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In Which Mr May Makes A Mistake And Mr Bryant Goes Into The Dark On a rainy winter night outside a run-down nightclub in the wrong part of London, four strangers meet for the first time at 4:00am. A few weeks later the body of an Indian textile worker is found hanging upside down inside a willow tree on Hampstead Heath. The Peculiar Crimes Unit is called in to investigate. The victim was found surrounded by the paraphernalia of black magic, and so Arthur Bryant and John May set off to question experts in the field. But the case is not what it appears. When another victim seemingly commits suicide, it becomes clear that in the London night is a killer who knows what people fear most. And he always strikes at 4:00am. In order to catch him, the PCU must switch to night shifts, but still the team draws a blank. John May takes a technological approach, Arthur Bryant goes in search of academics and misfits for help, for this is becoming a case that reveals impossibilities at every turn, not least that there's no indication of what the victims might have done to attract the attentions of a murderer that doesn’t seem to exist. But impossibilities are what the Peculiar Crimes Unit does best. As they explore a night city where all the normal rules are upended, they’re drawn deeper into a case that involves murder, arson, kidnap, blackmail, bats and the psychological effects of loneliness on Londoners. It's a trail that takes them from the poorest part of the East End to the wealthiest homes in North London - an investigation that can only end in tragedy...
“Oh, joy, a new Peculiar Crimes Unit case by Christopher Fowler . . . the best fun is running all over the city with these amiable partners.”—The New York Times Book Review The brilliant Arthur Bryant and John May take the late, late shift in a cat-and-mouse hunt with a killer who preys on his victims at the same time every night—the lonely hour of 4 A.M. When a man is found hanging upside down inside a willow tree on Hampstead Heath, surrounded by a baffling assortment of occult objects, the Peculiar Crimes Unit is called in to investigate. Was this a botched satanic ritual pulled off by bored teenagers, a gang initiation, or the work of a mastermind with grander intentions? Bryant and May set off in search of answers and are soon reminded that London is a city steeped in blood and magic. When another body is pulled from the river at dawn, it becomes clear that a killer lurks in the night. To catch him, the PCU switches to graveyard shifts, but the team still comes up short. As they explore a night city where the normal rules do not apply, they’re drawn deeper into a case that involves murder, arson, kidnapping, blackmail, loneliness, and bats. May takes a technological approach, while Bryant goes in search of his usual academics and misfits for help, for this investigation reveals impossibilities at every turn. How do you stop a killer who appears not to exist? Luckily, impossibilities are what the Peculiar Crimes Unit does best.
Edgy, suspenseful, and darkly comic, here is the first novel in a riveting mystery series starring two cranky but brilliant old detectives whose lifelong friendship was forged solving crimes for the London Police Department's Peculiar Crimes Unit. In Full Dark House, Christopher Fowler tells the story of both their first and last case—and how along the way the unlikely pair of crime fighters changed the face of detection. A present-day bombing rips through London and claims the life of eighty-year-old detective Arthur Bryant. For his partner John May, it means the end of a partnership that lasted over half-a-century and an eerie echo back to the Blitz of World War II when they first met. Desperately searching for clues to the killer’s identity, May finds his old friend’s notes of their very first case and becomes convinced that the past has returned . . . with a killing vengeance. It begins when a dancer in a risque new production of Orpheus in Hell is found without her feet. Suddenly, the young detectives are plunged in a bizarre gothic mystery that will push them to their limits—and beyond. For in a city shaken by war, a faceless killer is stalking London's theaters, creating his own kind of sinister drama. And it will take Arthur Bryant’s unorthodox techniques and John May’s dogged police work to catch a criminal whose ability to escape detection seems almost supernatural—a murderer who even decades later seems to have claimed the life of one of them . . . and is ready to claim the other. Filled with startling twists, unforgettable characters, and a mystery that will keep you guessing, Full Dark House is a witty, heartbreaking, and all-too-human thriller about the hunt for an inhuman killer.
Winner of CrimeFest 2013's 'eDunnit Award' for 'the best crime fiction ebook published in 2012 in both hardcopy and in electronic format'. Two small children are playing a game called 'Witch-Hunter'. They place a curse on a young woman taking lunch in a church courtyard and wait for her to die. An hour later the woman is indeed found dead inside St Bride's Church - a building that no-one else has entered. Unfortunately Bryant & May are refused the case. Instead, there are hired by their greatest enemy to find out why his wife has suddenly started behaving strangely. She's become an embarrassment to him at government dinners, and he is convinced that someone is trying to drive her insane. She has even taken to covering the mirrors in her apartment, and believes herself to be the victim of witchcraft. Then a society photographer is stabbed to death in a nearby park and suddenly a link emerges between the two cases. And so begins an investigation that will test the members of the Peculiar Crimes Unit to their limits, setting Arthur Bryant off on a trail that leads to Bedlam and Bletchley Park, and into the world of madness, codes and the secret of London's strangest relic. As the members of the Peculiar Crimes Unit dig behind the city's facades to expose a world of private clubs, hidden passages and covert loyalties, they realise that the case might not just end in disaster - it might also get everyone killed.
'The most consistently brilliant, entertaining and educational voice in contemporary British crime fiction, the utterly fabulous Christopher Fowler.' Cathi Unsworth, CRIMESQUAD It's a Sunday morning, and the outspoken Speaker of the House of Commons has just been crushed under a mountain of citrus fruit . . . Bizarre accident or something more sinister? The government needs to know because here's a man who knows a thing or two that could compromise its future. Bryant and May and the Peculiar Crimes Unit should be on the case, however it seems the PCU is no more with one detective is in hospital, the other gone AWOL with the rest of the team having been dismissed. But events escalate, and soon a series of brutal yet undeniably clever killings linked to an old English nursery rhyme threaten society's very foundations and out-of-the-blue the PCU is (temporarily) back in business. And if the two detectives - 'old men in a woke world' - can set aside their differences and discover why some of London's most influential figures are being threatened, they might not only save the unit but also prevent the city from descending into chaos . . .
London’s most brilliant but unconventional detectives, Arthur Bryant and John May, must plumb the depths of a particularly murky mystery. The Peculiar Crimes Unit faces its most baffling case yet—and if Bryant and May can’t rise to the challenge, the entire unit may go under. Near the Tower of London, along the River Thames, the body of a woman has been discovered chained to a stone post and left to drown. Curiously, only one set of footprints leads to the tragic spot. “The Bride in the Tide,” as the London press gleefully dubs her, has the PCU stumped. Why wouldn’t the killer simply dump her body in the river—as so many do? Arthur Bryant wonders if the answer lies in the mythology of the Thames itself. Unfortunately, the normally wobbly funhouse corridors of Bryant’s mind have become, of late, even more labyrinthine. The venerable detective seems to be losing his grip on reality. May fears the worst, as Bryant rapidly descends from merely muddled to one stop short of Barking, hallucinating that he’s traveled back in time to solve the case. There had better be a method to Bryant’s madness—because, as more bodies are pulled from the river’s depths, his partner and the rest of the PCU find themselves in over their heads. Fiendishly fun and rich in London lore, Bryant and May: Strange Tide is Christopher Fowler at his best, delivering more twists and turns than the Thames itself. Praise for Christopher Fowler’s ingenious novels featuring the Peculiar Crimes Unit “Fowler, like his crime-solvers, is deadpan, sly, and always unexpectedly inventive.”—Entertainment Weekly “An imaginative funhouse of a world where sage minds go to expand their vistas and sharpen their wits.”—Marilyn Stasio, The New York Times Book Review “[Fowler] takes delight in stuffing his books with esoteric facts; together with a cast of splendidly eccentric characters [and] corkscrew plots, wit, verve and some apposite social commentary, they make for unbeatable fun.”—The Guardian “Mr. Fowler’s small but ardent American following deserves to get much larger.”—Janet Maslin, The New York Times “The most delightfully, wickedly entertaining duo in crime fiction.”—The Plain Dealer “Captivating.”—The Seattle Times “Dazzling.”—The Denver Post “Thrilling.”—Chicago Tribune
It’s a case tailor-made for the Peculiar Crimes Unit. A lonely hearts killer is targeting middle-aged women at some of England’s most well-known pubs—including one torn down eighty years ago. What’s more, Arthur Bryant happened to see one of the victims only moments before her death at the pub that doesn’t exist. Indeed, this case is littered with clues that defy everything the veteran detectives know about the habits of serial killers, the methodology of crime, and the odds of making an arrest. Now, with the public on the verge of panic and their superiors determined to shut the PCU down for good, Detectives Bryant and May must rise to the occasion in defense of two great English traditions—the pub and the Peculiar Crimes Unit. That’s easier said than done. A lost funeral urn, the eighteenth-century mystic Emanuel Swedenborg, the Knights Templars, the secret history of pubs, and the discovery of an astounding religious relic may be enough to convince one of the pair to take back his resignation letter. But with Bryant consulting a memory specialist and May encountering a brush with mortality, do the Peculiar Crimes Unit’s two living legends have enough life left to stop a murderous conspiracy…and a deadly cupid targeting one of their own.
Detectives Arthur Bryant and John May are back on the case in this whip-smart and wildly twisting mystery, in which a killer in London’s parks is proving to be a most elusive quarry. Helen Forester’s day starts like any other: Around seven in the morning, she takes her West Highland terrier for a walk in her street’s private garden. But by 7:20 she is dead, strangled yet peacefully laid out on the path, her dog nowhere to be found. The only other person in the locked space is the gardener, who finds the body and calls the police. He expects proper cops to arrive, but what he gets are Bryant, May, and the wily members of the Peculiar Crimes Unit. Before the detectives can make any headway on the case, a second woman is discovered in a public park, murdered in nearly identical fashion. Bryant, recovering from a health scare, delves into the arcane history of London’s cherished green spaces, rife with class drama, violence, and illicit passions. But as a devious killer continues to strike, Bryant and May struggle to connect the clues, not quite seeing the forest for the trees. Now they have to think and act fast to save innocent lives, the fate of the city’s parks, and the very existence of the PCU. An irresistibly witty, inventive blend of history and suspense, Bryant & May: Wild Chamber is Christopher Fowler in classic form. Praise for Bryant & May: Wild Chamber “Ingenious . . . Fowler brilliantly mixes humor into a fair-play whodunit with an unexpected solution.”—Publishers Weekly (starred review) “For fans of offbeat mysteries, Fowler’s long-running series continues to offer some of the best reading; the latest entry features an array of eccentric characters, a killer conclusion in a library setting, quirky humor, witty writing, interesting side trips and expositions, and a well-ordered, intricate plot.”—Library Journal (starred review)
The year is 1969 and ten guests are about to enjoy a country house weekend at Tavistock Hall. But one amongst them is harbouring thoughts of murder. . . The guests also include the young detectives Arthur Bryant and John May - undercover, in disguise and tasked with protecting Monty Hatton-Jones, a whistle-blower turning Queen's evidence in a massive bribery trial. Luckily, they've got a decent chap on the inside who can help them - the one-armed Brigadier, Nigel 'Fruity' Metcalf. The house's owner - a penniless, dope-smoking aristocrat - is intent on selling the estate (complete with its own hippy encampment) to a secretive millionaire but the weekend has only just started when the millionaire goes missing and murder is on the cards. But army manoeuvres have closed the only access road and without a forensic examiner, Bryant and May can't solve the case. It's when a falling gargoyle fells another guest that the two incognito detectives decide to place their future reputations on the line. And in the process discover that in Swinging Britain nothing is quite what it seems... So gentle reader, you are cordially invited to a weekend in the country. Expect murder, madness and mayhem in the mansion!
It's the late 1970s and 20-something Christopher Fowler is a film freak, obsessively watching lousy films in run-down fleapit cinemas. He longs to be a famous screenwriter and put his dreams on the big screen. And so he heads for Wardour Street, Britain's equivalent of Hollywood. But he's made a spectacular mistake, arriving just as the nation's filmmakers are falling to their knees, brought low by the arrival of video and the destruction of the old movie palaces. The only films being made are smutty low budget farces and TV spinoffs and instead of being asked to write another 'Bullitt', he's churning out short films advertising boilers and nylon sheets. Somehow, against the odds, he finds success - although in a very different guise to the one he expected. From the sticky Axminster of the local cinema to the red carpet at Cannes, Film Freak is a grimly hilarious and acutely observed trawl through the arse-end of the British film industry that turns into an ultimately affecting search for friendship and happiness.