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The two Galaxity agents’ investigation into the elemental forces appearing on Earth continues. While Laureline, dogged and efficient, follows a promising lead somewhere in outer space, Valerian is struggling to unravel the mysterious events plaguing our 20th century. Demonstrations of fantastic phenomena follow in quick succession, pushing poor Valerian to his limits. And matters will have to be settled simultaneously in New York and on an asteroid on the edge of the galaxy to save our world...
"Tandis que Valérian est à Paris dans les bras d'une créature de rêve, Laureline crapahute au fin fond du cosmos sur l'infecte planète Zomuk. Les deux jeunes agents spatio-temporels cherchent à comprendre la raison d'apparitions hautement anormales, sur Terre et ailleurs. Après Métro Châtelet direction Cassiopée, la suite d'un double album, clé de la série Valérian où s'affrontent les forces éternelles de l'espace-temps et les intérêts économiques les plus contemporains.
Originally published as: Valerian. Brooklyn station terminus cosmos. Paris: Dargaud, c1981.
Valerian, shot to death in an Indian fortress. Valerian, dead in 19th century London. Valerian, gunned down in San Francisco's Chinatown - And Laureline, paired up with an unpleasantly arrogant historian from Galaxity, forced to witness every demise of the man she loves on a succession of re-enacted pieces of human history. A very strange case that will take the two spatio-temporal agents to the limits of their endurance as they hunt down the mysterious architect of the false Earths.
Fourth volume of the collection: return to Earth, and some great upheavals in the characters’ lives, are on the menu for the best titles of the series. This volume contains books 9 to 12 – two unmissable two-parters that represent a turning point in the story of our agents, and which are widely considered by critics and readers alike to be the pinnacle of the series. Characterised by a return to 20th century Earth, these two stories are suffused with incredible melancholy and poetic charm, and force Valerian, the action man, to face his limitations. As the real date neared 1986, final year of our world according to the authors, Pierre Christin reconciled fiction and reality with consummate skill and daring, sweeping aside the status quo and sending his heroes down a completely new path. This book is introduced by several articles of the recently departed Stan Barets.
“A meditation on the creative process . . . a reminder that even the brightest creative minds face challenges when making consistently great work.” —Wired From award-winning artist and author Christoph Niemann comes a collection of witty illustrations and whimsical views on working creatively. Taking its cue from his New York Times column Abstract Sunday, this book covers Niemann’s entire career and showcases brilliant observations of contemporary life through sketches, travel journals, and popular newspaper features. The narrative guides readers through Christoph’s creative process, how he built his career, and how he overcomes the internal and external obstacles that creative people face—all presented with disarming wit and intellect. Enhanced with nearly 350 original images, this book is a tremendous inspirational and aspirational resource. “A frank and inspirational look at the trials and tribulations of a life spent producing artworks that have been seen the world over.” —It’s Nice That
Fifth volume of the collection, and it’s almost a new series that begins, without ever losing any of what makes its strength or its charm. In this volume of the Collection you will find books 13 to 15, and our heroes’ life has been irretrievably changed with the disappearance of future Earth and Galaxity. Lacking work, they become freelance spies in the 80s in On the Frontiers. Lacking money, they’re reluctant arms dealers in The Living Weapons. Lacking options, they turn investigators slash bait on corrupt Rubanis in The Circles of Power. The apparent descent into hell of the two former agents is the chance for the authors to study the ambiguities of our world, either directly or through the lens of alien civilisations; along with the ambiguity – pragmatism versus heroism – of the titular character, saved from a fall from grace by his ever irreproachable partner.
NATIONAL BESTSELLER • A modern classic of true crime, set in a most beguiling Southern city—now in a 30th anniversary edition with a new afterword by the author “Elegant and wicked . . . might be the first true-crime book that makes the reader want to book a bed and breakfast for an extended weekend at the scene of the crime.”—The New York Times Book Review Shots rang out in Savannah’s grandest mansion in the misty, early morning hours of May 2, 1981. Was it murder or self-defense? For nearly a decade, the shooting and its aftermath reverberated throughout this hauntingly beautiful city of moss-hung oaks and shaded squares. In this sharply observed, suspenseful, and witty narrative, John Berendt skillfully interweaves a hugely entertaining first-person account of life in this isolated remnant of the Old South with the unpredictable twists and turns of a landmark murder case. It is a spellbinding story peopled by a gallery of remarkable characters: the well-bred society ladies of the Married Woman’s Card Club; the turbulent young gigolo; the hapless recluse who owns a bottle of poison so powerful it could kill every man, woman, and child in Savannah; the aging and profane Southern belle who is the “soul of pampered self-absorption”; the uproariously funny drag queen; the acerbic and arrogant antiques dealer; the sweet-talking, piano-playing con artist; young people dancing the minuet at the black debutante ball; and Minerva, the voodoo priestess who works her magic in the graveyard at midnight. These and other Savannahians act as a Greek chorus, with Berendt revealing the alliances, hostilities, and intrigues that thrive in a town where everyone knows everyone else. Brilliantly conceived and masterfully written, Midnight in the Garden of Good and Evil is a sublime and seductive reading experience.