s US marshal. And he hasn’t been sober in years. What no one has counted on is the love of a woman who has had her own share of hard times and bad decisions. Or the fact that there’s a special breed of man who will fight with his last breath to regain his dignity and self-respect. If Matt can overcome his demons and past, schoolkids might start singing a new verse to an old song.
Recalling his early life as a young cowboy, sixty-two-year-old Madison Carter remembers his first love: her name was Estrella O’Sullivan, and he met her the summer he turned sixteen back in 1873. The summer of 1873 marked Madison’s last drive up what is now called the Chisholm Trail. It was the first time he tasted oysters and the only time he pinned on a badge. It was the summer of longhorns, miserable heat, friendship and betrayal, and murder. In the end it was the summer the whole world came crumbling down on the United States, and Madison’s world crashed too. The summer of 1873 was the year Madison watched a bunch of men die. One of them was a man he killed, an encounter one never forgets.
After twenty years as a bank clerk, Leslie Williams can stand the daily round no longer. He plans a crime - nothing very heinous, nothing more than a little dishonesty and a lot of unkindness. Yet, once he has made the first fatal move, he finds himself gathered into a fantastic web of adventure, mischance and danger. The story takes place in London: the seedy hotel in Cromwell Road and the open-air market where he finds work as a salesman. And Leslie Williams is a man who has broken loose, who doesn't know quite what dangers are hunting him from the past, or what sense can be made of the present or future ... 'Imaginative, lively and picaresque' Maurice Richardson
For the first time the complete works of the award-winning author Elizabeth Gilbert are collected together, highlighting her talents as a writer of both fiction and non-fiction. In the international best-seller Eat, Pray, Love, Gilbert narrates her struggles after a bitter divorce and turbulent love affair, beginning her quest to rediscover how to be happy. In Rome, she indulges herself and gains nearly two stone. In India, she finds enlightenment through scrubbing temple floors. Finally, in Bali a toothless medicine man reveals a new path to peace, leaving her ready to find love again. In Committed, Gilbert is about to wed the man she fell in love with at the end of Eat, Pray, Love and with wit and intelligence contemplates marriage, trying with all her might to discover what this stubbornly enduring old institution actually is. In The Last American Man, Gilbert presents a fascinating, intimate portrait of the American naturalist and brilliant modern hero Eustace Conway, who at the age of seventeen ditched the comforts of his suburban existence to escape into the wild. Attempting to instil in people a deeper appreciation of nature, Conway stops at nothing in pursuit of bigger, bolder adventures. In Gilbert's first novel Stern Men, the eighteen-year-old irredeemably unromantic Ruth Thomas returns home from boarding school determined to join the 'stern-men'. Throwing her education overboard, this feisty and unforgettable American heroine helps work the lobster boats and brushes up on her profanity, eventually falling for a handsome young lobsterman. In Pilgrims, Gilbert's sharply drawn and tenderly observed collection of twelve short stories, tough heroes and heroines, hardened by their experiences, struggle for their epiphanies and seek companionship as fiercely as they can.
_____________ 'It is almost impossible not to fall under the spell of Eustace Conway ... his accomplishments, his joy and vigor, seem almost miraculous' - New York Times Review of Books 'Gilbert takes a bright-eyed bead on Eustace, hitting him square with a witty modernist appraisal of folkloric American masculinity' - The Times 'Conversational, enthusiastic, funny and sharp, the energy of The Last American Man never ebbs' - New Statesman _____________ A fascinating, intimate portrait of an endlessly complicated man: a visionary, a narcissist, a brilliant but flawed modern hero At the age of seventeen, Eustace Conway ditched the comforts of his suburban existence to escape to the wild. Away from the crushing disapproval of his father, he lived alone in a teepee in the mountains. Everything he needed he built, grew or killed. He made his clothes from deer he killed and skinned before using their sinew as sewing thread. But he didn't stop there. In the years that followed, he stopped at nothing in pursuit of bigger, bolder challenges. He travelled the Mississippi in a handmade wooden canoe; he walked the two-thousand-mile Appalachian Trail; he hiked across the German Alps in trainers; he scaled cliffs in New Zealand. One Christmas, he finished dinner with his family and promptly upped and left - to ride his horse across America. From South Carolina to the Pacific, with his little brother in tow, they dodged cars on the highways, ate road kill and slept on the hard ground. Now, more than twenty years on, Eustace is still in the mountains, residing in a thousand-acre forest where he teaches survival skills and attempts to instil in people a deeper appreciation of nature. But over time he has had to reconcile his ambitious dreams with the sobering realities of modernity. Told with Elizabeth Gilbert's trademark wit and spirit, The Last American Man is an unforgettable adventure story of an irrepressible life lived to the extreme. The Last American Man is a New York Times Notable Book and National Book Critics Circle Award Finalist.