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NAMED ONE OF THE TEN BEST MYSTERIES OF THE YEAR BY THE SEATTLE TIMES • London’s wiliest detectives, Arthur Bryant and John May, are on the case in this fiendishly clever mystery. And when a cemetery becomes the scene of a crime, neither secrets—nor bodies—stay buried. Romain Curtis sneaks into St. George’s Gardens one evening with his date, planning to show her the stars. A centuries-old burial ground, the small, quiet park is the perfect place to be alone. Yet the night takes a chilling turn when the two teenagers spy a strange figure rising from among the tombstones: a corpse emerging from the grave. Suffice it to say that wherever there’s a dead man walking, Bryant and May and the Peculiar Crimes Unit are never far behind. As the PCU investigates the sighting, a second urgent matter requires their unusual brand of problem-solving. Seven ravens have gone missing from their historic home in the Tower of London, and legend has it that when the ravens disappear, England will fall. Bryant has been tasked with recovering the lost birds, but when Romain is suddenly found dead, the two seemingly separate mysteries start to intertwine and point to a plot more sinister than anyone could ever imagine. Soon Bryant and May find themselves immersed in London’s darkest lore, from Victorian-era body snatchers, to arcane black magic, to the grisly myth behind Bleeding Heart Yard, a courtyard long associated with murder. And as the body count spikes and more coffins are unearthed, they will have to dig deep to catch a killer and finally lay these cases to rest. Darkly funny and fast-paced, Bryant & May and the Bleeding Heart is a brilliantly twisting puzzle, conjured from the inventive mind of Christopher Fowler. Praise for Bryant & May and the Bleeding Heart “Let’s talk about guilty pleasures. . . . A historic burial ground like St. George’s Garden, scene of the unfortunate incident of resurrection, is right up [Arthur Bryant’s] dark alley. And mine.”—Marilyn Stasio, The New York Times Book Review “Delectably droll . . . criminally underappreciated . . . guaranteed to amuse . . . [Bryant & May are] endearing throwbacks to a time when this genre was brainy and pure. They are the last of a breed and they know it. . . . Their very credibility puts quaint old Bryant & May in a class of their own.”—Janet Maslin, The New York Times “Fans of the series will enjoy the continuing travails of these two long-suffering octogenerian friends and their fellow officers. Newcomers will appreciate the twists and turns of the case as well as the many details from the odd corners of one of the world’s great cities.”—Library Journal “Endearingly eccentric . . . intriguing.”—Publishers Weekly “Hilarious . . . a charming and intriguing mystery mixed with marvelous characters. [Christopher] Fowler’s snarky writing elevates what could be dull or routine and makes it a true joy to read.”—RT Book Reviews “Make Bryant & May and the Bleeding Heart the next book you read. . . . These stories are witty, challenging, engrossing, informative and incredibly well written. . . . Picture a television series that is a rough mash-up of Law & Order, The X-Files and Monty Python’s Flying Circus. . . . I sensed Sir Arthur Conan Doyle, Ed McBain and Agatha Christie nodding in approval. . . . [Fowler’s] latest book contains some of his best writing.”—Bookreporter
In Which Mr May Makes A Mistake And Mr Bryant Goes Into The Dark On a rainy winter night outside a run-down nightclub in the wrong part of London, four strangers meet for the first time at 4:00am. A few weeks later the body of an Indian textile worker is found hanging upside down inside a willow tree on Hampstead Heath. The Peculiar Crimes Unit is called in to investigate. The victim was found surrounded by the paraphernalia of black magic, and so Arthur Bryant and John May set off to question experts in the field. But the case is not what it appears. When another victim seemingly commits suicide, it becomes clear that in the London night is a killer who knows what people fear most. And he always strikes at 4:00am. In order to catch him, the PCU must switch to night shifts, but still the team draws a blank. John May takes a technological approach, Arthur Bryant goes in search of academics and misfits for help, for this is becoming a case that reveals impossibilities at every turn, not least that there's no indication of what the victims might have done to attract the attentions of a murderer that doesn’t seem to exist. But impossibilities are what the Peculiar Crimes Unit does best. As they explore a night city where all the normal rules are upended, they’re drawn deeper into a case that involves murder, arson, kidnap, blackmail, bats and the psychological effects of loneliness on Londoners. It's a trail that takes them from the poorest part of the East End to the wealthiest homes in North London - an investigation that can only end in tragedy...
Edgy, suspenseful, and darkly comic, here is the first novel in a riveting mystery series starring two cranky but brilliant old detectives whose lifelong friendship was forged solving crimes for the London Police Department's Peculiar Crimes Unit. In Full Dark House, Christopher Fowler tells the story of both their first and last case—and how along the way the unlikely pair of crime fighters changed the face of detection. A present-day bombing rips through London and claims the life of eighty-year-old detective Arthur Bryant. For his partner John May, it means the end of a partnership that lasted over half-a-century and an eerie echo back to the Blitz of World War II when they first met. Desperately searching for clues to the killer’s identity, May finds his old friend’s notes of their very first case and becomes convinced that the past has returned . . . with a killing vengeance. It begins when a dancer in a risque new production of Orpheus in Hell is found without her feet. Suddenly, the young detectives are plunged in a bizarre gothic mystery that will push them to their limits—and beyond. For in a city shaken by war, a faceless killer is stalking London's theaters, creating his own kind of sinister drama. And it will take Arthur Bryant’s unorthodox techniques and John May’s dogged police work to catch a criminal whose ability to escape detection seems almost supernatural—a murderer who even decades later seems to have claimed the life of one of them . . . and is ready to claim the other. Filled with startling twists, unforgettable characters, and a mystery that will keep you guessing, Full Dark House is a witty, heartbreaking, and all-too-human thriller about the hunt for an inhuman killer.
It’s the classic locked-room mystery—a member of the Peculiar Crimes Unit killed inside a sealed morgue populated only by the dead and to which only four PCU members had a key. To make matters worse, the Unit has been shut down for a forced “vacation,” and Bryant and May are stuck in a van in the Dartmoor countryside during a freak snowstorm. Now they’ll have to crack the case by cell phone while trying to stop a second murder without freezing to death. For among the line of trapped vehicles, a killer is on the prowl, a beautiful woman is on the run, and an innocent child is caught in the middle….
It’s a crime tailor-made for the Peculiar Crimes Unit: a controversial artist is murdered and displayed as part of her own outrageous installation. No suspects, no motive, no evidence–it’s business as usual for the Unit’s cantankerous founding partners, Arthur Bryant and John May. But this time they have an eyewitness. According to twelve-year-old Luke Tripp, the killer was a cape-clad highwayman atop a black stallion. As implausible as the boy’s story sounds, Bryant and May take it seriously when “The Highwayman” is spotted again, striking a dramatic pose at the scene of his next outlandish murder. Whatever the killer’s real identity, he seems intent on killing off a string of minor celebrities while becoming one himself. As the tabloids look to make a quick bundle on “Highwayman Fever,” Bryant and May, along with the newest member of the Unit, May’s agoraphobic granddaughter, April, find themselves sorting out a case involving an unlikely combination of artistic rivalries, sleazy sex affairs, the Knights Templars, and street gang feuds. To do it, they’re going to have to use every orthodox–and unorthodox–means at their disposal, including myth, witchcraft, and the psychogeographic history of the city’s “monsters,” past and present. And if one unsolvable crime weren’t enough, this case has disturbing links to a decades-old killing spree that nearly destroyed the partnership of Bryant and May once before…and may again. The Peculiar Crimes Unit is one murder away from being closed down for good–and that murder could be their own.
Originally built to house the workers of Victorian London, Balaklava Street is now an oasis in the heart of Kentish Town and ripe for gentrification. But then the body of an elderly woman is found at Number 5. Her death would appear to have been peaceful but for the fact that her throat is full of river water. It falls to the Met's Peculiar Crimes Unit, led by London's longest-serving detectives, Arthur Bryant and John May, to search for something resembling a logical solution. Their initial investigations draw a blank and Bryant's attention is diverted into strange and arcane new territory, while May finds himself in hot water when he attempts to save the reputation of an academic whose knowledge of the city's forgotten underground rivers looks set to ruin his career. In the meantime, the new owner of Number 5 is increasingly unsettled by the damp in the basement of her home, the particularly resilient spiders and the ghostly sound of rushing water . . . Pooling their information to investigate hitherto undiscovered secrets of the city, Bryant and May make some sinister connections and realize that, in a London filled with the rich, the poor and the dispossessed, there's still something a desperate individual is willing to kill for - and kill again to protect. With the PCU facing an uncertain future, the death toll mounts and two of British fiction's most enigmatic detectives must face madness, greed and revenge, armed only with their wits, their own idiosyncratic practices and a plentiful supply of boiled sweets, in a wickedly sinuous mystery that goes to the heart of every London home.
London’s most brilliant but unconventional detectives, Arthur Bryant and John May, must plumb the depths of a particularly murky mystery. The Peculiar Crimes Unit faces its most baffling case yet—and if Bryant and May can’t rise to the challenge, the entire unit may go under. Near the Tower of London, along the River Thames, the body of a woman has been discovered chained to a stone post and left to drown. Curiously, only one set of footprints leads to the tragic spot. “The Bride in the Tide,” as the London press gleefully dubs her, has the PCU stumped. Why wouldn’t the killer simply dump her body in the river—as so many do? Arthur Bryant wonders if the answer lies in the mythology of the Thames itself. Unfortunately, the normally wobbly funhouse corridors of Bryant’s mind have become, of late, even more labyrinthine. The venerable detective seems to be losing his grip on reality. May fears the worst, as Bryant rapidly descends from merely muddled to one stop short of Barking, hallucinating that he’s traveled back in time to solve the case. There had better be a method to Bryant’s madness—because, as more bodies are pulled from the river’s depths, his partner and the rest of the PCU find themselves in over their heads. Fiendishly fun and rich in London lore, Bryant and May: Strange Tide is Christopher Fowler at his best, delivering more twists and turns than the Thames itself. Praise for Christopher Fowler’s ingenious novels featuring the Peculiar Crimes Unit “Fowler, like his crime-solvers, is deadpan, sly, and always unexpectedly inventive.”—Entertainment Weekly “An imaginative funhouse of a world where sage minds go to expand their vistas and sharpen their wits.”—Marilyn Stasio, The New York Times Book Review “[Fowler] takes delight in stuffing his books with esoteric facts; together with a cast of splendidly eccentric characters [and] corkscrew plots, wit, verve and some apposite social commentary, they make for unbeatable fun.”—The Guardian “Mr. Fowler’s small but ardent American following deserves to get much larger.”—Janet Maslin, The New York Times “The most delightfully, wickedly entertaining duo in crime fiction.”—The Plain Dealer “Captivating.”—The Seattle Times “Dazzling.”—The Denver Post “Thrilling.”—Chicago Tribune
In July 1888, fourteen hundred women and girls employed by the matchmakers Bryant and May walked out of their East End factory and into the history books. Louise Raw gives us a challenging new interpretation of events proving that the women themselves, not celebrity socialists like Annie Besant, began it. She provides unequivocal evidence to show that the matchwomen greatly influenced the Dock Strike of 1889, which until now was thought to be the key event of new unionism, and repositions them as the mothers of the modern labour movement. Returning to the stories of the women themselves, and by interviewing their relatives today, Raw is able to construct a new history which challenges existing accounts of the strike itself and radically alters the accepted history of the labour movement in Britain.
American opportunity is not dead. Bestselling author and entrepreneur John Hope Bryant outlines the mindset and practices that will allow us to achieve the American Dream, no matter what our current circumstances are. Americans have lost faith in their country. With job security disappearing and fewer glimpses of a better future, it can feel like we are barely surviving, much less thriving, in today's problematic economy. Americans want the "old" America back-- the America where opportunity comes knocking at the front door. But the real problem, John Hope Bryant says, is that we're forgetting that this is still the Land of Opportunity--a site of upward mobility, a place teeming with different ways to create and grow wealth. The opportunities of today are not only greater than the obstacles, but they are greater than they have ever been. What we need, he says, is a mindset shift--a way of recalibrating to recognize that there is still a bounty of resources for establishing entrepreneurship and success in this country. The first step for us, for America, is to remember our storyline--how, coming up from nothing, we established and harnessed the invincible American Dream.
'The most consistently brilliant, entertaining and educational voice in contemporary British crime fiction, the utterly fabulous Christopher Fowler.' Cathi Unsworth, CRIMESQUAD It's a Sunday morning, and the outspoken Speaker of the House of Commons has just been crushed under a mountain of citrus fruit . . . Bizarre accident or something more sinister? The government needs to know because here's a man who knows a thing or two that could compromise its future. Bryant and May and the Peculiar Crimes Unit should be on the case, however it seems the PCU is no more with one detective is in hospital, the other gone AWOL with the rest of the team having been dismissed. But events escalate, and soon a series of brutal yet undeniably clever killings linked to an old English nursery rhyme threaten society's very foundations and out-of-the-blue the PCU is (temporarily) back in business. And if the two detectives - 'old men in a woke world' - can set aside their differences and discover why some of London's most influential figures are being threatened, they might not only save the unit but also prevent the city from descending into chaos . . .