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NAMED ONE OF THE TEN BEST MYSTERIES OF THE YEAR BY THE SEATTLE TIMES • London’s wiliest detectives, Arthur Bryant and John May, are on the case in this fiendishly clever mystery. And when a cemetery becomes the scene of a crime, neither secrets—nor bodies—stay buried. Romain Curtis sneaks into St. George’s Gardens one evening with his date, planning to show her the stars. A centuries-old burial ground, the small, quiet park is the perfect place to be alone. Yet the night takes a chilling turn when the two teenagers spy a strange figure rising from among the tombstones: a corpse emerging from the grave. Suffice it to say that wherever there’s a dead man walking, Bryant and May and the Peculiar Crimes Unit are never far behind. As the PCU investigates the sighting, a second urgent matter requires their unusual brand of problem-solving. Seven ravens have gone missing from their historic home in the Tower of London, and legend has it that when the ravens disappear, England will fall. Bryant has been tasked with recovering the lost birds, but when Romain is suddenly found dead, the two seemingly separate mysteries start to intertwine and point to a plot more sinister than anyone could ever imagine. Soon Bryant and May find themselves immersed in London’s darkest lore, from Victorian-era body snatchers, to arcane black magic, to the grisly myth behind Bleeding Heart Yard, a courtyard long associated with murder. And as the body count spikes and more coffins are unearthed, they will have to dig deep to catch a killer and finally lay these cases to rest. Darkly funny and fast-paced, Bryant & May and the Bleeding Heart is a brilliantly twisting puzzle, conjured from the inventive mind of Christopher Fowler. Praise for Bryant & May and the Bleeding Heart “Let’s talk about guilty pleasures. . . . A historic burial ground like St. George’s Garden, scene of the unfortunate incident of resurrection, is right up [Arthur Bryant’s] dark alley. And mine.”—Marilyn Stasio, The New York Times Book Review “Delectably droll . . . criminally underappreciated . . . guaranteed to amuse . . . [Bryant & May are] endearing throwbacks to a time when this genre was brainy and pure. They are the last of a breed and they know it. . . . Their very credibility puts quaint old Bryant & May in a class of their own.”—Janet Maslin, The New York Times “Fans of the series will enjoy the continuing travails of these two long-suffering octogenerian friends and their fellow officers. Newcomers will appreciate the twists and turns of the case as well as the many details from the odd corners of one of the world’s great cities.”—Library Journal “Endearingly eccentric . . . intriguing.”—Publishers Weekly “Hilarious . . . a charming and intriguing mystery mixed with marvelous characters. [Christopher] Fowler’s snarky writing elevates what could be dull or routine and makes it a true joy to read.”—RT Book Reviews “Make Bryant & May and the Bleeding Heart the next book you read. . . . These stories are witty, challenging, engrossing, informative and incredibly well written. . . . Picture a television series that is a rough mash-up of Law & Order, The X-Files and Monty Python’s Flying Circus. . . . I sensed Sir Arthur Conan Doyle, Ed McBain and Agatha Christie nodding in approval. . . . [Fowler’s] latest book contains some of his best writing.”—Bookreporter
Arthur Bryant and John May—and their team of proud eccentrics in the Peculiar Crimes Unit—have been given only one week to hunt down a murderer they’ve already caught once, but who somehow escaped from a locked room and killed one of their best and brightest. Facing a shutdown, Bryant and May, men of opposite methods, learn that their nemesis, expertly disguised, has struck again—and now he is luring them down into the vast labyrinth of tunnels and dark shadows of the London Underground. But soon they will discover a fresh mystery—one as bizarre as anything they have ever faced.
Arthur Bryant, John May and the Peculiar Crimes Unit are on the trail of an enigma: a young man called Mr Fox. But his identity is false, his links to society are invisible and his home yields no clues. All they know is that somehow he escaped from a locked room and murdered one of their best and brightest. Now the detectives are being lured down into the darkest recesses of the London Underground where their quarry has struck again. Bryant and May are about to uncover a mystery as bizarre as anything they have ever encountered...
Christopher Fowler’s Peculiar Crimes Unit novels have been hailed for their originality, suspense, and unforgettable characters. Now Arthur Bryant, John May, and their team of proud eccentrics have been given only one week to hunt down a murderer they’ve already caught once—and who is now luring them down into the darkest shadows of the London Underground. The young man they seek is an enigma. His identity is false. His links to society are invisible. A search of his home yields no clues. The Peculiar Crimes Unit knows only this: Somehow Mr. Fox got out of a locked room and killed one of their best and brightest. Facing a shutdown, Bryant and May learn that their man, expertly disguised, has struck again in the world’s oldest subway system. But as their search takes them into the vast labyrinth of tunnels that tie the city together, they discover a fresh mystery as bizarre as anything they have ever faced. . . . As the city blithely goes about its way, as tales of ghost stations and Underground legends emerge, Bryant and May, men of opposite methods, are each getting closer to what lies hidden at the heart of London’s celebrated Tube—and to the madness that is driving their man to murder. Sophisticated, fast-paced, and confounding until its final twist, Bryant & May off the Rails is Christopher Fowler dead on track and at the height of his power to beguile, bewitch, and entertain. BONUS: This edition contains an excerpt from Christopher Fowler's The Memory of Blood. Praise for Bryant & May off the Rails “Life always seems livelier whenever Arthur Bryant and John May are on a case.”—The New York Times Book Review “Fowler, like his crime-solvers, is deadpan, sly, and always unexpectedly inventive.”—Entertainment Weekly
It’s a case tailor-made for the Peculiar Crimes Unit. A lonely hearts killer is targeting middle-aged women at some of England’s most well-known pubs—including one torn down eighty years ago. What’s more, Arthur Bryant happened to see one of the victims only moments before her death at the pub that doesn’t exist. Indeed, this case is littered with clues that defy everything the veteran detectives know about the habits of serial killers, the methodology of crime, and the odds of making an arrest. Now, with the public on the verge of panic and their superiors determined to shut the PCU down for good, Detectives Bryant and May must rise to the occasion in defense of two great English traditions—the pub and the Peculiar Crimes Unit. That’s easier said than done. A lost funeral urn, the eighteenth-century mystic Emanuel Swedenborg, the Knights Templars, the secret history of pubs, and the discovery of an astounding religious relic may be enough to convince one of the pair to take back his resignation letter. But with Bryant consulting a memory specialist and May encountering a brush with mortality, do the Peculiar Crimes Unit’s two living legends have enough life left to stop a murderous conspiracy…and a deadly cupid targeting one of their own.
BONUS: This edition contains an excerpt from Christopher Fowler’s Bryant & May off the Rails. The Peculiar Crimes Unit is no more—disbanded, finished, kaput. After years of defying the odds and infuriating their superiors, detectives Arthur Bryant and John May have finally crossed the line. While Bryant takes to his bed, his bathrobe, and his esoteric books, the rest of the team takes to the streets looking for new careers—until one of them stumbles upon a gruesome murder. Now the Unit is back for an encore performance—in a rented office with no computer network, no legal authority, and a broken toilet. They’ve got until the end of the week to solve a mystery with links to gangland crime, the 2012 London Olympics, and a half-man, half-stag creature that’s carrying off young women. It’s the kind of case that Bryant and May live to solve . . . and it could be the one that finally kills them.
When a bomb devastates the office of London's most unusual police unit and claims the life of its oldest detective, Arthur Bryant, his surviving partner John May searches for clues to the bomber's identity. His search takes him back to the day the detectives first met as young men in 1940. In Blitz-ravaged London, a beautiful dancer rehearsing for a sexy, sinister production of 'Orpheus In The Underworld' is found without her feet. Bryant & May's investigation plunges them into a bizarre gothic mystery, where a faceless man stalks terrified actors and death strikes in darkness. Tracking their quarry through the blackout, searching for a murderer who'll stop at nothing to be free of a nightmare, the duo unwittingly follow the same path Orpheus took when leading Euridyce from the shadows of Hell. Back in the present day, John May starts to wonder if their oldest adversary might be the killer who took his partner's life. He must work alone to solve a puzzle that began over half a century earlier... In a war-shaken city of myths, rumours and fear, Bryant & May discover that a house is not always a home, nothing is as it appears, the most cunning criminals hide in plain sight, and the devil has all the best tunes. Dark drama and black comedy combine as Bryant & May take centre stage in their first great case.
'The most consistently brilliant, entertaining and educational voice in contemporary British crime fiction, the utterly fabulous Christopher Fowler.' Cathi Unsworth, CRIMESQUAD It's a Sunday morning, and the outspoken Speaker of the House of Commons has just been crushed under a mountain of citrus fruit . . . Bizarre accident or something more sinister? The government needs to know because here's a man who knows a thing or two that could compromise its future. Bryant and May and the Peculiar Crimes Unit should be on the case, however it seems the PCU is no more with one detective is in hospital, the other gone AWOL with the rest of the team having been dismissed. But events escalate, and soon a series of brutal yet undeniably clever killings linked to an old English nursery rhyme threaten society's very foundations and out-of-the-blue the PCU is (temporarily) back in business. And if the two detectives - 'old men in a woke world' - can set aside their differences and discover why some of London's most influential figures are being threatened, they might not only save the unit but also prevent the city from descending into chaos . . .
'The newspapers referred to it as the case of the seventy-seven clocks. There was quite a fuss at the time. We got into terrible trouble. Dear fellow, it was one of our most truly peculiar cases. I remember as if it was yesterday.' In fact, Arthur Bryant remembers very little about yesterday, but he does remember the oddest investigation of his career... It was late in 1973. As strikes and blackouts ravaged the country during Edward Heath's 'Winter of Discontent', sundry members of a wealthy, aristocratic family were being disposed of in a variety of grotesque ways - by reptile, by bomb, by haircut. As the hours of daylight diminish towards Christmas, Bryant & May, the irascible detectives of London's controversial Peculiar Crimes Unit, know that time is the key - and time is running out for both the family and the police. Their investigations lead them into a hidden world of class conflict, craftsmanship and the secret loyalties of big business. But what have seventy seven ticking clocks to do with it? Now the full story can at last be revealed, in this most eerie of adventures that features Arthur Bryant at his rudest, John May at his most exasperated and a gallery of colourful, bizarre characters who could only make their home in a city like London...
In Which Mr May Makes A Mistake And Mr Bryant Goes Into The Dark On a rainy winter night outside a run-down nightclub in the wrong part of London, four strangers meet for the first time at 4:00am. A few weeks later the body of an Indian textile worker is found hanging upside down inside a willow tree on Hampstead Heath. The Peculiar Crimes Unit is called in to investigate. The victim was found surrounded by the paraphernalia of black magic, and so Arthur Bryant and John May set off to question experts in the field. But the case is not what it appears. When another victim seemingly commits suicide, it becomes clear that in the London night is a killer who knows what people fear most. And he always strikes at 4:00am. In order to catch him, the PCU must switch to night shifts, but still the team draws a blank. John May takes a technological approach, Arthur Bryant goes in search of academics and misfits for help, for this is becoming a case that reveals impossibilities at every turn, not least that there's no indication of what the victims might have done to attract the attentions of a murderer that doesn’t seem to exist. But impossibilities are what the Peculiar Crimes Unit does best. As they explore a night city where all the normal rules are upended, they’re drawn deeper into a case that involves murder, arson, kidnap, blackmail, bats and the psychological effects of loneliness on Londoners. It's a trail that takes them from the poorest part of the East End to the wealthiest homes in North London - an investigation that can only end in tragedy...