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"Commemorative edition of the epic poem first published as And as I rode out on the morning. Includes commentary on Ramsey's work by poets, musicians, and historians; Ramsey's short story on which he based the poem; and the original 1990 recording in John Hartford's Nashville studio, introduced by Andy Wilkinson"--Provided by publisher.
Ranch families in the twenty-first century face many challenges, from competition with government-subsidized agribusiness corporations to tax laws that encourage development over agriculture and prevent the smooth transfer of land from one generation to the next. As a stabilizing force in the American West, ranch families play a critical role in our country, perhaps more so today than ever before, yet their stories have rarely been told. They contribute to our nation with the food they raise, the environments they protect, and the resources they manage, and they preserve our western heritage while holding the West open for the rest of us. In The Family Ranch, award-winning author Linda Hussa offers readers a personal, inside view into the lives of six diverse ranching families and the land that shapes their days and nights. Photographer Madeleine Graham Blake provides engaging and often moving images that portray each family at work and at play. With chapters on the critical issues that face each of them—from grazing rights and water use, to children's education and the emerging rural marketplace—these family profiles are set in a larger context. This is family ranching as it is now, a tracing of how it always was, but made far more complex in modern times. By combining their traditions with the tools of modern technology, these people strengthen the ideal of family and give the business of ranching a vibrant and viable future.The Family Ranch is rich in remarkable stories of what happens when parents, children, work, and nature come together for a lifetime of commitment. It speaks to urban and rural people in important ways, illuminating the realities of the western ranch and the people who make their living, and their lives, on it. Essential reading for people who love the West and care about its future. The Family Ranch inspires thoughts about tradition, values, and responsibility that are applicable to all communities.
The Llano Estacado—dubbed by author Paul H. Carlson as “heaven’s harsh tableland”—covers some 48,000 square miles of western Texas and eastern New Mexico. In this new survey of the region, the story begins during prehistoric times and with descendants of the Comanche, Apache, and other Native American tribal groups. Other groups have also left their marks on the area: Spanish explorers, Comancheros and other traders, European settlers, farmers and ranchers, artists, and even athletes. Carlson, a veteran historian, aims to review “the Llano’s historic contours from its earliest foundations to its energetic present,” and in doing so, he skillfully narrates the story of the region up to the present time of modern agribusiness and urbanization. Throughout the ten chronologically arranged chapters, concise sidebars support the narrative, highlighting important and interesting topics such as the enigmatic origins of the region’s name, fascinating geological and paleontological facts, the arrival of humans, the natural history of bison, colorful “characters” in the history of the region, and many others. The resulting broad synthesis captures the entirety of the Llano Estacado, summarizing and interpreting its natural and human history in a single, carefully researched and clearly written volume. Heaven’s Harsh Tableland: A New History of the Llano Estacado will provide a helpful, enjoyable, and authoritative guide to the history and development of this important region.
Presents choice lines of cowboy poetry collected at National Cowboy Poetry gatherings.
Benjamin Franklin was in his early twenties when he embarked on a "bold and arduous project of arriving at moral perfection," intending to master the virtues of temperance, silence, order, resolution, frugality, industry, sincerity, justice, moderation, cleanliness, tranquility, chastity, and humility. He soon gave up on perfection but continued to believe that these virtues, coupled with a generous heart and a bemused acceptance of human frailty, laid the foundation for not only a good life but also a workable society. Writer and visual artist Teresa Jordan wondered if Franklin's perhaps antiquated notions of virtue might offer guidance to a nation increasingly divided by angry righteousness. She decided to try to live his list for a year, focusing on each virtue for a week at a time and taking weekends off to attend to the seven deadly sins. The journal she kept became this collection of beautifully illustrated essays, weaving personal anecdotes with the views of theologians, philosophers, ethicists, evolutionary biologists, and a whole range of scholars and scientists within the emerging field of consciousness studies. Teresa Jordan offers a wry and intimate journey into a year in midlife devoted to the challenge of trying to live authentically.
Published for devotees of the cowboy and the West, American Cowboy covers all aspects of the Western lifestyle, delivering the best in entertainment, personalities, travel, rodeo action, human interest, art, poetry, fashion, food, horsemanship, history, and every other facet of Western culture. With stunning photography and you-are-there reportage, American Cowboy immerses readers in the cowboy life and the magic that is the great American West.
Many books and essays have addressed the broad sweep of Texas music—its multicultural aspects, its wide array and blending of musical genres, its historical transformations, and its love/hate relationship with Nashville and other established music business centers. This book, however, focuses on an essential thread in this tapestry: the Texas singer-songwriters to whom the contributors refer as “ruthlessly poetic.” All songs require good lyrics, but for these songwriters, the poetic quality and substance of the lyrics are front and center. Obvious candidates for this category would include Townes Van Zandt, Michael Martin Murphey, Guy Clark, Steve Fromholz, Terry Allen, Kris Kristofferson, Vince Bell, and David Rodriguez. In a sense, what these songwriters were doing in small, intimate live-music venues like the Jester Lounge in Houston, the Chequered Flag in Austin, and the Rubaiyat in Dallas was similar to what Bob Dylan was doing in Greenwich Village. In the language of the times, these were “folksingers.” Unlike Dylan, however, these were folksingers writing songs about their own people and their own origins and singing in their own vernacular. This music, like most great poetry, is profoundly rooted. That rootedness, in fact, is reflected in the book’s emphasis on place and the powerful ways it shaped and continues to shape the poetry and music of Texas singer-songwriters. From the coffeehouses and folk clubs where many of the “founders” got their start to the Texas-flavored festivals and concerts that nurtured both their fame and the rise of a new generation, the indelible stamp of origins is inseparable from the work of these troubadour-poets. Contents Introduction, by Craig Clifford and Craig D. Hillis | 1 Part One. The First Generation: Folksingers, Texas Style Too Weird for Kerrville: The Darker Side of Texas Music | 17 Craig Clifford Townes Van Zandt: The Anxiety, Artifice, and Audacity of Influence | 27 Robert Earl Hardy Vignette—The Ballad of Willis Alan Ramsey | 36 Bob Livingston Guy Clark: Old School Poet of the World | 39 Tamara Saviano Kris Kristofferson: The Silver-Tongued Rhodes Scholar | 49 Peter Cooper Vignette—Don Henley: Literature, Land, and Legacy | 59 Kathryn Jones Steven Fromholz, Michael Martin Murphey, and Jerry Jeff Walker: Poetic in Lyric, Message, and Musical Method | 61 Craig D. Hillis Vignette—Kinky Friedman: The Mel Brooks of Texas Music | 83 Craig Clifford Billy Joe Shaver: Sin and Salvation Poet | 85 Joe Holley One Man’s Music: Vince Bell | 92 Joe Nick Patoski Vignette—Ray Wylie Hubbard: Grifter, Ruffian, Messenger | 101 Jenni Finlay The Great Progressive Country Scare of the 1970s | 103 Craig D. Hillis (interview with Gary P. Nunn) Plenty Else to Do: Lyrical Lubbock | 109 Andy Wilkinson Roots of Steel: The Poetic Grace of Women Texas Singer-Songwriters | 115 Kathryn Jones From Debauched Yin to Mellow Yang: A Circular Trip through the Texas Music Festival Scene | 136 Jeff Prince Vignette—Bobby Bridger: “Heal in the Wisdom,” Creating a Classic | 145 Craig D. Hillis (interview with Bobby Bridger) Interlude: What Do We Do with Willie? | 148 —I. Willie (An Early Encounter) | 148 Craig D. Hillis —II. Willie (On Everything) | 151 Craig Clifford and Craig D. Hillis Part Two. The Second Generation: Garage Bands, Large Bands, and Other Permutations “Gettin’ Tough”: Steve Earle’s America | 161 Jason Mellard Lyle Lovett and Robert Earl Keen: Cosmic Aggies | 166 Jan Reid Vignette—Walt Wilkins: Spirituality and Generosity | 174 Craig Clifford (interview with Tim Jones) Lucinda Williams: Poet of Places in the Heart | 176 Kathryn Jones Rodney Crowell: Looking Inward, Looking Outward | 185 John T. Davis Vignette—Sam Baker: Short Stories in Song | 192 Robert Earl Hardy James McMurtry: Too Long in the Wasteland | 193 Diana Finlay Hendricks Part Three. Epilogue: Passing of the Torch? Drunken Poet’s Dream: Hayes Carll | 203 —I. Good Enough for Old Guys | 203 Craig Clifford —II. Good Enough for Young Guys | 207 Brian T. Atkinson Roll On: Terri Hendrix | 209 Brian T. Atkinson From Riding Bulls to Dead Horses: Ryan Bingham | 212 Craig Clifford (interview with Shaina Post) Bad Girl Poet: Miranda Lambert | 218 Craig Clifford Challenge to Bro Country: Kacey Musgraves | 221 Grady Smith Beyond the Rivers | 224 Craig Clifford Notes | 231 Selected Sources | 233 Contributors | 243 Index | 251
A Conscious Endeavor is a synopsis of the social teachings and the concept of justice in the Old and New Testament. It looks through the lens of the Old Testament books of Torah law and the New Testament teachings of Jesus, applying them to contemporary situations and raising questions regarding housing costs and other basic costs of living. Ultimately, this book invokes the personal conversion of inner change so that readers can apply what they learn to their own work situations and their payment of a just wage.