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The Reputation Of Wordsworth, Once Regarded As The Most Important Exponent Of English Romanticism, Has, Strangely, Been Quite Controversial, And The Critical Reception Of His Poetry Had Many Ups And Downs. If Arnold Considers Him One Of The Chief Glories Of English Poetry Byron Considers Him As A Hireling Poet And A Prince Of Dullness, And It Is A Fact That Never In His Lifetime Wordsworth Came Near To Such Popularity As That Of Scott Or Byron. Yet, Southey Whom Wordsworth Succeeded As Poet Laureate Held That A Greater Poet Than Wordsworth There Never Has Been Or Will Be. Tennyson Was Grateful To Wordsworth For What He Had Learned From Him And Kept His Admiration For Him On Record In His Verse.It Will Be Salutary To Revisit Wordsworth, With The Benefit Of Hindsight, Through The Essays Included In This Volume Most Of Which Were Written More Than Hundred Years Ago, And Draw Our Independent Conclusions. The Students And Teachers Of English Literature Will Certainly Find These Historically Valuable Essays, Some Of Which Are Not Easily Accessible These Days, Very Useful And Exciting, And A Scholar On Wordsworth Can Least Afford To Ignore Them.Contents: Wordsworth S Life: An Outline, Coleridge On Wordsworth, Hazlitt On Wordsworth, De Quincey On Wordsworth, Arnold On Wordsworth, Morley On Wordsworth, Herford On Wordsworth, Elton On Wordsworth.
Where others have oriented Wordsworth towards ideas of transcendence, nature worship, or - more recently - political repression, Paul H. Fry argues that underlying all this is a more fundamental insight - Wordsworth is most astonished not that the world he experiences has any particular qualities, but rather that it simply exists.
In this second edition of William Wordsworth: A Life, Stephen Gill draws on knowledge of the poet's creative practices and his reputation and influence in his life-time and beyond. Refusing to treat the poet's later years as of little interest, this biography presents a narrative of the whole of Wordsworth's long life--1770 to 1850--tracing the development from the adventurous youth who alone of the great Romantic poets saw life in revolutionary France to the old man who became Queen Victoria's Poet Laureate. The various phases of Wordsworth's life are explored with a not uncritical sympathy; the narrative brings out the courage he and his wife and family were called upon to show as they crafted the life they wanted to lead. While the emphasis is on Wordsworth the writer, the personal relationships that nourished his creativity are fully treated, as are the historical circumstances that affected the production of his poetry. Wordsworth, it is widely believed, valued poetic spontaneity. He did, but he also took pains over every detail of the process of publication. The foundation of this second edition of the biography remains, as it was of the first, a conviction that Wordsworth's poetry, which has given pleasure and comfort to generations of readers in the past, will continue to do so in the years to come.
First published in 1814, “The Excursion” is the second and only completed part of Wordsworth's three-part work “The Recluse”. It is a long poem that revolves around three central figures: the Solitary, who has lived through the horrors and hopes of the French Revolution; the Pastor, to whom a third of the poem is dedicated; and the Wanderer. “The Excursion” enjoyed popularity in the nineteenth century and is highly recommended for fans and collectors of Wordsworth's fantastic work. Included in this edition is an introductory excerpt from “Reminiscences” (1881) by Thomas Carlyle. William Wordsworth (1770–1850) was an English Romantic poet famous for helping to usher in the Romantic Age in English literature with the publication of “Lyrical Ballads” (1798), which he co-wrote with Samuel Taylor Coleridge. His best known work is perhaps “The Prelude”, a semi-autobiographical poem from his early years which was changed and expanded many times throughout his life. He was poet laureate of Britain between 1843 until his death in 1850. Other notable works by this author include: “The Tables Turned”, “The Thorn”, and “Lines Composed A Few Miles above Tintern Abbey”.
In exploring Wordsworth's professionalization as a writer, the author's interpretations are coordinated by a single, albeit highly ramified, critical hypothesis: that Romanticism's aesthetic forms afforded the middle classes an imaginary furlough from the impinging consciousness of their tenuous socioeconomic status.
Previous historical studies of English have not looked closely at the similarities of its development in different cultural settings and educational systems. This book provides a cross-national perspective on attempts to establish, maintain, and modify the discursive practices that constituted English literary studies in universities. Drawing on archival sources, it takes three leading institutions as exemplary sites: Cornell University, in the United States; The University of London, in Britain; and the University of Melbourne, in Australia. places, a persistent genetic identity exists that is best understood as Romantic. More particularly, Wordsworth's writings, and a cluster of ideas, images, and attitudes associated with him, exerted a normative pressure on curriculum and pedagogy during the 19th-century emergence of the university and literature as we know them today. They also provided long afterwards a naturalized set of framing assumptions.
Thomas Owens explores exultant visions inspired by Wordsworth's and Coleridge's scrutiny of the night sky, the natural world, and the domains of science. He examines a set of scientific patterns which the poets used to express ideas about poetry, religion, criticism, and philosophy, and sets out the importance of analogy in their creative thinking.
In this provocative and original study, Alan Richardson examines an entire range of intellectual, cultural, and ideological points of contact between British Romantic literary writing and the pioneering brain science of the time. Richardson breaks new ground in two fields, revealing a significant and undervalued facet of British Romanticism while demonstrating the 'Romantic' character of early neuroscience. Crucial notions like the active mind, organicism, the unconscious, the fragmented subject, instinct and intuition, arising simultaneously within the literature and psychology of the era, take on unsuspected valences that transform conventional accounts of Romantic cultural history. Neglected issues like the corporeality of mind, the role of non-linguistic communication, and the peculiarly Romantic understanding of cultural universals are reopened in discussions that bring new light to bear on long-standing critical puzzles, from Coleridge's suppression of 'Kubla Khan', to Wordsworth's perplexing theory of poetic language, to Austen's interest in head injury.
Wordsworth's Vagrants explores the poet's treatment of the 'idle and disorderly' in the context of the penal laws of the 1790s, when the terror of the French Revolution caused a crackdown on the beggars and vagrants who roamed the English countryside. From the Salisbury Plain poems through to Lyrical Ballads, Quentin Bailey's readings are sensitive to Wordsworth's early radicalism without equating his socio-political engagement solely with support for the French Revolution.
Thisbook explores Wordsworth's extraordinaryinfluence on the tourist landscape of the Lake District throughout the age ofrailways, motorcars and the First World War. It explores how patterns of tourist behaviour andenvironmental awareness changed in the century of popular tourism, examininghow Wordsworth's vision shaped modern ideas of travel, landscape and culturalheritage.