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A collection of 25 photographs of dark-haired female performers, both famous and obscure, from the Hollywood of the 1940s-60s. The photographer, Bruno Bernard, was well-known for his portraits of Hollywood stars, and is credited with promoting pin-up photography to a recognized art form.
A collection of photographs of Marilyn Monroe, many of them previously unpublished, from her earliest days to the zenith of her screen career. The photographer, Bruno Bernard, was well-known for his portraits of Hollywood stars, and was Monroe's friend and confidant for 17 years.
The experiences of an aspiring actor as he tries to make it in Hollywood, including acting classes, brief affairs and a hair transplant. The author is a movie and TV actor.
2012 is the 50th anniversary of Marilyn Monroe's death, and this lavishly illustrated book celebrates her enduring beauty through photographs--many never before published--by legendary Hollywood photographer Bernard, known for his iconic photograph of Marilyn standing over the subway grate in a billowing white dress.
A collection of 25 photographs of fair-haired female performers, both famous and obscure, from the Hollywood of the 1940s-60s. The photographer, Bruno Bernard, was well-known for his portraits of Hollywood stars, and is credited with promoting pin-up photography to a recognized art form.
A collection of 25 photographs of red-haired female performers, both famous and obscure, from the Hollywood of the 1940s-60s. The photographer, Bruno Bernard, was well-known for his portraits of Hollywood stars, and is credited with promoting pin-up photography to a recognized art form.
Winner - 2022 Richard Wall Memorial Award, Theatre Library Association Beginning in the 1920s, audiences around the globe were seduced not only by Hollywood films but also by lavish movie theaters that were owned and operated by the major American film companies. These theaters aimed to provide a quintessentially “American” experience. Outfitted with American technology and accoutrements, they allowed local audiences to watch American films in an American-owned cinema in a distinctly American way. In a history that stretches from Buenos Aires and Tokyo to Johannesburg and Cairo, Ross Melnick considers these movie houses as cultural embassies. He examines how the exhibition of Hollywood films became a constant flow of political and consumerist messaging, selling American ideas, products, and power, especially during fractious eras. Melnick demonstrates that while Hollywood’s marketing of luxury and consumption often struck a chord with local audiences, it was also frequently tone-deaf to new social, cultural, racial, and political movements. He argues that the story of Hollywood’s global cinemas is not a simple narrative of cultural and industrial indoctrination and colonization. Instead, it is one of negotiation, booms and busts, successes and failures, adoptions and rejections, and a precursor to later conflicts over the spread of American consumer culture. A truly global account, Hollywood’s Embassies shows how the entanglement of worldwide movie theaters with American empire offers a new way of understanding film history and the history of U.S. soft power.
A collection of photographs of Marilyn Monroe, many of them previously unpublished, from her earliest days to the zenith of her screen career. The photographer, Bruno Bernard, was well-known for his portraits of Hollywood stars, and was Monroe's friend and confidant for 17 years.