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A “fascinating [and] unique exploration” of the mythological founder of Britain, divine ancestor of King Arthur, and symbol of British identity (Your Family History). Believed to be a great-great-great grandson of the Greek goddess Aphrodite, Brutus of Troy led a voyage from Greece to Britain. Landing at Totnes in Devon, it is said that Brutus overthrew the giants who lived there, laid the foundations of Oxford University and London, and sired a line of kings that includes King Arthur and the ancestors of the present Royal Family. Genealogist Anthony Adolph traces the legend of Brutus of Troy from the Roman times onwards, looking at his popularity, his mentions in fiction, and his place in mythology of some of London’s landmarks. Brutus’ story played a crucial role in royal propaganda and foreign policy. His tale also inspired poets and playwrights including Shakespeare, Spenser, Milton, Pope, Wordworth, Dickens, and Blake. Brutus of Troy delves into how the myth shaped Britain’s identity and gave the nation a place in Classical mythologies and the Bible.
Removes the story of Troy from the realm of myth and places it firmly into the historical arena.
In the second title of The Troy Game series, love and revenge are set against the very fabric of time itself as a warrior waits for his opportunity to finish what was started centuries before.
Ancient Greece: A place where the gods hold mortal life cheap, mere playthings to amuse, delight, and abuse at their will. But those puny mortals are not wholly devoid of power and at the core of their fabulous city-states lies the Labyrinth, where they can shape the powers of the heavens to their own design. When Theseus entered the Labyrinth and came away with the prize of freedom and his beloved Adrianne, Mistress of the Labyrinth, his future seemed assured... Until he abandoned her for the unforgivable sin of bearing him only a daughter, and the world seemed to change. From that day forward, all the Labyrinths in the ancient world started to decay. It slowly became clear that power was fading from the city-states. Was it the natural decline that comes to all cultures or was it because the power of the Labyrinth had been corrupted by a woman spurned? A hundred years pass--Troy has fallen and the Trojans are a scattered and humbled people. The warrior Brutus is of the line of kings and gods. He wears the golden kingship bands of Troy proudly--but they are his only mementos of a former glory, for he is a man without a country and is left little else but pride and a memory of the latent power that he could wield if but given a chance. When he receives a god-sent vision of a distant shore where he can rebuild the ancient kingdom, he will move heaven and earth to reach his destiny. Ever eastward he is drawn, to a lovely and mystical green land that offers him a haven--and a dream of power and conquest. Nothing will deter him... not even the entreaties of the young princess whom he took as his wife and bedded against her will. First her hatred--and now her love--torment and bind him. She is the only one who realizes the danger he is stepping into, and she will do anything to save him... and his son, whom she carries in her womb. For in the mists of Albion there lies a woman of power--a woman who has used her siren call to cloud Brutus's mind and has her own reasons for luring the warrior to these lush shores.... She is the long-descended granddaughter of Adrianne, and she has in her heart a hatred that has been passed down for generations. Her plans for Brutus will enact a revenge that could destroy the gods themselves. s20If Brutus makes the journey successfully, it will be the next step in the Game of the Labyrinth and might start a complicated contest of wills that could span centuries.... At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Offers a fresh interpretation of Virgil's Aeneid via a detailed study of its child hero, Ascanius, young son of Aeneas.
A book of vengeance and generations old hatred from the time of Ancient Greece.
DigiCat Publishing presents to you this special edition of "The Tragedy of Dido Queene of Carthage" by Christopher Marlowe. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Monumental epic poem tells the heroic story of Aeneas, a Trojan who escaped the burning ruins of Troy to found Lavinium, the parent city of Rome, in the west.
The epics of ancient Greece and Rome are unique in that many went unfinished, or if they were finished, remained open to further narration that was beyond the power, interest, or sometimes the life-span of the poet. Such incompleteness inaugurated a tradition of continuance and closure in their reception. Brill’s Companion to Prequels, Sequels, and Retellings of Classical Epic explores this long tradition of continuing epics through sequels, prequels, retellings and spin-offs. This collection of essays brings together several noted scholars working in a variety of fields to trace the persistence of this literary effort from their earliest instantiations in the Iliad and Odyssey of Homer to the contemporary novels of Ursula K. Le Guin and Margaret Atwood.
Layamon's Brut is a Middle English poem assembled and remold by the vicar Layamon. The Brut relates the history of Britain and is the main historiography created in English since the Anglo-Saxon Chronicle.