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This is an encyclopedic work, arranged by broad categories and then by original authors, of literary pastiches in which fictional characters have reappeared in new works after the deaths of the authors that created them. It includes book series that have continued under a deceased writer's real or pen name, undisguised offshoots issued under the new writer's name, posthumous collaborations in which a deceased author's unfinished manuscript is completed by another writer, unauthorized pastiches, and "biographies" of literary characters. The authors and works are entered under the following categories: Action and Adventure, Classics (18th Century and Earlier), Classics (19th Century), Classics (20th Century), Crime and Mystery, Espionage, Fantasy and Horror, Humor, Juveniles (19th Century), Juveniles (20th Century), Poets, Pulps, Romances, Science Fiction and Westerns. Each original author entry includes a short biography, a list of original works, and information on the pastiches based on the author's characters.
With an introduction by Geoff Dyer First published in 1942, Rebecca West’s epic masterpiece is widely regarded as the most illuminating book to have been written on what was once Yugoslavia, essential for anyone attempting to understand the enigmatic history of the Balkan states. ‘West’s masterpiece [is] one of the great twentieth-century books of any genre.’ Independent ‘Impossible to put down, both timeless and of its time—a travel book and epic narrative history brimming with passion, anger, scholarship and intuition, hatred and love.’ Observer ‘Such incandescent writing—you find yourself wanting to mark every sentence in order to go back and relish it again.’ Brian Eno ‘One of the supreme masterpieces of the twentieth century . . . As a book about Yugoslavia it’s a kind of metaphysical Lonely Planet that never requires updating . . . this is history as it might have been written by Ryszard Kapuscinski or Gabriel García Márquez .’ Geoff Dyer, from his introduction ‘It is hard to convey the flavour of a book so rich in observation, history, philosophy, political ideas and ironic humour. West is full of digressions which are extraordinary, but never boring.’ The Times ‘The sheer quality and depth of the writing make it one of the great books of the century.’ Times Literary Supplement
Hailed as among the most important books of the twentieth century, Rebecca West’s magnum opus is a history, a travelogue, and a sociological study of Yugoslavia that examines how the past shapes the present In a breathtakingly wide-ranging journalistic work, West richly chronicles her travels throughout Yugoslavia in the 1930s, introducing vivid characters and illuminating details. More than a travelogue, Black Lamb and Grey Falcon connects the people and places West encounters to the long history of conflict that has formed national identities in the Balkans across a millennium of shifting alliances. West writes, “I had come to Yugoslavia because I knew that the past has made the present, and I wanted to see how the process works.” As profound, sad, and funny as when it was first published in 1941, Black Lamb and Grey Falcon interrogates the forces that continue to shape our modern world.
A sweeping family saga about betrayal, forgiveness and the cost of love. Sydney, 1941: Olive and Ivy may be identical twins, but they couldn't be more different. While Olive is focused on marrying a man appropriate to her station, Ivy wants to do more, to be more. Joining the Australian Women's Army Service is the perfect chance for her to escape her family obligations and make a real difference in the world. She doesn't expect serving her country to lead to romance ... or devastating betrayal and unthinkable grief. As the war progresses, both Olive and Ivy find themselves wanting the same thing: for their loves to return safely. But neither of the Buchanan girls is ready for what the future has in store for them. Sydney, 2008: Escaping her husband's betrayal and an impossible personal loss, Madeline returns home to Sydney to nurse her broken heart. As she settles into her new routine, it's too easy to consider never returning to New York and her old life. But her husband won't give up on what they have so easily, and Madeline can't ignore his messages reminding her of why they fell in love in the first place. With her grandmother's support, Madeline has to decide if forgiveness means reconciliation. But is the biggest betrayal yet to come?