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The Hindu-Buddhist Sculpture of Ancient Kashmir and Its Influences is primarily based on the study of the largely unpublished corpus of sculpture, mostly of stone, in the Sri Pratap Singh Museum in Srinagar, and of other examples in situ elsewhere in the valley. The disparate nature and fragmentary condition of these sculptures as well as their artistic and iconographical influences have for long defied accurate analysis. The method used in the classification of these sculptures is based on close analysis of their style concentrating on recurring features such as facial and physical typology, modelling, dress and ornamentation. Comparisons are made with other examples of Kashmir bronze, ivory and stone sculpture in private and public collections both within India and abroad.
Himalayan Bronzes focuses on a complete study of 340 medieval-period copper alloy sculptures from the Himalayan regions of Afghanistan, northern Pakistan, Kashmir, Himachal Pradesh, Nepal, and Tibet. For more than 1,500 years, artists in isolated valleys in and adjacent to the mountains of the Himalayas have created magnificent copper-based statues representing deities and spiritual leaders of the Hindu, Buddhist and Bon-Po religions. Author Chandra L. Reedy's multidisciplinary approach to the study of these statues integrates methods and techniques from art history, art conservation, geology, chemistry, statistics, archaeology, and ethnography to answer art historical and anthropological questions. Her guiding premise is that gathering and combining several types of information will result in more and better answers than any one type alone.
Vaisnavism Played A Very Significant Role In Socio-Religious And Artistic Expressions Of Kashmir In Ancient And Medieval Periods. Vaisnavism Carved Its Due Place In The Minds Of The People In The Valley With Equal Amount, If Not More Than That Of Buddhism And 'Saivism. In General, The Religion Of Vishnu In The Kashmir Valley Shared The Pan-Indian Notion, Yet In Certain Aspects, It Maintained Its Individualistic Approach. Such Differences Are Noted In The Texts As Well As In The Artistic Expressions Of The Valley. The Present Book Deals With The Various Facets Of Vaisnavism In Kashmir With Particular Reference To The Vaisnava Icons And Art. The Book Deals With Para, Vyuha And Vibhava Aspects Of Vishnu As Well As With Composite And Syncretic Aspects Of The God. Attention Has Also Been Paid To The Minor Vaisnavite Deities Including The Personification Of Vishnu'S Attributes. There Has Been A Dearth Of A Comprehensive Study On Vaisnava Art And Iconography Of Kashmir And This Book Is Likely To Fill The Gap
A survey of artistic, religious, and historical developments in early medieval Rajasthan. It analyzes patterns of change in temple sculpture and architecture, and argues for a reinterpretation of the relationship between art, religion, and politics.