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Much of this study, which addresses the issue of alternative ways of financing public service broadcasting in the USA and Europe, has been based on the Peacock Committee on Financing the BBC, in which the author was involved.
Private Television in Western Europe: Content, Markets, Policies describes, analyses and evaluates the phenomenon of private television in Europe, clustered around the themes of European and national experiences, content and markets, and policies.
An in-depth account of EU policies in the area of public service broadcasting, focusing mainly on the application of the European State aid rules. The book discusses when, how and with what impact the European Commission deals with public service broadcasting.
The Encyclopedia of Television, second edtion is the first major reference work to provide description, history, analysis, and information on more than 1100 subjects related to television in its international context. For a full list of entries, contributors, and more, visit the Encyclo pedia of Television, 2nd edition website.
Public broadcasting has changed dramatically since its founding in 1967. The growing equation of marketplace efficiency with the public interest has, in Tom McCourt's analysis, undermined the value of public goods and services. In addition, political and cultural discourse is increasingly beset by fragmentation. Public radio provides an exemplary site to examine the prospects and problems of contemporary public life. Beginning with a description of the events that led to the creation of National Public Radio, McCourt discusses the relationship between NPR and its affiliate stations and the ways in which struggles over funding and programming have affected public radio's agenda. He also examines how public radio incorporates the roles of public representatives into its operations and how its methods to determine the needs and interests of the public have changed across the system's history. The social, political, and economic pressures that have impacted the mission and practices of National Public Radio, McCourt asserts, are manifest in all areas of American life. Through extensive historical research, he examines whether American public broadcasters, as represented by NPR, have succeeded or failed to engender an enlightened, participatory democracy.
The Daily Planet is a long-awaited selection of Patricia Aufderheide's most important critical essays, updated and organized thematically to demonstrate the breadth of her thinking on media and film, public telecommunications policy, and contemporary society. The result is a pithy and provocative exploration of "the culture of daily life under capitalism". Here, Aufderheide demonstrates criticism that is both activist and analytical. She probes the processes that shape our culture by examining diverse subjects, including the struggle to create quality children's television programming, the meaning of Paul Harvey, the evolution of the war film over the past thirty years, and the ways journalism is changed by the Internet and other new technologies. Throughout, Aufderheide foregrounds democratic values, displaying the penetrating insights that have made her a leading public intellectual and commentator on contemporary culture.
This text assesses the transformation of broadcasting currently taking place in Europe, where deregulation, coupled with advances in satellite, cable and video technology, promises consumer choice on an American scale.
This book reassesses central topics in cultural economics: Public finance and public choice theory as the basis for decision-making in cultural and media policy, the role of welfare economics in cultural policy, the economics of creative industries, the application of empirical testing to the performing arts and the economics of cultural heritage. Cultural economics has made enormous progress over the last 50 years, to which Alan Peacock made an important contribution. The volume brings together many of the senior figures, whose contributions to the various special fields of cultural economics have been instrumental in the development of the subject, and others reflecting on the subject's progress and assessing its future direction. Alan Peacock has been one of the leading lights of cultural economics and in this volume Ilde Rizzo and Ruth Towse and the other contributors ably capture the import of his contributions in a broader context of political economy. In doing so, they offer an overview of progress in cultural economics over the last forty years. Tyler Cowen, Professor of Economics and Director of the Mecatus Center, George Mason University, Fairfax, Virginia, USA A fitting tribute to Professor Sir Alan Peacock's inspiring intellect leadership and his outstandingly rich and varied legacy in the domain of cultural economics, this book draws together illuminating analyses and insights from leading cultural economists about the role and value of this dynamic and increasingly policy-relevant field of enquiry. Gillian Doyle, Professor of Media Economics and Director of Centre for Cultural Policy Research, University of Glasgow, UK
Success out of near disaster, finances taken to the edge of bankruptcy, resignations - this volume tells the dramatic stories of the major new commercial television developments in Britain between 1981-92. This is an authoritative account, from the people involved and from official documents, of the launches and first ten years of Channel 4 and TV-am, the expansion of cable television and early difficulties of satellite broadcasting.