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Story is a powerful tool for teaching and learning. This is a book of stories about ministry in the underground church of communist Romania (1980s). It introduces a never-ending story about the regenerative process of true discipleship, which reaches today to the second, third, and fourth generations. These stories will inspire deeper reflection on challenging missional issues that will certainly be encountered by the next generation of international workers.
E. H. Carr wrote, "study the historian before you begin to study the facts." This book approaches the life, work, ideas, debates, and the context of key 20th- and 21st-century historians through an analysis of their life writing projects viewed as historiographical sources. Merging literary studies on autobiography with theories of history, it provides a systematic and detailed analysis of the autobiographies of the most outstanding historians, from the classic texts by Giambattista Vico, Edward Gibbon and Henry Adams, to the Annales historians such as Fernand Braudel, Philippe Ariès and Georges Duby, to Marxist historians such as Eric Hobsbawm and Annie Kriegel, to postmodern historians such as Carolyn Steedman, Robert A. Rosenstone, Carlos Eire, Luisa Passerini, Elisabeth Roudinesco, Gerda Lerner and Sheila Fitzpatrick, and to "interventional" historians such as Geoff Eley, Jill Ker Conway, Natalie Davis and Gabrielle Spiegel. Using a comparative approach to these texts, this book identifies six historical-autobiographical styles: humanistic, biographic, ego-historical, monographic, postmodern, and interventional. By privileging historians' autobiographies, this book proposes a renewed history of historiography, one that engages the theoretical evolution of the discipline, the way history has been interpreted by historians, and the currents of thought and ideologies that have dominated and influenced its writing in the 20th and 21st centuries.
More an eloquent chronicle of the mind's life than a recital of daily routine, this volume of Mircea Eliade's journal offers a remarkably candid portrait of a renowned scholar and his work. The entries—full of marvelous ideas, outlines for works never written, responses to the works of others, and much more—reveal many rarely glimpsed sides of the private, as well as public, man. What did he really think of the students who came to him for instruction in black magic? What were his private reflections on feminism, student drug use, the sexual revolution, the nature of American scholars and scholarship? Who were his best friends, why did he enjoy their company, and why did he shun the company of others? Quite apart from the personal, biographical interest the journal holds, it is a document of cultural and intellectual significance. Eliade remarks on such colleagues and friends as Jung, Dumézil, Ricoeur, Bellow, and Ionesco. Moreover, the period covered encompasses Eliade's most active years as a teacher, and the journal beautifully reflects his developing views on religion, history, and the nature of academic culture. Bits and pieces of Eliade's past life are juxtaposed with thoughts about ongoing projects and work yet to be undertaken as well as with anecdotes of his travels and comments on world events. A genuine treat for Eliade readers and those interested in history of religions, Journal III provides new perspectives on many of Eliade's other works—the History of Religious Ideas, Ordeal by Labyrinth, the Autobiography. At the same time the journal is a mature scholar's record of the aftermath of the 1960s, a turbulent period that profoundly affected American university life. As such, these writings hold valuable insights into not only the life and work of one man but also the cultural history of an entire era.
Raised@cottonmada on Facebook [email protected] www.Raised.today An inspirational story of two courageous, young parents in the midst of a tragic accident and the love, grace, and miracles that save three lives. - In a world that seems disturbing and increasingly out of control, Charlie and Florentina Mada share their miraculous story to boldly proclaim that God is compassionate and powerful enough to create holy miracles from human tragedies. Charlie and Florentina Mada believe they have everything. They are wealthy, on vacation, and parents of an adorable sixteen-month-old son. Then suddenly, during a picnic at an idyllic spot along the Danube River, their son disappears. After finding him submerged in a pipe, their desperate efforts to save him are not enough. When the Madas finally arrive at a hospital, they are given time to grieve and remain by his bedside. Over the next seven hours the doctors examine their son four times each hour. No first aid or treatment is administered, and each exam finds no heartbeat, reflexes, or signs of life. Late that night, no one at the hospital is prepared for what they witness! What follows is a compelling story of miracles and divine interventions that bring these two non-believers half way around the world to the foot of the cross. "Are you the one who is to come, or shall we look for another?" And Jesus answered them, "Go and tell John what you hear and see: the blind receive their sight and the lame walk, lepers are cleansed, and the deaf hear, and the dead are raised up, and the poor have good news preached to them." Matthew 11:3-5
Peer-edited narratives written by medical students chronicling the major milestones of medical school
The first comprehensive publication on the subject, this book investigates interactions between racial thinking and the stage in the modern and contemporary world, with 25 essays on case studies that will shed light on areas previously neglected by criticism while providing fresh perspectives on already-investigated contexts. Examining performances from Europe, the Americas, the Middle East, Africa, China, Australia, New Zealand, and the South Pacifi c islands, this collection ultimately frames the history of racial narratives on stage in a global context, resetting understandings of race in public discourse.
What if someone wrote a tale about Dracula that was different from the rest? Wouldn’t it be refreshing to read a vampire story that cuts through Hollywood’s glitzy version of vampires, and invites the reader into the ethereal realm of otherworldly creatures? Our main character, Vlad Dracula is a handsome and virile vampire and although a savage killer, he is a hopeless romantic; our count also has the ability to time travel. In this gripping tale we explore the man living behind the vampire, as Dracula navigates his way through time, settling in London where he spawns a colony of vampires who live beneath Trafalgar Square. Assisting the seasoned vampire is the infamous Jack the Ripper; he has been made a creature of the night, but still has a penchant for killing prostitutes. When the Blitzkrieg destroys Makefield Manor in 1941, Dracula and his entourage are forced to leave London. They decide to settle in New York City during the tumultuous 1960s, where they discover a modern world and a new enemy called the Van Helsings. This narrative offers a different perspective on the ethereal realm of vampires and the earthbound spirits who keep them company, in a place called the Otherworld. Accompanying the two vampires on a journey through time are an artist, a poet and a group of misfit children; together they encounter an array of historical figures including, Elizabeth Bathory a.k.a. the Blood Countess, Adolph Hitler, Vincent Van Gogh, Charles Manson and even Bram Stoker, himself. Their misadventures create an action packed and compelling story that makes the reader want to keep turning the page. I hope you enjoy the ride!
New York Times bestselling author Jessica Day George brings dark secrets to life in a lush historical fantasy perfect for fans of Libba Bray and Cassandra Clare.