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British West Indies Style is a lavish account of the interiors, architecture, and lifestyle of the English colonial great houses and historic town houses in the Caribbean - from the British Virgin Islands, Jamaica, Nevis, St. Kitts, Antigua, Barbados, and others, to the less-traveled islands of Bequia, British Guyana, and Montserrat. Close to fifty private homes are featured, with unique collections of antique, indigenous, and colonial furniture.
Caribbean Elegance is an illustrated survey of the lifestyles, dwellings and varied furniture styles and decor of the island groups that make up the Caribbean region. It also includes a brief history of the islands and their economies.
Although the colonies in the West Indies were as important to the expanding British empire as those in North America, writings from the British West Indies have been conspicuously absent from anthologies of seventeenth- and eighteenth-century British literature. In this first literary anthology dedicated to the region, Thomas W. Krise gathers important but little-known descriptions, poems, narratives, satires, and essays written in and about this culturally rich and politically tempestuous region. Caribbeana offers invaluable period commentaries on slavery, colonialism, gender relations, African and European history, natural history, agriculture, and medicine. Highlights include several of the earliest protests against slavery; a superb ode by the Cambridge-educated Afro-Jamaican poet Francis Williams; James Grainger's extended georgic poem, The Sugar Cane; Frances Seymour's poignant tale of the Englishman Inkle who sells his Indian savior-lover Yarico into slavery; and several descriptions of the West Indies during the early years of settlement.
Caribbean migration to Britain brought many new things--new music, new foods, new styles. It brought new ways of thinking too. This lively, innovative book explores the intellectual ideas which the West Indians brought with them to Britain. It shows that for more than a century West Indians living in Britain developed a dazzling intellectual critique of the codes of Imperial Britain. This is the first comprehensive discussion of the major Caribbean thinkers who came to live in twentieth-century Britain. Chapters discuss the influence of, amongst others, C.L.R. James, Una Marson, George Lamming, Jean Rhys, Claude McKay and V.S. Naipaul.
From India Hicks, a beautifully illustrated guide to achieving her famously undone, gloriously bohemian decorating style. Born from British and design royalty, India Hicks has forged a design empire from her family’s enclave in the Bahamas. In India Hicks: Island Style, she invites readers into her world, offering never-before-seen imagery and irresistible behind-the-scenes stories. Beginning with an uproarious reflection on India’s own design odyssey, the heart of the book is an in-depth exploration of her style. Timeless and under-decorated, her rooms combine carefree Caribbean culture with British colonial form and formality. In ten chapters, India walks the reader through the basics of capturing the look: the subtle palette of island life; the miracle of tablescaping; the warm anarchy of a family kitchen; the pleasure of porches; the drama of entertaining; bedrooms as places of self-expression; the "more is more" style of living with collections; the importance of repurposing; and creating spaces of sanctuary. Witty, richly prescriptive, beautifully photographed, this book will enchant readers with a glimpse of decorating in paradise.
New research on the archaeology of the colonial landscapes of the Caribbean.
Originally published in 1917, this book is an investigation of industrial and social conditions in the British West Indies in the effort to reach a better understandinf of the part those islands played in the growth and dissolution of the British empire, including chapters on white labor in the sugar islands, the slave trade, and foreign markets for British sugar.
This is a military-political history with a vital and all-pervading cultural and social theme which shapes the narrative - race, color and prejudice. But despite this, there is an extraordinary underlying theme of empire loyalty among serving soldiers - NCOs and private soldiers - and a growing grasp of political ideas and liberal democracy. And the loyalty to the British crown as an agent of the ending of slavery will be amazing to some readers. War experience was a powerful catalyst and contributed to a 'West Indianess' and desire for political advance. But even here the desire was for independence within the empire - a 'West Indian Dominion' as with 'elder sisters' of empire, the Dominions of Australia, Canada, New Zealand and South Africa. The political and economic status of the islands was a potent reason for the 'colored contingents' enlisting - work was scarce - but a major impetus was the cultural concept of 'manliness' and empire-status - shared by George V, who insisted, against government pressure, on allowing West Indians to serve with white British soldiers. But all were volunteers and not enlisted men. The West Indies Regiment was small and its contribution in action limited, and restricted largely to Egypt and Mesopotamia, and with limited service on the Western Front. But it shows vividly the ingrained racialism and color prejudice of British society and the British Army and above all, in the insensitive omission of the West Indies Regiment at the Victory Parade in 1919.