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This is a review of 190 years of literature on copper and its alloys. It integrates information on pigments, corrosion and minerals, and discusses environmental conditions, conservation methods, ancient and historical technologies.
These two volumes elucidate the manner in which there emerged, on the North China plain, hierarchically structured, functionally specialized social institutions organized on a political and territorial basis during the second millennium b.c. They describe the way in which, during subsequent centuries, these institutes were diffused through much of the rest of North and Central China. Author Paul Wheatley equates the emergence of the ceremonial center, as evidenced in Shang China, with a functional and developmental stage in urban genesis, and substantiates his argument with comparative evidence from the Americas, Mesopotamia, Egypt, Southeast Asia, the Mediterranean, and the Yoruba territories. The Origins and Character of the Ancient Chinese City seeks in small measure to help redress the current imbalance between our knowledge of the contemporary, Western-style city on the one hand, and of the urbanism characteristic of the traditional world on the other. Those aspects of urban theory which have been derived predominantly from the investigation of Western urbanism, are tested against, rather than applied to ancient China. The Origins and Character of the Ancient Chinese City examines the cosmological symbolism of the Chinese city, constructed as a world unto itself. It suggests, with a wealth of argument and evidence, that this cosmo-magical role underpinned the functional unity of the city everywhere, until new bases for urban life began to develop in the Hellenistic world. Whereas the majority of previous investigations into the nature of the Chinese city have been undertaken from the standpoint of elites, The Origins and Character of the Ancient Chinese City has adopted a point of view closer to that of the social scientist than the geographer.
David A. Scott provides a detailed introduction to the structure and morphology of ancient and historic metallic materials. Much of the scientific research on this important topic has been inaccessible, scattered throughout the international literature, or unpublished; this volume, although not exhaustive in its coverage, fills an important need by assembling much of this information in a single source. Jointly published by the GCI and the J. Paul Getty Museum, the book deals with many practical matters relating to the mounting, preparation, etching, polishing, and microscopy of metallic samples and includes an account of the way in which phase diagrams can be used to assist in structural interpretation. The text is supplemented by an extensive number of microstructural studies carried out in the laboratory on ancient and historic metals. The student beginning the study of metallic materials and the conservation scientist who wishes to carry out structural studies of metallic objects of art will find this publication quite useful.
These two volumes elucidate the manner in which there emerged, on the North China plain, hierarchically structured, functionally specialized social institutions organized on a political and territorial basis during the second millennium b.c. They describe the way in which, during subsequent centuries, these institutes were diffused through much of the rest of North and Central China. Author Paul Wheatley equates the emergence of the ceremonial center, as evidenced in Shang China, with a functional and developmental stage in urban genesis, and substantiates his argument with comparative evidence from the Americas, Mesopotamia, Egypt, Southeast Asia, the Mediterranean, and the Yoruba territories. The Origins and Character of the Ancient Chinese City seeks in small measure to help redress the current imbalance between our knowledge of the contemporary, Western-style city on the one hand, and of the urbanism characteristic of the traditional world on the other. Those aspects of urban theory which have been derived predominantly from the investigation of Western urbanism, are tested against, rather than applied to ancient China. The Origins and Character of the Ancient Chinese City examines the cosmological symbolism of the Chinese city, constructed as a world unto itself. It suggests, with a wealth of argument and evidence, that this cosmo-magical role underpinned the functional unity of the city everywhere, until new bases for urban life began to develop in the Hellenistic world. Whereas the majority of previous investigations into the nature of the Chinese city have been undertaken from the standpoint of elites, The Origins and Character of the Ancient Chinese City has adopted a point of view closer to that of the social scientist than the geographer. Paul Wheatley was professor and chairman of the Committee on Social Thought at the University of Chicago. He was most famous for his work dealing with comparative urban civilization. Some of his books include The Places Where Men Pray Together: Cities in Islamic Lands, 7th to 10th Centuries; Nagara and Commandery, Origins of the Southeast Asian Urban Traditions; and The Management of Success: The Moulding of Modern Singapore (with K. S. Sandhu).
"From the Neolithic to the avant-garde, and through all the brilliant centuries in between, Michael Sullivan's newly revised introduction to Chinese art history is unmatched in its clarity, balance, and sure grasp of the subject. Whether for the classroom student or the casual reader, its remarkable range and elegant style make this book a wonderful way for anyone to begin learning about Chinese art." --Jerome Silbergeld, Professor of Art History, University of Washington, and author of Chinese Painting Style "A concise, comprehensive, and highly readable overview of Chinese art extending from its Neolithic roots down to its modern engagement with the West."--Maxwell Hearn, Curator of Chinese Art, Metropolitan Museum of Art, and author of Splendors of Imperial China "I have used this text in my class for thirty years. With full revisions and additions reflecting recent archaeology and art historical scholarship, the fourth edition will continue to be the best one-volume history of Chinese art in the English language. No other historian of Chinese art today commands such a wide range of knowledge as Michael Sullivan."--Richard Barnhart, John M. Schiff Professor of the History of Art, Yale University, and editor of Three Thousand Years of Chinese Painting "This is the most comprehensive study of Chinese art, giving up-to-date information from the Stone Age to the twentieth century. Professor Michael Sullivan is a leading scholar in this field, and this is an indispensable textbook for all students of Asian art history." --Wang Qingli, Professor of Chinese Art History, University of Hong Kong, and author of A History of Nineteenth-Century Chinese Art
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1967. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived
The seventeen contributors to this interdisciplinary volume bring to the study of early China the analytical concerns of archeology, art history, botany, climatology, cultural and physical anthropology, ethnography, epigraphy, linguistics, metallurgy, and political and social history. Readers interested in such topics as the origin of rice or millet agriculture, the origin of writing, the nature of the trie, and the processes of state formation will find much value here. They will find, too, major hypotheses about teh cultural importance of ecogeographical zones in China, Neolithic interaction between the east coast and Central Plains, the remarkable homogeneity of early Chinese crania, and the links between the Hsia, Shang, and Chou dynasties. Relying on recently published archaeological evidence and the insights gained from carbon-14 and thermoluminescent datings, the authors provide original and significant interpretations of the nature of Chinese civilization in its formative stage and the processes by which civilizations form. Since there is little doubt that the complex of culture traits which defines Chinese civilization in the second and fist millennia B.C. developed from a Chinese Neolithic stage, the origin of the Chinese civilization is worth studying not only in its own right but as an instance of the indigenous development of civilizations in general. This volume will appeal to all who are intersted in the genesis of civilization and the transition from the Neolithic to the Bronze Age; it summarizes that state of present knowledge about China and suggests research strategies and hypotheses for the future. Contributors:Noel BarnardK. C. ChangTe-Tzu ChangCheung Kwong-YueWayne H. FoggUrsula Martius FranklinMorton H. FriedW. W. HowellsLouisa G. Fitzgerald HuberKarl JettmarDavid N. KeightleyFang Kuei LiHui-Lin LiWilliam MeachamRichard PearsonE.G. PulleyblankRobert Orr Whyte This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1983.
A major scholarly work, published in conjunction with the exhibition titled "Splendors of Imperial China: Treasures from the National Palace Museum, Taipei" (on display at the Metropolitan Museum of Art during 1996, and scheduled for several other American cities during 1996-1997). Written by scholars of both Chinese and Western cultural backgrounds and conceived as a cultural history, the book synthesizes scholarship of the past three decades to present the historical and cultural significance of individual works of art and analyses of their aesthetic content, as well as reevaluation of the cultural dynamics of Chinese history. Includes some 600 illustrations, 436 in color. Annotation copyright by Book News, Inc., Portland, OR