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Cost-effective methods for improving crime control in America Since the crime explosion of the 1960s, the prison population in the United States has multiplied fivefold, to one prisoner for every hundred adults—a rate unprecedented in American history and unmatched anywhere in the world. Even as the prisoner head count continues to rise, crime has stopped falling, and poor people and minorities still bear the brunt of both crime and punishment. When Brute Force Fails explains how we got into the current trap and how we can get out of it: to cut both crime and the prison population in half within a decade. Mark Kleiman demonstrates that simply locking up more people for lengthier terms is no longer a workable crime-control strategy. But, says Kleiman, there has been a revolution—largely unnoticed by the press—in controlling crime by means other than brute-force incarceration: substituting swiftness and certainty of punishment for randomized severity, concentrating enforcement resources rather than dispersing them, communicating specific threats of punishment to specific offenders, and enforcing probation and parole conditions to make community corrections a genuine alternative to incarceration. As Kleiman shows, "zero tolerance" is nonsense: there are always more offenses than there is punishment capacity. But, it is possible—and essential—to create focused zero tolerance, by clearly specifying the rules and then delivering the promised sanctions every time the rules are broken. Brute-force crime control has been a costly mistake, both socially and financially. Now that we know how to do better, it would be immoral not to put that knowledge to work.
At the dawn of the twenty-fourth century, with colonies spanning fifty star systems, mankind has created the Confederation of Allied Worlds. When trouble erupts, the Confed's solution is swift, savage, and supremely effective: dispatch small teams of elite warriors. Deadly fighters like Tex. . . . As one of the most decorated soldiers in the Confederation's arsenal, Tex has survived covert operations in every steaming hellhole. As a result, he knows more than enough about the Confed's most brutal and amoral activities, which makes him wonder: Is it mere coincidence that all missions assigned to veteran teams seem to be suicide missions? Fortunately, the new assignment doesn't have the markings of a lethal affair. Tex is dispatched to the Ulysses star system, a backwater group of inconsequential planets populated with misfits and malcontents. What he doesn't know is that this lowly cluster secretly harbors perhaps the greatest threat ever faced by the Confederation. Worse yet, the shadowy Protectorate behind the mission intends to make certain Tex does not survive. But Tex hasn't earned his reputation as a well-honed killing machine for nothing. . . . Brute Force, Xbox, and the Xbox Logos are either registered trademarks or trademarks of Microsoft Corporation in the United States and/or other countries. Used under license. Copyright (c) 2002 Microsoft Corporation. All Rights Reserved.
Considers how dangerous beasts in horror films illuminate the human-animal relationship. It’s always been a wild world, with humans telling stories of killer animals as soon as they could tell stories at all. Movies are an especially popular vehicle for our fascination with fierce creatures. In Brute Force, Dominic Lennard takes a close look at a range of cinematic animal attackers, including killer gorillas, sharks, snakes, bears, wolves, spiders, and even a few dinosaurs. Lennard argues that animal horror is not so much a focused genre as it is an impulse, tapping into age-old fears of becoming prey. At the same time, these films expose conflicts and uncertainties in our current relationship with animals. Movies considered include King Kong, Jaws, The Grey, Them!, Arachnophobia, Jurassic Park, Snakes on a Plane, An American Werewolf in London, and many more. Drawing on insights from film studies, art history, cognitive science, and evolutionary psychology, Brute Force is an engaging critical exploration—and appreciation—of cinema’s many bad beasts. “The brilliance of Dominic Lennard’s Brute Force is not only that it is long overdue, but one didn’t realize it was due in the first place! Yet upon reflection and, of course, through Lennard’s engaging book, one realizes not only the ubiquity of animals in horror, but their utter centrality to so many classic horror films. In reading this, we can hear the distant rumble of footsteps of a genetically reborn Tyrannosaurus or the hurried pounding of our beloved Rover who has decided that he wants more than kibbles and bits for dinner—and we look mighty appetizing. ‘Groundbreaking’ is often overused, but in this case it truly fits.” — David Desser, coeditor of Tough Ain’t Enough: New Perspectives on the Films of Clint Eastwood
In 1996, the supposedly uncrackable US federal encryption system was broken. In this captivating and intriguing book, Matt Curtin charts the rise and fall of DES and chronicles the efforts of those who were determined to master it.
Wreckless the bear! Soar the eagle! Surfstreak the dolphin! Hip Hop the kangaroo! And Lionheart the, uh, lion! They're the cybernetically-enhanced protectors of the environment, Brute Force! And they're fighting to save the Earth, whether you asked them to or not! They'll have to battle their beastly rivals, Heavy Metal - a cyborg-enhanced shark, rhino, gorilla, octopus and vulture! Plus, if Brute Force wasn't wild enough for you, check out more off beat antics from Marvel's vaults: the crimefi ghting elephants known as the Power Pachyderms...and Steve Gerber's bizarre Suburban Jersey Ninja She-Devils! COLLECTING: BRUTE FORCE 1-4, POWER PACHYDERMS 1, SUBURBAN JERSEY NINJA SHE-DEVILS 1
Selected by Joy Harjo as the winner of the Walt Whitman Award of the Academy of American Poets Emily Skaja’s debut collection is a fiery, hypnotic book that confronts the dark questions and menacing silences around gender, sexuality, and violence. Brute arises, brave and furious, from the dissolution of a relationship, showing how such endings necessitate self-discovery and reinvention. The speaker of these poems is a sorceress, a bride, a warrior, a lover, both object and agent, ricocheting among ways of knowing and being known. Each incarnation squares itself up against ideas of feminine virtue and sin, strength and vulnerability, love and rage, as it closes in on a hard-won freedom. Brute is absolutely sure of its capacity to insist not only on the truth of what it says but on the truth of its right to say it. “What am I supposed to say: I’m free?” the first poem asks. The rest of the poems emphatically discover new ways to answer. This is a timely winner of the Walt Whitman Award, and an introduction to an unforgettable voice.
Brute Force looks at people having the most contact with everyday animal abuse: humane law enforcement officers who are charged with enforcing anti-cruelty statutes. The author spent one year studying 30 "animal cops" and dispatchers in two large cities. They see themselves as a power for the helpless, a voice for the mute. On-the-job experience changes this view. Rather than "fighting the good fight" against egregious cases of cruelty, they are overwhelmed with complaints that are ambiguous and must be "stretched" to qualify as legally defined abuse or with complaints of "barking dogs" or "thin" pets that are used in interpersonal disputes to get neighbors or spouses into trouble. Even more discouraging to officers are clear-cut and extreme cases of cruelty that do not lead to guilty verdicts or stiff penalties in court. Resulting cynicism is aggravated when rookies realize that they are seen as second-rate "wannabe" cops or closet animal "extremists." With little legitimate authority to enforce the law, animal cops become humane educators who try to make people into responsible pet owners.
A cargo ship is apprehended by the authorities off the coast of Spain, packed with enough arms and ammunition to start a war. Twenty years later, an unknown aggressor seems intent on taking out those responsible for the treachery – one by one. The last victim was brutally tortured with a Black & Decker drill and then shot through the head at point-blank range. And Nick Stone – ex-SAS, tough, resourceful, ruthless, highly trained – is next on the killer’s list. He has only two options – fight or flight – but which do you choose when you don’t know who you are up against?
A crime lord's daughter finds safety from her father's enemies in the arms of the bodyguard who broke her heart.