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A unique and gifted actor once bucked the system in Hollywood. This is the life story of movie and TV actor Dale Robertson, told by the person who knew him best: his wife, Susan. Susan says she is not a professional writer but wanted to write this book totally herself with her own thoughts, ideas, time frame, and no ghost writer. She laughs when someone says, "Well, you are a writer now." As she states in the book, Dale would joke when someone would approach him to do his autobiography. He'd say, "Not now." It was because he did not know how it ended. Also he would remind them of all the thousands of interviews he had done over the years and to "let the younger actors do these interviews now." Because the autobiography had not been done, Susan wanted to do it to help in some way to preserve his legacy. Susan now resides in San Diego, California, to be closer to family and hopes folks will enjoy the book. She knows her husband better and that he did not compromise himself in the film industry and in life.
From fake fiancée to real romance, he never expected love to be his greatest role yet.A once-in-a-lifetime acting audition catapulted struggling bull rider Morgan Prescott into overnight fame and fortune and labeled him one of Hollywood's sexiest heartthrobs. But a reckless night from his past threatens to send his celebrity status into a downward spiral. Taking his brother's advice, he devises a plan to reshape his rebellious bad-boy image and salvage his career. All he needs is a wholesome woman who's willing to act the part of his beloved betrothed.Kara is quick to ignore Morgan's advances when he strolls back into her life, donning a sexy you-can't-resist me smile until he offers her a monetary solution to financial woes. The simple job of playing his fiancée for a night at an upcoming charity event seems harmless enough. But the sexual tension between the two of them quickly escalates into what could be a heartbreaking scenario for Kara when Morgan propositions her with an offer she can't refuse.
Shares recollections of the author's years in Hollywood, as child extra, sound editor, award-winning film editor, and director, and of such greats as Chaplin, Walsh, and Ford
Blaise Cendrars, one of twentieth-century France's most gifted men of letters, came to Hollywood in 1936 for the newspaper Paris-Soir. Already a well-known poet, Cendrars was a celebrity journalist whose perceptive dispatches from the American dream factory captivated millions. These articles were later published as Hollywood: Mecca of the Movies, which has since appeared in many languages. Remarkably, this is its first translation into English. Hollywood in 1936 was crowded with stars, moguls, directors, scouts, and script girls. Though no stranger to filmmaking (he had worked with director Abel Gance), Cendrars was spurned by the industry greats with whom he sought to hobnob. His response was to invent a wildly funny Hollywood of his own, embellishing his adventures and mixing them with black humor, star anecdotes, and wry social commentary. Part diary, part tall tale, this book records Cendrars's experiences on Hollywood's streets and at its studios and hottest clubs. His impressions of the town's drifters, star-crazed sailors, and undiscovered talent are recounted in a personal, conversational style that anticipates the "new journalism" of writers such as Tom Wolfe. Perfectly complemented by his friend Jean Guérin's witty drawings, and following the tradition of European travel writing, Cendrars's "little book about Hollywood" offers an astute, entertaining look at 1930s America as reflected in its unique movie mecca.
Reprint. Originally published: London: Victoria & Albert Museum, 2012.
Joe Eszterhas had everything Hollywood could offer. A combination of insider and rebel, he saw and participated in the fights, the deals, the backstabbing, and all the sex and drugs. But here, in his candid and heartwrenching memoir, we see the rest of the story: the inspiring account of the child of Hungarian immigrants who, against all odds, grows up to live the American Dream. Hollywood Animal reveals the trajectory of Eszterhas's life in gripping detail, from his childhood in a refugee camp, to his battle with a devastating cancer. It shows how a struggling journalist became the most successful screenwriter of all time, and how a man who had access to the most beautiful women in Hollywood ultimately chose to live with the love of his life in a small town in Ohio. Above all, it is the story of a father and a son, and the turbulent relationship that was an unending cycle of heartbreak. Hollywood Animal is an enthralling, provocative memoir: a moving celebration of the human spirit.
A narrative account of Elizabeth Taylor's career, with particular attention paid to how the consummate movie star influenced and crafted her image over the years.
This extensively revised second edition offers a comprehensive introduction to Hollywood cinema, providing a fascinating account of the cultural and aesthetic significance of the world’s most powerful film industry. Provides a fascinating account of Hollywood history. Examines the cultural and aesthetic significance of the world's most powerful film industry. Explores and interprets Hollywood cinema in history and in the present, in theory and in practice. Extensively revised and updated with new chapter features including box sections, further reading lists, Notes and Queries, and chapter summaries.
Two years divorced, struggling between making art or porn, reclusive Eli lands in a tragicomic drama of sex, obsession and transgender romping. Stuck between hotshots and hookers, he describes his life as "living in a mayonnaise jar." Occupying a single pad off Sunset, he nurtures loneliness watching silent movies like "Lulu" starring Louise Brooks. Surviving as a part-time photographer, photo lab worker, and part-time pizza slinger, Eli hungers for full-time commitment. When sexy, blonde, wannabe-star Shana Sands arrives, arguing over pizza, Eli mistakes her weird "Startrek" contacts for real eyes, and what begins as a photo shoot throws Eli into a world he never anticipated. Shana isn't all glamour: she suffers an incurable sleep and brain disorder that hampers working, driving, cooking, laughing, being shocked or surprised. She lives on pills, a war against addiction; but withdrawals are plagued by imagined aliens entering her belly button. Eli explodes sexually with Shana though orgasms offer pitfalls: blackouts. Pregnant after the first night, she confesses past rapes, even by her brother. Are these dreams from her brain's inability to handle the drugs she cannot live without? Her star-chase is financed by parents in Nevada. She hates control freaks; she is Holly Golightly with excess baggage. Keeping Eli ignorant of her previous affairs, she seeks total love from him, knowing his hunger. She crowds his life with thrift-shop finds, her sex diaries, and vintage duds . She wears an old coat once worn by Joan Crawford. Despite devotion, her secrets create an undertow as she side-steps marriage, yet assures Eli he'll never have to struggle for money, shoot porn or sling pizza. Thepregnancy ends in a miscarriage on the bathroom floor. More possibly follow, though all offspring are candidates for her disorders. TV sitc
The backstudio picture, or the movie about movie-making, is a staple of Hollywood film production harking back to the silent era and extending to the present day. What gives backstudios their coherence as a distinctive genre, Steven Cohan argues in Hollywood by Hollywood, is their fascination with the mystique of Hollywood as a geographic place, a self-contained industry, and a fantasy of fame, leisure, sexual freedom, and modernity. Yet by the same token, if backstudio pictures have rarely achieved blockbuster box-office success, what accounts for the film industry's interest in continuing to produce them? The backstudio picture has been an enduring genre because, aside from offering a director or writer a chance to settle old scores, in branding filmmaking with the Hollywood mystique, the genre solicits consumers' strong investment in the movies. Whether inspiring the "movie crazy" fan girls of the early teens and twenties or the wannabe filmmakers of this century heading to the West Coast after their college graduations, backstudios have given emotional weight and cultural heft to filmmaking as the quintessential American success story. But more than that, a backstudio picture is concerned with shaping perceptions of how the film industry works, with masking how its product depends upon an industrial labor force, including stardom, and with determining how that work's value accrues from the Hollywood brand stamped onto the product. Cohan supports his well theorized and well researched claims with nuanced discussions of over fifty backstudios, some canonical and well-known, and others obscure and rarely seen. Covering the hundred-year timespan of feature length film production, Hollywood by Hollywood offers an illuminating perspective for considering anew the history of American movies.