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The commodification of Islamic antiques intensified in the late Ottoman Empire, an age of domestic reform and increased European interference following the Tanzimat (reorganisation) of 1839. Mercedes Volait examines the social life of typical objects moving from Cairo and Damascus to Paris, London, and beyond, uncovers the range of agencies and subjectivities involved in the trade of architectural salvage and historic handicraft, and traces impacts on private interiors, through creative reuse and Revival design, in Egypt, Europe and America. By devoting attention to both local and global engagements with Middle Eastern tangible heritage, the present volume invites to look anew at Orientalism in art and interior design, the canon of Islamic architecture and the translocation of historic works of art.
Sergei Ivanovich Rudenko was a prominent Russian/Soviet anthropologist and archaeologist who discovered and excavated the most celebrated of Scythian burials, Pazyryk in Siberia. During the excavation of Pazyryk tombs, he discovered the world's most spectacular tattooed mummy said to belong to the Pazyryk Culture which flourished between the 7th and 3rd centuries BC. Herodotus and other ancient writers referred to the Altay as "the golden mountain". It was there that the impregnable citadel of the Scythians (or Sacae) lay hidden for centuries. Rudenko, however, was cautious enough not to assign his findings to the Scythians. He attributed the kurgan finds to the formidable Iron Age horsemen and warriors, whom he dubbed the "Pazyryks." Although they left no written records, Pazyryk artifacts are distinguished by a sophisticated level of artistry and craftsmanship. The Pazyryk tombs discovered by Rudenko were in an almost perfect state of preservation. They contained skeletons and intact bodies of horses and embalmed humans, together with a wealth of artifacts including saddles, riding gear, a chariot, rugs, clothing, jewelry, musical instruments, amulets, tools, and an "apparatus for inhaling hemp smoke." Also found in the tombs were fabrics from Persia and China, which the Pazyryks must have obtained on journeys covering thousands of miles.
This volume catalogues more than six hundred bronze and iron objects in the Department of Ancient Near Eastern Art of The Metropolitan Museum of Art. Each is illustrated and discussed in terms of its formal and stylistic aspects, cultural background, function, and chronology. Bibliographic citations present comparative material relevant to each object. - Book jacket.