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Reproduction of the original: The Borough by George Crabbe
Suffolk represents quintessential East Anglia, a region that has locally distinctive architectural styles, regional accents, scenery, culture and climate. The county, which is low-lying but by no means flat, has some of its best scenery along the coast: a soft, dreamy landscape of river estuaries, remote marshes, reed-beds, beaches, shingle banks, sand spits and dunes. Elsewhere in the county can be found undulating farmland, sandy heaths, shady river banks and extensive forests. The area also has much appeal to visitors for its manmade heritage: the distinctive rural architecture of the Stour Valley (with its Constable painting associations) on the Suffolk-Essex border, the ancient town of Bury St Edmunds, the great country houses with their estates, ancient thatched churches hidden away from view and unspoiled market towns. Suffolk is also well known for its Anglo-Saxon heritage - the royal ceremonial burial site at Sutton Hoo and the reconstructed Anglo-Saxon village at West Stow.
The three long-distance walks described in this book - the Suffolk Coast Path, the Stour and Orwell Walk and the Sandlings Walk - link together to provide a comprehensive and varied circuit of the entire Suffolk Heritage Coast. The Suffolk Coast Path stretches along the coast between Lowestoft and Landguard Fort, close to Felixstowe in the south, a total distance of 60 miles (97km) depending on whether beach walking or inland options are followed. The Stour and Orwell Walk continues where the Suffolk Coast Path ends, starting at Landguard Point threading for 40 mile (64km) around the estuaries of the Stour and Orwell rivers to finish at Cattawade, close to the Essex border. The Sandlings Walk (59 miles/94.5km) explores the heathland region that lies immediately inland from the Suffolk coast. With the exception of the first stage, between Ipswich and Woodbridge, the route of the Sandlings Walk lies entirely within the confines of the Suffolk Coast & Heaths AONB. With a unique landscape of cliffs, marshes, dunes and shingle beaches, and rare plants and birdlife galore, there is much to attract anyone seeking interesting day walks or longer multi-day itineraries.
Gaspard's friend Finty the dog and her owner Honey are travelling to a classical concert in London's Hyde Park - if only Gaspard could join them! But while good-naturedly attempting to return Honey's scarf, the handsomest fox in London suddenly finds himself on a tour through the city's streets aboard Finty's bus passing some of London's best sight-seeing spots such as: Islington Green, Museum Street, Chinatown, the theatres of the West End, Piccadilly and many more. This latest adventure in the Gaspard the Fox series sees Gaspard thrust literally to centre stage as he becomes a musical inspiration. 'The wonderful thing about Gaspard the Fox is that it's hard to imagine a time when he was never there. He has the look and sound - in the words and pictures on the page and the music of the orchestra - of a classic. Three cheers for Gaspard!' - Philip Ardagh, Roald Dahl Funny Prize winning author 'Another wonderful tale of the exciting adventures of Gaspard, our urban fox friend, beautifully told and illustrated. A real treat'. - Dame Patricia Routledge 'This is a lovely story, beautifully illustrated and speaks to the hearts of all children, young and old' - Marin Alsop, Conductor
This book is about Ronald Blythe's life in Aldeburgh during the 1950s. He had originally come to the Suffolk coast as an aspiring young writer, but found himself drawn into Benjamin Britten's circle and began working for the Aldeburgh Festival. Although befriended by Imogen Holst and by E M Forster, part of him remained essentially solitary, alone in the landscape while surrounded by a stormy cultural sea. But this memoir gathers up many early experiences, sights and sounds: with Britten he explored ancient churches; with the botanist Denis Garrett he took delight in the marvellous shingle beaches and marshland plants; he worked alongside the celebrated photo-journalist Kurt Hutton. His muse was Christine Nash, wife of the artist John Nash. Published to coincide with the centenary of Britten's birth, this is a tale of music and painting, unforgettable words and fears. It describes the first steps of an East Anglian journey, an intimate appraisal of a vivid and memorable time.
India explores the lives of everyday people in extraordinary settings through the lens of Steve McCurry, one of the most admired photographers working today. As featured on cnn.com. This new portfolio of emotive and beautiful photographs from India features 150 previously unpublished images taken across the Indian subcontinent, along with iconic photographs that are famous worldwide. Reproduced in a large format with captions, and an introductory essay, this book features a range of color pictures illustrating this most colorful of countries, capturing the lives of everyday people in extraordinary settings: from the Ganesh festival on Chowpatty beach in Mumbai to the Kolkata railway station before dawn to the flower markets of Kashmir and the streets of Old Delhi. Following Phaidon's 2013 bestseller Untold: The Stories Behind the Photographs, McCurry's India is a new selection of the photographer's beautiful and powerful images of India, a country he has photographed many times over the last thirty years. Other Phaidon titles by Steve McCurry, include Steve McCurry, The Iconic Photographs, Steve McCurry, Unguarded Moment and Steve McCurry: South Southeast.
When all her islands are taken into consideration, the British coastline spans almost 8,000 miles, which is longer than both Brazil's and Mexico's. From the clear blue waters of serene Cornish bays to the tempestuous seas around rugged Pembrokeshire headlands, this new book journeys around the varied shorelines of England and Wales to complete the most comprehensive survey ever taken. Stuart Fisher, bestselling author of the similarly comprehensive Canals of Britain, visits all the places of interest along the entire coastline of England and Wales: from remote countryside to modern cities, exploring history and heritage, striking architecture and dramatic engineering, wildlife, wonderful flora and fauna, art and literature. His journey takes him from industrial hubs to small villages and fishing communities, providing a keen insight into what makes each stretch of Britain's shoreline unique and special. Evocative and often dramatic colour photographs help capture the great variety of the coast, and maps, book covers, stamps and local artefacts help convey the character of each area. This comprehensive and absorbing survey is a treasure trove of interest and knowledge for walkers, cyclists, boaters, holidaymakers and indeed anyone with an interest in coastal Britain.
THE TIMES NATURE BOOK OF THE YEAR 2019!Shortlisted for the Wainwright Golden Beer Book Prize!Shortlisted for the East Anglian Book Award 2019!If you enjoyed Raynor Winn's The Salt Path, Amy Liptrot's The Outrun, Chris Packham's Fingers in the Sparkle Jar or Helen MacDonald's H is for Hawk, you'll love The Easternmost House.Within the next few months, Juliet Blaxland's home will be demolished, and the land where it now stands will crumble into the North Sea. In her numbered days living in the Easternmost House, Juliet fights to maintain the rural ways she grew up with, re-connecting with the beauty, usefulness and erratic terror of the natural world.The Easternmost House is a stunning memoir, describing a year on the Easternmost edge of England, and exploring how we can preserve delicate ecosystems and livelihoods in the face of rapid coastal erosion and environmental change.With photographs and drawings featured throughout, this beautiful little book is a perfect gift for anyone with an interest in sustainability, nature writing or the Suffolk Coast.
This 2004 book is a full-length, scholarly study of what is widely regarded as Mozart's most enigmatic opera and Lorenzo Da Ponte's most erudite text. Against the long-standing judgement that the opera uses a misguided confidence in reason to traduce feeling, Goehring's study shows how Cosi affirms comedy's regenerative powers and its capacity to grant access to modes of sympathy and understanding that are otherwise inaccessible. In making this argument, the book surveys a rich literary, operatic and intellectual territory. It offers fresh perspective on the relationships between text and tone in the opera, on the tension between comedy and philosophy and its representation in stage works and on the pastoral mode which the opera uses in subtle ways. Throughout, Goehring's argument is sustained by close readings of primary sources, many of them little known, and is richly illustrated with musical examples.