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Completely original, full of surprise, humor, grief, and wisdom and just the right amount of chickens.' Karen Joy Fowler, author of We Are All Completely Beside Ourselves ‘The coop houses no predators, but the chickens do not know this. A chicken knows only what it can see. A chicken’s life is full of magic. Lo and behold.’ Meet Gloria, Gam Gam, Darkness, Miss Hennepin County, and their unlikely owner. Over the course of a single year, our nameless narrator heroically tries to keep her small brood of four chickens alive despite the seemingly endless challenges that caring for another creature entails. From the freezing nights of a brutal winter to a sweltering summer which brings a surprise tornado, she battles predators, bad luck, and the uncertainty of a future that may not look anything like the one she always imagined. Brood by Jackie Polzin is a darkly funny, deeply moving and startling original debut novel of motherhood and grief, full of sorrow, joy and unrelenting hope. Perfect for fans of Jenny Offill and Elizabeth Strout.
Whenever we envision a world without war, without prisons, without capitalism, we are producing speculative fiction. Organizers and activists envision, and try to create, such worlds all the time. Walidah Imarisha and adrienne maree brown have brought twenty of them together in the first anthology of short stories to explore the connections between radical speculative fiction and movements for social change. The visionary tales of Octavia’s Brood span genres—sci-fi, fantasy, horror, magical realism—but all are united by an attempt to inject a healthy dose of imagination and innovation into our political practice and to try on new ways of understanding ourselves, the world around us, and all the selves and worlds that could be. The collection is rounded off with essays by Tananarive Due and Mumia Abu-Jamal, and a preface by Sheree Renée Thomas. PRAISE FOR OCTAVIA'S BROOD: "Those concerned with justice and liberation must always persuade the mass of people that a better world is possible. Our job begins with speculative fictions that fire society's imagination and its desire for change. In adrienne maree brown and Walidah Imarisha's visionary conception, and by its activist-artists' often stunning acts of creative inception, Octavia's Brood makes for great thinking and damn good reading. The rest will be up to us." —Jeff Chang, author of Who We Be: The Colorization of America “Conventional exclamatory phrases don’t come close to capturing the essence of what we have here in Octavia’s Brood. One part sacred text, one part social movement manual, one part diary of our future selves telling us, ‘It’s going to be okay, keep working, keep loving.’ Our radical imaginations are under siege and this text is the rescue mission. It is the new cornerstone of every class I teach on inequality, justice, and social change....This is the text we’ve been waiting for.” —Ruha Benjamin, professor of African American Studies at Princeton University and author of People’s Science: Bodies and Rights on the Stem Cell Frontier "Octavia once told me that two things worried her about the future of humanity: The tendency to think hierarchically, and the tendency to place ourselves higher on the hierarchy than others. I think she would be humbled beyond words that the fine, thoughtful writers in this volume have honored her with their hearts and minds. And that in calling for us to consider that hierarchical structure, they are not walking in her shadow, nor standing on her shoulders, but marching at her side." —Steven Barnes, author of Lion’s Blood “Never has one book so thoroughly realized the dream of its namesake. Octavia's Brood is the progeny of two lovers of Octavia Butler and their belief in her dream that science fiction is for everybody.... Butler could not wish for better evidence of her touch changing our literary and living landscapes. Play with these children, read these works, and find the children in you waiting to take root under the stars!” —Moya Bailey and Ayana Jamieson, Octavia E. Butler Legacy “Like [Octavia] Butler's fiction, this collection is cartography, a map to freedom.” —dream hampton, filmmaker and Visiting Artist at Stanford University’s Institute for Diversity in the Arts Walidah Imarisha is a writer, organizer, educator, and spoken word artist. She is the author of the poetry collectionScars/Stars and facilitates writing workshops at schools, community centers, youth detention facilities, and women's prisons. adrienne maree brown is a 2013 Kresge Literary Arts Fellow writing science fiction in Detroit, Michigan. She received a 2013 Detroit Knight Arts Challenge Award to run a series of Octavia Butler–based writing workshops.
Two teenagers struggle with a horrific family legacy in the sequel to Chase Novak's novel, Breed. Thirteen years ago, a radical fertility doctor helped bring Adam and Alice Twisden into the world. The treatment came at a great cost: it turned the twins' parents into barbarous animals and threatens to transform the children, too. As Adam and Alice find themselves on the brink of maturity, they starve themselves in a desperate attempt to stop their bodies from changing. Will they succumb to the same bodily horrors that destroyed their parents? Their aunt, Cynthia, who has always wanted to be a mother, oversees renovations to the Twisden family's Upper East Side residence-violently torn apart by the children's parents -- and struggles to give her niece and nephew the unconditional love and stable home life they never had. Meanwhile, in the world outside, the forces of good and evil collide as a troop of wild teenagers, growing steadily in number, threatens to invade the calm refuge Cynthia is so determined to construct behind the safety of the Twisdens' walls. As New York City transforms into a battleground, Adam and Alice will have to decide where their loyalties lie. They are determined to lead normal lives -- and yet their unnatural urges, which grow ever stronger by the day, can only be stifled for so long...
The third and final volume in the House of Serpents trilogy, from New York Times–bestselling author Lisa Smedman Medusanna is a priestess of terrifying power and ambition. Never satisfied, she convinces the Se’sehen—a yuan-ti tribe from the distant jungles of Chult—to serve her growing cult of Sseth, who specialize in dangerous games of deception, poison, and murder. It is in the Sseth’s foul plane of Smaragh that Karell, a yuan-ti half-blood, lies trapped and desperate. Her only hope for rescue and survival is Arvin, a mind-mage of growing psionic gifts. But time is quickly running out for Arvin to find her—and with each passing minute, the House of Serpents slithers closer to destroying their last hope for freedom.
After being stalked across the galaxy by an assassin, post-human Krina Alzon-114 journeys to the water-world Shin-Tethys in search of her sister.
In this gripping tale of passion, politics and conflict, King Henry II finds himself brutally betrayed by his wife Eleanor and three eldest sons when they enter into a rebellion against him. Aligning themselves with Henry's most bitter enemy, King Louis of France, their treacherous actions will have devastating consequences as they bring about the downfall of a brilliant man and a powerful empire. In Devil's Brood, the compelling story of Henry and Eleanor's once great love affair is explored in an uniquely vivid way. What twists of fate turn love to hatred? What points of principle and ambition cause these two icons to struggle for power, leaving their family tragically divided and their turbulent marriage finished in all but name? Sharon Penman's glorious trilogy reaches its spellbinding conclusion.
Brood parasitism has become one of the most flourishing areas of research in evolutionary ecology and one of the best model systems for investigating coevolution. This subject has undergone remarkable advances during the last two decades, but has not been covered by any book in the 21st century. This book offers a comprehensive and up-to-date overview of the fascinating field of avian brood parasitism. The topics covered include conspecific brood parasitism; evolution and phylogenetic history of avian brood parasites; parasitic behaviour used by brood parasites; adaptations and counter-adaptations of brood parasites and their hosts at every stage of the breeding cycle (before laying, egg, chick and fledgling stages); factors affecting the evolution of host defences and parasitic attacks; the role of phenotypic plasticity in host defences; mechanisms driving egg recognition and rejection; evolution of nest sharing or nest killing by brood parasite chicks; begging behaviour in parasitized nests and food delivery by host adults; and recognition of conspecifics by juvenile brood parasites. This volume provides a comprehensive reference resource for readers and researchers with an interest in birds, behaviour and evolution, as well as a source of hypotheses and predictions for future investigations into this dynamic subject.
The world of Herodian IV is doomed when the nightmarish tyranid hive fleets descend from the depths of space, intent on devouring every living thing there. In the vital hours before the planeet is lost, Inquisitor Kalipsia and a team of Deathwatch Spaces Marines are sent on a mission to investigate a mysterious research outpost. The terrible secret they uncover could affect the fate of all humanity, but can they escape to dafety before they are torn apart by the ravenous alien bordes?
Lisa Yuskavage: Babie Brood is the first survey of the artist’s small-scale paintings. While Yuskavage is primarily known for larger canvases, these intimate works offer a new window into her transgressive paintings and complex and influential oeuvre. Based on the artist’s imagination, live models, maquettes, and found and staged photographs, the small paintings in this book demonstrate Yuskavage’s methodical exploration of how images are created and their sources. Some of the small works are studies for large paintings, while others revisit preexisting images. Yet others are one-of-a-kind compositions only created on this intimate scale. As places for experimenting with color, form, and characters as well as a variety of formats—including stretched and unstretched linen, canvas boards, wood, and paper—these paintings play a remarkably dynamic role within her work. This catalogue presents the paintings to scale so readers can explore the works as if seeing them in person. Documenting the artist’s exhibition at David Zwirner, New York, in 2018, this catalogue includes an essay by Jarrett Earnest that illuminates Yuskavage’s early influences and explores the constant, often surprising themes that can be found throughout her art.