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Lizzie's mother is dead, and left in the care of her prim older sister, the 15-year-old fears her carefree ways are over. But when tragedy strikes again, Lizzie discovers a sinister web of lies and deception, of murders past and present. Fierce resentments and racial tensions boil beneath the illusion of civilization. Soon, Lizzie finds herself ensnared in a secret that stretches from the opium dens of British Columbia and the alleys of San Francisco to the jungles of Panama and beyond -- and it's a secret that the murderer will do anything to protect.
There is a prophecy in the Old Testament that speaks of a day of revealing. On this divinely destined day, darkness will no longer be a shadow covering the world, but the light of mans rule. The Bucket of Blood will arriveand sooner than we think. It begins with an appointed birth. A child is brought into the world. With the childs ordained delivery, the signs begin. This child rises from the ranks of afflicted people who have forgotten their way, as they fear the nation within which they live. Lies become truths, and abominations in religious sects cause desolation. People kill one another and boast of it, are even praised for it, their hearts turned to ice. This child grows to be a man of great power and prestige, and his charisma pulls world politicians into evil fray. There are horrific ritual murders that stump investigators. Lust overtakes even the most honorable of men. The world is in a state of uproar, so will darkness prevail as the ruler of a nation brings ruin to mankind?
"Bucket of Blood" is what a coal town was called when bloodshed occurred to establish a worker's union. During the 1927-1928 strike in the western Pennsylvania coalfields, Russellton became known as such a place. In an effort to break the strike, special Coal and Iron Police were brought into the area to evict the mine families from their company houses. These men imposed unconstitutional restrictions to harass the people and keep out relief workers and organizers. It was a time of brutal beatings, rape, and murder. Without union representation, the workers were constantly exploited. Because the company used many weapons to keep them enslaved, the miners' families were forced to live in abject poverty. The miner had only one weapon, the strike. Bucket of Blood: The Ragman's War chronicles the depravation and indignities suffered by the families in the Russellton camps during the strike. Author R.S. Sukle explores the glimmers of hope appearing through relief efforts by the sons of a local farmer who become union activists. Ragman, a mine mechanic, walks out with the other men. Against his intentions, he is drawn into the struggle by his brothers, and the abuse that is heaped on his family by the Coal and Iron Police. The killing of a state Coal and Iron Policeman in Russellton is a local legend. The killer was never identified. This story has been passed down in certain families, each with their own version. Each claims the killer as a relative. Bucket of Blood is one of those stories.
A comprehensive dictionary of blues lyrics invites listeners to interpret what they hear in blues songs and blues culture, including excerpts from original interviews with Dr. John, Bonnie Raitt, Hubert Sumlin, Buddy Guy, and many others.
The author sympathetically portrays the people--miners, shopkeepers, bartenders, collegians, and country club members--of the coal region of his hometown in five novels and more than fifty short stories
From Donald Ray Pollock, author of the highly acclaimed The Devil All the Time and Knockemstiff, comes a dark, gritty, electrifying (and, disturbingly, weirdly funny) new novel that will solidify his place among the best contemporary American authors. It is 1917, in that sliver of border land that divides Georgia from Alabama. Dispossessed farmer Pearl Jewett ekes out a hardscrabble existence with his three young sons: Cane (the eldest; handsome; intelligent); Cob (short; heavy set; a bit slow); and Chimney (the youngest; thin; ill-tempered). Several hundred miles away in southern Ohio, a farmer by the name of Ellsworth Fiddler lives with his son, Eddie, and his wife, Eula. After Ellsworth is swindled out of his family's entire fortune, his life is put on a surprising, unforgettable, and violent trajectory that will directly lead him to cross paths with the Jewetts. No good can come of it. Or can it? In the gothic tradition of Flannery O'Connor and Cormac McCarthy with a healthy dose of cinematic violence reminiscent of Sam Peckinpah, Quentin Tarantino and the Coen Brothers, the Jewetts and the Fiddlers will find their lives colliding in increasingly dark and horrific ways, placing Donald Ray Pollock firmly in the company of the genre's literary masters.
Saloon-keepers and street preachers, gypsies and steel-walking Mohawks, a bearded lady and a 93-year-old “seafoodetarian” who believes his specialized diet will keep him alive for another two decades. These are among the people that Joseph Mitchell immortalized in his reportage for The New Yorker and in four books—McSorley's Wonderful Saloon, Old Mr. Flood, The Bottom of the Harbor, and Joe Gould's Secret—that are still renowned for their precise, respectful observation, their graveyard humor, and their offhand perfection of style. These masterpieces (along with several previously uncollected stories) are available in one volume, which presents an indelible collective portrait of an unsuspected New York and its odder citizens—as depicted by one of the great writers of this or any other time.
Spinegrinder is one man's ambitious, exhaustive and utterly obsessive attempt to make sense of over a century of exploitation and cult cinema of the sort most that critics won't care to write about. It was the author's aim to fit as many reviews (more than 8,000!) of obscure movies into one book as possible, without sacrificing too many groundwork titles. It makes the perfect gift for horror, fantasy and exploitation movie buffs.
Death asks a half-troll and his friends to save the world in this epic fantasy series debut by the author of the Clockwork Empire series. Although Danr is the son of a human mother, his father was one of the hated Stanes, trolls from the mountains. Now the barrel-chested teenager is condemned to hard labor on a farm where he endures taunts of “Troll boy” from the others. Yet no matter how bad things get, he always remembers the advice of his recently departed mother: be gentle and do not unleash the monster inside. One of Danr’s few friends in the village, Aisa, was sold into slavery by her father and is now controlled by an abusive man. She keeps herself covered from head to toe and dreams of a better future. She and Danr hope to escape and make their way to freedom, but a series of dark events soon stirs up chaos. Strange creatures come down from the mountains, slaughtering villagers. Spirits of the dead haunt the land, terrifying those that are still alive. As rumors spread about the Stanes’ involvement, Danr decides to find out the truth, taking Aisa and an amnesiac new friend with him. Soon they are called up by Death herself to set things right. At Death’s request, the group sets out to recover the Iron Axe. Crafted by the dwarves, it is capable of restoring balance in the world—and destroying it, too. Along the way, Danr must call upon the monster within to face fierce and fantastic creatures while discovering truths that will change their lives forever. “[Turns] common tropes on their heads. . . . [Harper’s] reinterpretations of trolls, giants, and fae folk give this series opener a fresh feeling, while his nods to Norse mythology and folklore root it strongly in fantasy tradition.Readers will be eager to see what’s in store for Aisa and Danr.” —Publishers Weekly “Brought back fond memories of a classic fantasy book while still offering a wonderfully unique take on the genre. . . . Steven Harper created a world that I never got tired of exploring.” —The Qwillery “The story holds all of the adventure, magic, and mystery I have come to expect from the genre. . . .[It] follows a hero’s journey . . . with energy and artfulness.” —Wicked Little Pixie
Although his story has been told countless times--by performers from Ma Rainey, Cab Calloway, and the Isley Brothers to Ike and Tina Turner, James Brown, and Taj Mahal--no one seems to know who Stagolee really is. Stack Lee? Stagger Lee? He has gone by all these names in the ballad that has kept his exploits before us for over a century. Delving into a subculture of St. Louis known as "Deep Morgan," Cecil Brown emerges with the facts behind the legend to unfold the mystery of Stack Lee and the incident that led to murder in 1895. How the legend grew is a story in itself, and Brown tracks it through variants of the song "Stack Lee"--from early ragtime versions of the '20s, to Mississippi John Hurt's rendition in the '30s, to John Lomax's 1940s prison versions, to interpretations by Lloyd Price, James Brown, and Wilson Pickett, right up to the hip-hop renderings of the '90s. Drawing upon the works of James Baldwin, Richard Wright, and Ralph Ellison, Brown describes the powerful influence of a legend bigger than literature, one whose transformation reflects changing views of black musical forms, and African Americans' altered attitudes toward black male identity, gender, and police brutality. This book takes you to the heart of America, into the soul and circumstances of a legend that has conveyed a painful and elusive truth about our culture.